Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 13 werken van Peter Snijers in onze catalogus
Kortom
Leo (The Month of July) (1727) is het schilderij van Peter Snijers dat de meeste aandacht trekt; het origineel bevindt zich in het Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen. Daarna gaat de blik naar Aquarius (The Month of January) (1727) en A Still Life (1729). Van de 13 werken van Peter Snijers in onze catalogus zijn dit de 12 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
Leo (The Month of July) is a genre painting by the Flemish artist Pieter Snyers. It belongs to a series of twelve paintings created by the artist to represent the cycle of the months. In this specific work, the month of July is identified through the inclusion of its corresponding astrological sign. The canvas captures a moment of seasonal abundance, grounding the celestial symbol within a terrestrial scene of human…
The chill of a Flemish winter permeates this 1727 oil on canvas, where the communal life of a village unfolds under a muted, grey-blue sky. Bare, vertical trees frame a receding architectural backdrop, creating a sense of depth through atmospheric perspective. The composition balances a group of figures in the foreground against the structural lines of distant buildings. Warm, earthy tones of ochre and terracotta dominate the palette, providing a…
The scene unfolds in a dense, pyramidal composition where light fights against a heavy, atmospheric darkness. A lobster, its shell a warm orange, rests near a basket overflowing with peaches or nectarines, their skins glowing under a dramatic light. Nearby, white radishes and small red berries in a bowl catch the eye, appearing bright against the deep greens and earthy browns that dominate the palette. In the upper left, a…
In this 1750 oil painting, the lushness of May is rendered through a serene, romanticized landscape. Three women occupy the foreground, their presence anchoring a composition that transitions from intimate human interaction to a distant, atmospheric vista. The central figure, draped in a bodice and skirt of striking blue and white, provides a cool focal point against the warm, earthy tones of the surrounding greenery. To her side, a seated…
The Month of April emerges from the brush of Pieter Snyers, a Flemish artist who began his life in Antwerp, Belgium, in 1681. This specific work exists as a single chapter within a larger, cohesive narrative: a series of twelve paintings that represent each month of the year. This collection remains the most significant achievement of Snyers' career, capturing the shifting essence of the seasons through his eyes. Within this…
The Bird's Nest is a painting by the Flemish artist Pieter Snyers. This work dates to about 1750. The artist, who was born in Antwerp in 1681, produced this piece during a period of significant activity in the region. Snyers was a multifaceted painter whose output included landscapes, still lifes, and genre scenes.
A dense, pyramidal arrangement of produce dominates the dark tabletop, creating a sense of immediate, tactile abundance. The composition draws the eye through a heavy concentration of harvest, where the organic curves of vegetables meet the smooth skins of fruit. Light enters from the upper left, casting a soft glow that defines the textures of the scene: the roughness of root vegetables, the leafy crispness of cabbage, and the waxy…
The scene unfolds through Still Life with Dead Game, a work that captures a heavy, silent abundance. Pieter Snyers brings this collection of life and death into focus, presenting a dense arrangement of birds and ripe fruit. The composition rests upon the skill of a Flemish master who moved through many genres, from portraits to landscapes, yet here he focuses his attention on the textures of the hunt and the…
The canvas presents a dense arrangement of organic forms set upon a heavy wooden table. In the foreground, a white cloth drapes in deep folds, catching a strong light that originates from the left. This illumination reveals the textures of various subjects: the wet scales of a fish, the soft fur of a dog, and the smooth skin of a melon. A peacock lies among the other elements, its plumage…
The oil painting depicts a village scene populated by three central figures: two women and a young boy. These figures are arranged in a pyramidal structure at the base of the composition, creating a sense of stability. To the left, an older woman sits by a stand holding fish and fruit. Beside her, a fisher girl holds a half salmon. A young boy is positioned near a ram, which is…
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 6 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Peter Snijers | Schilderijen uit deze lijst |
|---|---|---|---|
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 5 | Leo (The Month of July), Aquarius (The Month of January), The Bird's Nest |
 Koninklijke Musea voor Schone Kunsten van België |
Brussel | 2 | Gemini (The Month of May), The Month of April |
 National Gallery |
Londen | 1 | A Still Life |
 Städel Museum |
Frankfurt | 1 | Pantry with Game |
 Rijksmuseum |
Amsterdam | 1 | Allegory of the Month of March, Peeter Snijers, after 1730 |
 Fitzwilliam Museum |
1 | A dead hare |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
Leo (The Month of July) is a genre painting by the Flemish artist Pieter Snyers. It belongs to a series of twelve paintings created by the artist to represent the cycle of the months. In this specific work, the month of July is identified through the inclusion of its corresponding astrological sign. The canvas captures a moment of seasonal abundance, grounding the celestial symbol within a terrestrial scene of human…
The scene unfolds through Still Life with Dead Game, a work that captures a heavy, silent abundance. Pieter Snyers brings this collection of life and death into focus, presenting a dense arrangement of birds and ripe fruit. The composition rests upon the skill of a Flemish master who moved through many genres, from portraits to landscapes, yet here he focuses his attention on the textures of the hunt and the…
In this 1750 oil painting, the lushness of May is rendered through a serene, romanticized landscape. Three women occupy the foreground, their presence anchoring a composition that transitions from intimate human interaction to a distant, atmospheric vista. The central figure, draped in a bodice and skirt of striking blue and white, provides a cool focal point against the warm, earthy tones of the surrounding greenery. To her side, a seated…
Leo (The Month of July) (1727), Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen. Aquarius (The Month of January) (1727) en A Still Life (1729) volgen.
46 jaar oud: Leo (The Month of July) dateert uit 1727, en Peter Snijers werd geboren in 1681.
Leo (The Month of July), Aquarius (The Month of January), A Still Life, Gemini (The Month of May), The Month of April, The Bird's Nest, Still Life: Vegetables and Fruit, Still Life with Dead Game, Pantry with Game en Allegory of the Month of March, Peeter Snijers, after 1730. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 13 werken van Peter Snijers, daterend van 1725 tot 1750.
Voornamelijk in Koninklijk Museum voor Schone Kunsten Antwerpen (Antwerpen), Koninklijke Musea voor Schone Kunsten van België (Brussel) en National Gallery (Londen). De bovenstaande museumtabel bevat een volledig overzicht.
In 1720s: 4 van de 12 werken op deze pagina werden toen gemaakt, waaronder Leo (The Month of July).
Op deze pagina is het vroegste Still Life: Vegetables and Fruit (1725) en het laatste Gemini (The Month of May) (1750).
Trees (4), Woman (3) en Child (3), verspreid over de 12 werken op deze pagina.
Oil On Canvas, voor 6 van de 12 werken op deze pagina.
Leo (The Month of July), Aquarius (The Month of January) en The Bird's Nest: het Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen herbergt 5 van de werken op deze pagina.
