Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 7 werken van Charles Walch in onze catalogus
Kortom
Van alle originele werken die Charles Walch heeft nagelaten, is Bad-Mouthing (1933) het bekendst, in de collectie van het Centre Pompidou, Parijs. Direct daarna volgen Winter (1934) en The Shepherdess (1934). Onze catalogus bevat 7 werken van Charles Walch; de galerie heeft de 7 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
De 3 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Charles Walch | Schilderijen uit deze lijst |
|---|---|---|---|
 Musée Des Beaux Arts |
Mulhouse | 3 | Birthday, Bâtisseurs et architectes, L'armoire à l'ange |
 Centre Pompidou |
Parijs | 2 | Bad-Mouthing, Winter |
 Musée d'Art Moderne et Contemporain de Strasbourg |
Straatsburg | 2 | The Shepherdess, The Triumphant Bouquet |
Slechts een decennium lang, van 1933 tot 1942, gaf het de wereld elk gedateerd Charles Walch origineel in deze selectie: hier is het, jaar voor jaar.
Selecteer een jaar om de originele werken te bekijken.
In 1933, Charles Walch captured a moment of quiet friction in Bad-Mouthing. The scene unfolds within an outdoor or semi-outdoor setting, where a crowd of figures gathers under a dark blue sky. The air feels heavy with the weight of unspoken words. In the foreground, a man and a woman lean toward one another, their bodies angled in a close, secretive interaction. They appear to be whispering, their proximity suggesting…
Bad-Mouthing (1933), Centre Pompidou, Parijs. Winter (1934) en The Shepherdess (1934) volgen.
37 jaar oud: Bad-Mouthing dateert uit 1933, en Charles Walch werd geboren in 1896.
Onze catalogus bevat 7 werken van Charles Walch, daterend van 1933 tot 1942.
Voornamelijk in Musée Des Beaux Arts (Mulhouse), Centre Pompidou (Parijs) en Musée d'Art Moderne et Contemporain de Strasbourg (Straatsburg). De bovenstaande museumtabel bevat een volledig overzicht.
In 1942: 3 van de 7 werken op deze pagina werden toen gemaakt, waaronder The Triumphant Bouquet.
Op deze pagina is het vroegste Bad-Mouthing (1933) en het laatste The Triumphant Bouquet (1942).
Birthday, Bâtisseurs et architectes en L'armoire à l'ange: het Musée Des Beaux Arts, Mulhouse herbergt 3 van de werken op deze pagina.
Born in Thann, France, Charles Walch was a versatile visual artist who mastered the disciplines of painting, sculpture, and printmaking. His journey was marked by a profound personal challenge; born with a physical malformation that left his right arm atrophied and his right leg shorter than the left, he learned to navigate the world and his craft using his left hand. This necessity fostered a remarkable dexterity that would define his career. After studying at the Société Industrielle de Mulhouse, he initially worked as a fabric designer. His artistic potential was recognized by Paul Bonnet, who encouraged him to pursue formal training. This support allowed him to move to Paris to study at the Arts décoratifs, eventually establishing a lifelong studio on rue Borromée in the 15th arrondissement.
Walch's career saw significant recognition, including receiving a gold medal at the Exposition universelle de Paris in 1937 and being named a Chevalier de la Légion d'honneur. His work spanned various media, from vibrant paintings and stone sculptures such as Tendresse and Femme au chat to intricate prints like aquatints and etchings. He was part of the 1941 exhibition of the "Vingt jeunes peintres de tradition française" and contributed a flamboyant rooster as a poster for the 1944 Salon d’Automne. His artistic output included:
He passed away suddenly in his Paris studio in 1948 while actively engaged in his painting.
