Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 3 werken van Alexandre De Latour in onze catalogus
Kortom
Portrait of an unknown man (1815) is het schilderij van Alexandre De Latour dat de meeste aandacht trekt; het origineel bevindt zich in het Rijksmuseum, Amsterdam. Daarna gaat de blik naar Marie Simons, Mother of the Artist en Self Portrait. Van de 3 werken van Alexandre De Latour in onze catalogus zijn dit de 3 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
The gaze of an unidentified male meets the viewer in this Portrait of an unknown man. Painted by the Belgian miniaturist Alexandre De Latour, the work captures a moment of quiet dignity. The subject remains a mystery to history, a nameless figure preserved in a small, intimate scale. He appears as a youthful presence, his features rendered with a precision that suggests a deep familiarity with the man who sat…
De 2 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Alexandre De Latour | Schilderijen uit deze lijst |
|---|---|---|---|
 Koninklijk Museum voor Schone Kunsten Antwerpen |
Antwerpen | 2 | Marie Simons, Mother of the Artist, Self Portrait |
 Rijksmuseum |
Amsterdam | 1 | Portrait of an unknown man |
Alle getoonde originele werken van Alexandre De Latour uit 1815 behoren tot één enkel jaar: ze staan op volgorde van bekendheid.
Selecteer een jaar om de originele werken te bekijken.
The gaze of an unidentified male meets the viewer in this Portrait of an unknown man. Painted by the Belgian miniaturist Alexandre De Latour, the work captures a moment of quiet dignity. The subject remains a mystery to history, a nameless figure preserved in a small, intimate scale. He appears as a youthful presence, his features rendered with a precision that suggests a deep familiarity with the man who sat…
Portrait of an unknown man (1815), Rijksmuseum, Amsterdam. Marie Simons, Mother of the Artist en Self Portrait volgen.
35 jaar oud: Portrait of an unknown man dateert uit 1815, en Alexandre De Latour werd geboren in 1780.
Onze catalogus bevat 3 werken van Alexandre De Latour.
Voornamelijk in Koninklijk Museum voor Schone Kunsten Antwerpen (Antwerpen) en Rijksmuseum (Amsterdam). De bovenstaande museumtabel bevat een volledig overzicht.
Marie Simons, Mother of the Artist en Self Portrait: het Koninklijk Museum voor Schone Kunsten Antwerpen, Antwerpen herbergt 2 van de werken op deze pagina.
To look at the work of Alexandre De Latour is to witness a specific kind of technical discipline that modern art often lacks. He was not merely a painter; he was a Belgian miniaturist who mastered the ability to reconstruct faces with startling accuracy from memory alone. This skill suggests a mind trained for intense observation rather than mere decoration. His career spanned the shifting political landscapes of the French First Republic, Napoleonic France, and the United Kingdom of the Netherlands, yet his focus remained fixed on the small-scale intimacy of the portrait.
His technical foundation was built within his own family home. He began with lessons from his mother, Marie de Latour, a specialist in miniatures herself. This early immersion provided him with a direct lineage of skill. He later refined this through formal training under Louis-Marie Autissier in Brussels and Jean-Baptiste Jacques Augustin in Paris. The influence of Augustin is particularly visible in the way De Latour handled detail. It was a rigorous, structured approach to the miniature format.
De Latour did not paint in a vacuum; his career was defined by official recognition from the highest levels of European authority. His talent earned him the position of official miniaturist for the House of Orange under King William I. Following the establishment of the Kingdom of Belgium in 1831, he maintained this status as an official miniaturist for the new kingdom. These were not mere titles. They required a level of reliability and precision that could satisfy the demands of a royal court.
His professional reach extended across borders through several key achievements:
While his miniatures are his primary legacy, De Latour also produced small-format oil paintings and landscapes. His work survives today in several major institutions, proving that his technical reach went beyond the tiny scale of portraiture. The presence of his portraits in the Wallace Collection in London and the Royal Museums of Fine Arts of Belgium confirms the historical weight of his output. He left behind a body of work that functions as a precise visual record of the people and eras he inhabited.
His son, Édouard, followed him into the profession as a genre painter, ensuring the continuation of this specific Belgian tradition. The works of Alexandre De Latour remain anchored in the concrete reality of his subjects, from the Portrait of Countess Elisaveta Vorontsova to his various depictions of gentlemen and ladies in empire dress. He did not seek to reinvent the medium; he sought to perfect it.
