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Pieta

Naam Groep Datum

Giovanni Bellini, Pieta (1505). Publiek domein Bekijk dit doek onder bewegend licht: de tekening, de ware kleur onder de vernis, het pure pigment

Kerngegevens

Kunstenaar
Giovanni Bellini originaluniqueart.com/nl/artists/giovanni-bellini_nl/
Levensdata kunstenaar
1433 – 1516
Geschilderd
1505
Afmetingen origineel werk
65 x 90 cm
Beweging
High Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.

In context

Pieta — Giovanni Bellini

Wat zijn de afmetingen?

Het origineel heeft de afmetingen 65 × 90 cm (hoogte × breedte), hier afgebeeld naast een volwassene van gemiddelde lengte.

Wanneer is dit geschilderd?

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490
  8. 1500
  9. 1510
  10. 1520

Bovenste rij: de jaren. Onderste rij: de leeftijd van de kunstenaar aan het begin en het einde van elke periode — 0 bij de geboorte, 83 bij het overlijden.

Geschilderd toen de kunstenaar 72 jaar oud was. De kunstenaar werd 83 jaar oud. 190 van de 244 gedateerde werken van deze kunstenaar in onze catalogus zijn eerder gemaakt.

Shaded: het leven van Giovanni Bellini (1433–1516) ▲ dit werk, 1505 elk gedateerd schilderij, decennium voor decennium

Eerste werken: tot 1474 Belangrijkste werkjaren: 1474–1500 Late werken: vanaf 1500

Deze drie periodes verdelen de werken waarvoor in deze catalogus een datum bekend is in een eerste kwart, een middelste helft en een laatste kwart. Ze vormen niet het volledige oeuvre van de kunstenaar: een dunne periode kan duiden op een hiaat in de verslaglegging in plaats van op een rustige fase. Dezelfde jaren, waarin het leven van de kunstenaar is verweven

Vergelijk met

Kies een van de bovenstaande werken: noem twee overeenkomsten met dit werk en één verschil.

Meer werken om naast dit werk te plaatsen: originaluniqueart.com/nl/art/similar/giovanni-bellini-pieta-8XY5QH-en/

Kleuren

Gemeten op basis van de afbeelding

    Hoofdkleur

    Espresso #5f4637

    Gecatalogiseerd palet

    • #5F4637
    • #262320
    • #CBA37A
    • #96745B

    Deze kleuren binnen het volledige palet van de kunstenaar Zoek andere schilderijen op kleur

    Palet
    Earthy De dominante kleurfamilie in de afbeelding.
    Naam hoofdkleur
    Espresso
    Intensiteit
    Balanced De mate van verzadiging en variatie in de kleuren, variërend van een enkele ingetogen tint tot vele heldere kleuren.
    Contrast
    Balanced De mate waarin de kleuren in helderheid en verzadiging variëren over het gehele kunstwerk.
    Harmonie
    Strong Color Unity De mate waarin de kleuren samensmelten, van contrasterend tot volledig harmonieus.
    Helderheid
    Shadow Hoe licht of donker het beeld in zijn geheel oogt, van diepe schaduw tot helder hoogtepunt.
    Verzadiging
    Subtle Color Hoe puur en krachtig de kleuren zijn, van bijna grijs tot volledig levendig.

    Waar ter wereld wordt naar dit schilderij gekeken?

    • minder dan 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% en meer
    Dit schilderij alleen heeft te weinig geregistreerde bezoekers om in kaart te brengen, dus de plaat toont elk werk van Giovanni Bellini over de afgelopen twaalf maanden — in totaal 21 landen. Bron van deze cijfers

    De tien belangrijkste landen

    1. 1 China 55,8%
    2. 2 Singapore 7,8%
    3. 3 Verenigde Staten van Amerika 6,8%
    4. 4 Hongkong 6,1%
    5. 5 Roemenië 6,1%
    6. 6 Italië 4,4%
    7. 7 Frankrijk 3,1%
    8. 8 Spanje 2,7%
    9. 9 Brazilië 1,0%
    10. 10 Japan 1,0%
    11. · 11 overige landen 5,2%

    Zoek de drie donkerste landen op de kaart. Bevindt het museum waar dit schilderij wordt bewaard zich in een van deze landen? Noteer één reden waarom mensen van ver zouden kunnen komen om het te bekijken.

    De 20 meest bekeken werken van Giovanni Bellini

    1. 1 Madonna van de Weide, 1505 4,2%
    2. 2 The Feast of the Gods, 1514 3,3%
    3. 3 Madonna and Child (11), 1485 2,7%
    4. 4 Dead Christ Supported by the Madonna and St John (Pietà), 1460 2,4%
    5. 5 Johannes Paulus bij het lezen, 1490 1,8%
    6. 6 Portrait of Fra Theodoro da Urbino, 1515 1,8%
    7. 7 Madonna and Child, 1490 1,8%
    8. 8 St. Sebastian 1,8%
    9. 9 St Jerome Reading in the Countryside, 1480 1,5%
    10. 10 Polyptych of San Vincenzo Ferreri (left panel), 1464 1,5%
    11. 11 The Assassination of Saint Peter Martyr 1,5%
    12. 12 Four Allegories: Fortune (or Melancholy), 1490 1,5%
    13. 13 Young Woman at Her Toilette, 1515 1,2%
    14. 14 Naked Young Woman in Front of the Mirror, 1515 1,2%
    15. 15 Portrait of a Young Man, 1500 1,2%
    16. 16 Santa Conversazione, 1505 1,2%
    17. 17 Het Heilige Alegorie, 1490 1,2%
    18. 18 Pieta, 1505 dit schilderij 1,2%
    19. 19 Madonna and Child with Two Saints (detail), 1490 1,2%
    20. 20 St Francis in Ecstasy, 1480 0,9%

    Samen maken deze werken 35,1% uit van alle aandacht die de schilderijen van deze kunstenaar in de afgelopen twaalf maanden hebben gekregen. De catalogus bevat 364 werken van deze kunstenaar, waarvan 162 minstens één keer zijn bekeken. Dit schilderij staat op de 18 plaats, met 1,2% van die aandacht. Hetzelfde geldt voor elke maand

    Staven meten aandacht, niet kwaliteit. Kies het werk bovenaan en dit werk: noem één ding dat een schilderij beroemd zou kunnen maken, los van hoe goed het geschilderd is.

    Over dit kunstwerk

    Pieta — Giovanni Bellini

    The Pieta by Giovanni Bellini is a renowned oil on panel painting that showcases the artist's skill in capturing the emotional intensity of the scene. Created in 1505, this masterpiece belongs to the High Renaissance art movement and measures 65 x 90 cm. The painting depicts the Virgin Mary holding Jesus as he lays on his side in death, surrounded by a serene landscape with mountains visible in the background.

    Artistic Style and Influences

    Giovanni Bellini's innovative use of color and composition is evident in the Pieta. The painting features a muted color palette, with deep purples, soft whites, and earthy browns that enhance the somber mood. The artist's masterful technique is also visible in the realistic rendering of the figures and the detailed landscape behind them. Bellini's style was influenced by his contemporaries, including Titian and Giorgione, as well as the works of Albrecht Dürer.

    Symbolism and Meaning

    The Pieta is a powerful symbol of grief and mourning. The Virgin Mary's sorrow is palpable, conveyed through her downcast eyes and the gentle yet firm way she supports Jesus's lifeless body. The painting also features several symbolic elements, including a fig tree and a distant city incorporating architectural elements from Vicenza, Ravenna, and Cividale. These elements add layers of meaning and geographical context to the painting.

    View more paintings by Giovanni Bellini on AllPaintingsStore.com

    Learn more about the Museo Civico in Italy on Wikipedia

    Discover other Renaissance art masterpieces on AllPaintingsStore.com

    The Pieta by Giovanni Bellini is a masterpiece of Renaissance art that continues to captivate audiences with its emotional intensity and artistic skill. As a handmade oil painting reproduction, it can be appreciated in a new light, allowing viewers to experience the beauty and significance of this iconic work of art.

    The Pieta is a testament to Giovanni Bellini's artistic skill and emotional depth, making it a must-see for anyone interested in Renaissance art. Visit AllPaintingsStore.com to learn more about this painting and other works by Giovanni Bellini.

    Kunstenaar en museum

    Kunstenaar

    Giovanni Bellini

    Geboren in Venetië, Italië

    A Venetian Master: The Life and Legacy of Giovanni Bellini

    Giovanni Bellini, a name inextricably linked to the heart of Venice, stands as a pivotal figure bridging the twilight of the Byzantine era and the dawn of the High Renaissance. Born around 1430 – though some sources suggest 1433 – into a family deeply rooted in the artistic traditions of the city, his life was a continuous evolution, marked by an unparalleled sensitivity to color, light, and the burgeoning humanism that would define the 16th century. The precise details of his familial relationships have long been debated; for years, Jacopo Bellini was considered his father, but modern scholarship increasingly points towards Jacopo being Giovanni’s elder half-brother, with Gentile Bellini as his nephew rather than sibling. Regardless of these intricate family dynamics, young Giovanni grew up immersed in a vibrant workshop, absorbing the foundational techniques and artistic principles from an early age. His initial training likely involved mastering the traditional tempera methods prevalent at the time, but it was his innate talent for observation, coupled with a profound emotional intelligence, that would ultimately distinguish him as a truly exceptional artist.

    Early Influences and Artistic Foundations

    The artistic landscape of 15th-century Venice presented a fascinating confluence of influences – a unique blend of Byzantine grandeur, the emerging styles of Florence, and the distinctive Venetian tradition. The city’s position as a major trading hub exposed its artists to diverse cultural currents and ideas from across Europe and beyond. Simultaneously, the enduring legacy of Byzantium continued to exert a powerful pull on Venetian art, particularly in its use of rich colors, elaborate ornamentation, and spiritual themes. Bellini's early works reflect this complex interplay of influences. Initially, his style bore the unmistakable mark of his father, Jacopo, and his brother, Gentile, characterized by meticulous detail, a restrained emotional palette, and a focus on formal precision. However, even within these early pieces, subtle hints of his future brilliance began to emerge – a delicate handling of light, an increasing interest in naturalistic settings, and a remarkable ability to imbue religious figures with a palpable sense of human pathos and vulnerability. The influence of Andrea Mantegna, his brother-in-law, is also readily apparent during this period, particularly in the clarity of line, the monumental scale of figures, and the use of perspective – elements that would profoundly shape Bellini’s own artistic development. Bellini's early commissions often involved collaborative projects, allowing him to hone his skills alongside some of Venice’s most accomplished painters.

    The Revolution of Oil Paint: A New Language for Color

    Giovanni Bellini’s true breakthrough came with the adoption and masterful exploitation of oil paint. While not the inventor of this technique – it had been introduced to Italy from the East earlier in the century – Bellini was among the first Venetian artists to fully embrace its potential, transforming the very language of painting. Unlike tempera, which demanded a swift, linear approach and often resulted in brittle colors, oil paint allowed for unprecedented blending, richer hues, subtle gradations of tone, and a remarkable degree of luminosity. This newfound freedom fundamentally altered Bellini’s artistic process, enabling him to create paintings that possessed an astonishing depth and vibrancy. His use of color became increasingly sophisticated, moving away from the often-harsh, overly bright palette favored by earlier Venetian painters towards a more nuanced, harmonious, and emotionally resonant range of tones. He masterfully captured the effects of light and atmosphere, imbuing his landscapes with a sense of serenity, mystery, and profound realism – a departure from the stylized representations common in previous generations. This revolutionary approach to oil paint not only transformed Bellini’s own work but also laid the foundation for the distinctive style that would come to define the Venetian school—a style celebrated throughout Europe for its sensuousness, coloristic richness, and atmospheric perspective.

    Major Works and Artistic Evolution

    As Giovanni Bellini matured, his artistic vision continued to evolve with remarkable sophistication. His altarpieces, such as those created for the churches of San Zaccaria and Santa Corona, demonstrate his ability to construct complex compositions filled with symbolic meaning, intricate detail, and profound emotional resonance. The Transfiguration, now housed in the Capodimonte Museum in Naples, stands as a prime example of this artistic evolution – a serene depiction of Christ’s transformation combined with a masterful use of light, color, and perspective. He also served as conservator of the paintings within Doge's Palace, further solidifying his position as Venice’s leading artist and cultural figure. Throughout his career, Bellini explored a wide range of subjects – from religious scenes to portraits, landscapes, and mythological narratives—each imbued with his unique artistic sensibility. His later works are characterized by a heightened sense of spirituality, a greater emphasis on the emotional expression of figures, and an increasingly lyrical use of color.

    A Lasting Legacy: Influence and Remembrance

    Giovanni Bellini’s impact extended far beyond his own lifetime. He became a mentor to a generation of younger painters, including Giorgione and Titian, who would inherit his techniques, aesthetic principles, and artistic vision—adapting them to their own individual styles and contributing to the golden age of Venetian painting. His influence can be seen in countless works created by artists throughout Europe, solidifying his place as one of the most important figures in Western art history. Bellini’s legacy is not simply one of technical brilliance; it is a testament to the power of art to transcend time and connect us to the enduring values of human experience. From the serene beauty of his Madonnas to the dramatic intensity of his religious scenes, Bellini's work continues to inspire awe and admiration centuries after its creation—a vibrant reminder of Venice’s artistic heritage and a profound exploration of the mysteries of faith, beauty, and the human spirit.

    Waar u meer kunt lezen

    Online te vinden

    QR-code die linkt naar de downloadpagina van Pieta

    originaluniqueart.com/nl/art/download/giovanni-bellini-pieta-8XY5QH-en/

    Citeer dit kunstwerk

    MLA
    Bellini, Giovanni. Pieta. 1505, https://originaluniqueart.com/nl/art/giovanni-bellini-pieta-8XY5QH-en/
    APA
    Bellini, Giovanni (1505). Pieta [Painting]. https://originaluniqueart.com/nl/art/giovanni-bellini-pieta-8XY5QH-en/
    Chicago
    Giovanni Bellini. Pieta. 1505. https://originaluniqueart.com/nl/art/giovanni-bellini-pieta-8XY5QH-en/
    Harvard
    Bellini, Giovanni (1505) Pieta. Available at: https://originaluniqueart.com/nl/art/giovanni-bellini-pieta-8XY5QH-en/

    Bekijk het van dichtbij

    Pieta — Giovanni Bellini

    Kijk eens goed naar de details

    Beantwoord de vragen in je eigen woorden. Er zijn hier geen foute antwoorden — alleen antwoorden die je kunt toelichten.

    1. Wat valt u als eerste op, en waarom?
    2. Welke kleuren of vormen bepalen de sfeer — en wat is die sfeer?
    3. In onze catalogus is dit werk geclassificeerd onder: religious, virgin mary. Bent u het hiermee eens? Wat zou u toevoegen of weglaten?
    4. Kijk nog eens naar Madonna van de Weide (1505), eerder in deze gids. Noem twee overeenkomsten met dit werk en één verschil.
    5. High Renaissance: The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo. Waar is dat in dit werk te zien?

    Uw reactie

    Schrijf een korte paragraaf over dit kunstwerk aan de hand van de feiten uit de eerdere delen van deze gids en uw bovenstaande antwoorden.

    Veelgestelde vragen

    Waar kan ik een voorproefje van "Pieta" bekijken?

    Op de Voorvertoning-pagina van "Pieta" kunt u het kunstwerk bekijken voordat u bestelt.

    Hoe brengt "Pieta" licht en donker in evenwicht?

    "Pieta" heeft een algehele helderheid van shadow en een luminantie van Dark.

    Onder welke andere namen is Giovanni Bellini bekend?

    Andere namen waaronder Giovanni Bellini, maker van "Pieta", bekend is, zijn onder andere Gioavanni Bellini.