Peaceable Kingdom (34)
Peaceable Kingdom (34): A Vision of Harmony Embodied
Edward Hicks’ “Peaceable Kingdom” (1834) stands as an enduring testament to Quaker faith and artistic ingenuity, capturing a moment of profound serenity amidst the anxieties of its time. Currently residing in the National Gallery of Art's collection, this monumental oil on canvas transcends mere depiction; it presents a carefully constructed allegory for universal peace and reconciliation—a message powerfully conveyed through Hicks’ distinctive blend of folk art sensibilities and meticulous realism.- Subject Matter: The painting portrays the biblical narrative of Noah’s Ark, depicting animals and humans coexisting peacefully after the Great Flood. This selection of imagery wasn't arbitrary; it directly reflects Quaker beliefs concerning God’s benevolent stewardship of creation and humanity’s responsibility to foster harmony within the natural world.
- Style: Hicks’ approach leans heavily into Mannerism—a stylistic movement characterized by elongated figures, dramatic poses, and an expressive handling of form—though tempered by a grounding in American folk art traditions. This fusion creates a visual language that is both emotionally resonant and intellectually stimulating.
- Technique: The artist employed painstaking detail in rendering textures – particularly fur, feathers, and fabric – demonstrating mastery over oil paint application. Layers upon layers of pigment were skillfully blended to achieve luminous effects and imbue the scene with palpable warmth.
- Symbolism: Beyond its biblical narrative, “Peaceable Kingdom” is laden with symbolic significance. The ark represents salvation and divine protection, while the diverse animal population symbolizes God’s covenant with humanity—a promise of mutual care and respect. Notably, the two infants nestled amongst the animals symbolize future generations inheriting this legacy of peace.
- Historical Context: Hicks created “Peaceable Kingdom” during a period marked by social unrest and religious fervor in America. The painting served as a visual articulation of Quaker pacifism—a stance firmly opposed to violence—and offered solace amidst turbulent times.
Further Exploration
For more information about Edward Hicks and his artistic endeavors, visit /art/list/?Filter=8YDLSX-Edward-Hicks-Peaceable-Kingdom-(34). You can also discover other paintings by Hicks here: /art/list/?Filter=8YDLSH-Edward-Hicks-Peaceable-Kingdom-(20) and /art/list/?Filter=8YDLS3-Edward-Hicks-Peaceable-Kingdom.Resources
You can find more details about “Peaceable Kingdom” and its artistic merit on the National Gallery of Art’s website: https://www.nga.gov/artworks/59908-peaceable-kingdomVragen & Antwoorden
Welke kleurharmonie vertoont "Peaceable Kingdom (34)" door Edward Hicks?
De kleuren van "Peaceable Kingdom (34)" door Edward Hicks vertonen een Balanced Harmony harmonie. Harmonie beschrijft de onderlinge relatie tussen de kleuren.
Welke kleur valt het meest op in "Peaceable Kingdom (34)"?
De kleur die het meest opvalt in "Peaceable Kingdom (34)" is Phthalo Green (#241c25). De dominante kleur is handig bij het afstemmen van een kunstwerk op een interieur.
Wat is het formaat van "Peaceable Kingdom (34)"?
Het formaat van "Peaceable Kingdom (34)" is Landscape. Dit is handig bij het plannen van de plek waar een reproductie zal worden geplaatst.
Edward Hicks (1780 – 1849)
Edward Hicks (1780-1849) was een Amerikaanse volksschilder en Quaker predikant, beroemd om zijn vredestaalzame landschappen en iconische 'Peaceable Kingdom'. Zijn unieke stijl combineert religieuze overtuiging met Amerikaanse geschiedenis.
National Gallery of Art (Washington, USA)
Ontdek de National Gallery of Art in Washington D.C.! Meesterwerken van Renaissance tot moderne kunst, inclusief werken van Raphael, Van Gogh & meer. Gratis toegang!
Over dit kunstwerk
- Titel: Peaceable Kingdom (34)
- Kunstenaar: Edward Hicks
- Jaar: 1834
- Formaat: Landscape
- Auteursrechtelijke status: Publiek domein
- Te zien op: National Gallery of Art
- Stroming: Folk Art
- Techniek: Oil On Canvas
- Type medium: WallArt
- Doel: Accent
Belangrijkste kenmerken
- Artistic style: Mannerism; Folk art blend
- Medium: Oil on canvas
- Artist: Edward Hicks
- Year: 1834
- Location: National Gallery of Art, Washington