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DiavoorstellingLandscape
1826
15.0 x 33.0 cm
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Giclée / Kunstafdrukken
Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. (
Bestel een handgeschilderde reproductie van dit verzamelobject Naar afbeelding wisselen)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (11 augustus)
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Hoogwaardig linnen canvas
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60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
Landscape
Giclée / Kunstafdrukken
Formaat reproductie
-
Totaalprijs
$ 81
Biografie van de kunstenaar
George Arnald: A Pioneer of Romantic Landscape Painting
George Arnald (1763 – 1841) stands as a significant figure in British landscape painting during the Romantic era, celebrated primarily for his dramatic depiction of the Battle of the Nile and his contribution to topographical illustrations. Though overshadowed by contemporaries like Turner and Constable, Arnald’s meticulous observation and expressive handling of color cemented his place within the artistic canon of his time. Born in Northamptonshire (now Bedfordshire), details surrounding his early life remain scarce—a testament to the limitations of biographical records during the period. Evidence suggests he began his artistic journey as a domestic servant, absorbing artistic principles through informal study before dedicating himself to formal training under William Pether, a respected landscape painter and engraver who championed the importance of poetic sensibility in art. This formative influence would prove crucial to Arnald’s subsequent stylistic choices. Arnald swiftly established himself within the Royal Academy, exhibiting 176 works between 1788 and his death. His membership was notable for its absence of full acclaim; despite being elected an associate member in 1810, he never achieved the honor of becoming a fellow artist—a fact that Wordsworth eloquently captured, lamenting Arnald’s lack of literary grounding as hindering his artistic potential. This sentiment underscores the Romantic ideal that art should transcend mere visual representation and engage with deeper emotional and intellectual currents. His prolific output encompassed a diverse range of subjects, but he gained enduring fame for “The Destruction of Luxor,” commemorating the pivotal naval engagement against Napoleon’s forces in Egypt. Commissioned as part of a £500 competition at Greenwich Hospital, this monumental canvas—featuring Thomas Davidson's depiction alongside Nelson—became an emblem of British heroism and artistic ambition. Its masterful use of atmospheric perspective and vibrant color palettes exemplifies Arnald’s commitment to capturing the grandeur and drama of natural landscapes infused with narrative significance. Beyond “The Destruction of Luxor,” Arnald produced numerous topographical views documenting regions across Britain, contributing substantially to county histories and furthering the burgeoning interest in scientific observation within artistic circles. His meticulous attention to detail—evident in his preparatory sketches and finished paintings—demonstrates a dedication to accurately portraying the contours of the land and conveying its character. Arnald’s legacy extends beyond individual artworks; he helped establish the British Institution, alongside Beaumont, fostering an environment for artistic experimentation and promoting public engagement with art. His influence can be discerned in subsequent generations of landscape painters who embraced his stylistic innovations and championed the Romantic spirit. George Arnald remains a testament to the transformative power of observation combined with artistic vision—a painter whose contribution to British art history continues to resonate today.
george arnald
1763 - 1841
Snelle feiten
- Artistic Movement Or Style: Romantic Landscape
- Artists Or Movements Influenced By This Artist: ['Thomas Davidson']
- Artists Who Influenced This Artist: ['William Pether']
- Date Of Birth: 1763
- Date Of Death: 1841
- Full Name: George Arnald
- Nationality: British
- Notable Artworks: ['Battle of the Nile']
- Place Of Birth: Northamptonshire (Bedfordshire)
