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Self-Portrait

A hauntingly atmospheric self-portrait by French Symbolist Eugène Anatole Carrière featuring misty umber tones and sculptural shadows that invite you to explore the profound depth of this 1893 masterpiece.

Eugène Anatole Carrière was een Frans Symbolist kunstenaar van de fin-de-siècle periode. Zijn schilderijen staan bekend om hun bijna monochrome bruine kleur en hun etherische kwaliteit. Carrière's stijl werd sterk beïnvloed door Rubens en hij gebruikte vaak een bijna monochrome bruine kleurpalette.

Giclée / Kunstafdrukken

Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. ( Bestel handgeschilderde reproductie Schakel over naar digitale afbeeldingen)

Corner sample of the P118B picture frame: gegoten polystyreen, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: gegoten polystyreen, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: gegoten polystyreen, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: gegoten polystyreen, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: gegoten polystyreen, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: gegoten polystyreen, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: gegoten polystyreen, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: gegoten polystyreen, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: gegoten polystyreen, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: massief hout, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: massief hout, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: massief hout, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: massief hout, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: massief hout, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: massief hout, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: massief hout, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: massief hout, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: massief hout, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: massief hout, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: massief hout, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: massief hout, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: massief hout, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: massief hout, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: massief hout, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: massief hout, 6 cm wide and 3.5 cm thick
W953PJ €8

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€ 71

Self-Portrait

Giclée / Kunstafdrukken

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Eindtotaal

€ 71

This self-portrait, part of a series begun in 1887, exemplifies Carrière’s signature approach. Nuanced umber tones and hazy brushwork create the impression of the figure materializing out of, or merging into, the surface of the canvas. The misty appearance of Carrière’s work was prized by contemporaries tired of precisely detailed and realistic paintings. A critic once compared Carrière’s style to that of his colleague Auguste Rodin, writing, "Rodin paints in marble and Carrière sculpts with shadow."

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Uit welke periode stamt "Self-Portrait" door Eugène Anatole Carrière?

"Self-Portrait" behoort tot de 19th Century-periode.

Hoe wordt het kleurenpalet van "Self-Portrait" door Eugène Anatole Carrière beschreven?

De kleuren van "Self-Portrait" vormen een Earthy palet. Deze classificatie beschrijft de dominante kleurfamilies.


Biografie kunstenaar

**early life and training**

Eugène Anatole Carrière, a name synonymous with haunting monochrome landscapes and intimate domestic scenes, was born on January 16, 1849, in Gournay-sur-Marne, Seine-Saint-Denis. His upbringing, far from the bustling artistic centers of Paris, provided a grounding that would profoundly shape his distinctive style. Initially destined for a career in printing – a practical trade learned during his youth – Carrière’s passion for art ignited early, fueled by an encounter with the masterpieces of Peter Paul Rubens at the Louvre Museum. This pivotal experience irrevocably altered his course, leading him to pursue formal training at the École des Beaux-Arts in Paris and later under the tutelage of Alexandre Cabanel, a renowned academic painter. These formative years instilled within him both a deep respect for artistic tradition and the nascent desire to forge his own unique path.

**artistic style and influences**

Carrière’s oeuvre is instantly recognizable by its pervasive use of brown monochrome – a deliberate departure from the vibrant palettes favored by many of his contemporaries. This carefully constructed palette, often described as “almost porcelain-like,” creates an atmosphere of quiet contemplation and ethereal beauty. The influence of Rubens remains palpable in the luminous quality of Carrière’s early works, while the somber mood and psychological depth owe a debt to the Symbolist movement gaining momentum at the time. Notably, his experiences as a prisoner of war in Dresden during the Franco-Prussian War profoundly impacted his artistic sensibilities, contributing to the melancholic undertones that permeate many of his paintings. The artist’s ability to evoke emotion through subtle shifts in tone and texture is a testament to his exceptional technical skill and profound understanding of color theory.

**the young mother (1879) and other early works**

One of Carrière's most celebrated early pieces, *The Sick Child (Montargis)*, offers a poignant glimpse into the artist’s evolving artistic vision. This work, now housed at the Musée des Beaux-Arts de Rouen, marked a significant shift towards depicting scenes of domestic life – particularly those centered around motherhood and childhood. The painting captures a tender moment between a mother and child, rendered with remarkable sensitivity and realism. Similarly, *The First Communion (Toulon)* showcases Carrière’s ability to imbue seemingly ordinary subjects with profound emotional resonance. His portrait of Louis-Henri Devillez, a highly praised work from 1887, exemplifies his skill in capturing the essence of his subjects – their personalities, emotions, and inner lives. These early works established the foundation for Carrière's distinctive style and cemented his reputation as a master of psychological realism.

**influence and legacy**

Carrière’s monochrome aesthetic has resonated deeply with artists across generations. Notably, Pablo Picasso drew inspiration from Carrière’s work during his Blue Period, adopting a similar palette to convey themes of melancholy and despair. The artist's influence extends beyond individual painters; his innovative use of color and his exploration of intimate human experiences have had a lasting impact on the development of modern art. Eugène Carrière was also an influential teacher at Académie de la Palette, nurturing the talents of future artists such as Henri Matisse and André Derain. His legacy continues to inspire artists today, demonstrating the enduring power of simplicity, emotion, and artistic vision.

**notable works and exhibitions**

Beyond the pieces already mentioned, Carrière’s oeuvre includes a wealth of compelling paintings, each offering a unique perspective on the human condition. *The Sick Child (Montargis)*, *The Young Mother*, *First Communion (Toulon)*, and *Portrait of Louis-Henri Devillez* are among his most recognized works, exhibited at the Société Nationale des Beaux-Arts, which Carrière himself helped establish. His contributions to the art world extend beyond his paintings, as he also played an influential role as an art teacher at Académie de la Palette. His work is now displayed in museums across France and internationally, including the Musée d'Orsay in Paris, ensuring that his artistic legacy continues to be celebrated for generations to come.
Eugène Anatole Carrière

Eugène Anatole Carrière

1849 - 1906 , Frankrijk

Belangrijkste feiten

  • Artistic Movement Or Style: Symbolisme, Monochrome
  • Artists Or Movements Influenced By This Artist: ['Pablo Picasso']
  • Artists Who Influenced This Artist: ['Peter Paul Rubens']
  • Date Of Birth: 16 januari 1849
  • Date Of Death: 27 maart 1906
  • Full Name: Eugène Anatole Carrière
  • Nationality: Frans
  • Notable Artworks:
    • De Zieke Kind
    • Het Eerste Communie
  • Place Of Birth: Gournay-sur-Marne, Frankrijk