Storm Breaking Up
Giclée / Kunstafdruk
Giclée- of canvasafdruk van museumkwaliteit met snelle productie en flexibele afwerkingsopties.
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (20 juli)
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
Volledige verzendverzekering
Garantie op terugbetaling van invoerrechten
Garantie op exacte kleurweergave
60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
Storm Breaking Up
Giclée / Kunstafdruk
Afmetingen reproductie
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Eindtotaal
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Biografie van de kunstenaar
Elliott Dangerfield: A Painter of Appalachian Serenity
Elliott Dangerfield (1859 – 1932) emerged from the rugged landscapes of West Virginia, shaping his artistic vision amidst the burgeoning American Impressionist movement. Born in Fayetteville, he possessed a keen eye for capturing the subtle beauty of rural America—a fascination that would define his lifelong dedication to painting and solidify his place as a significant figure in early 20th-century landscape art. Dangerfield’s formative years were spent absorbing the artistic sensibilities of his time, studying briefly with Walter Satterlee at New York's National Academy of Design. This exposure instilled in him a foundational understanding of tonal realism and Impressionistic techniques—principles he skillfully employed throughout his prolific career. His debut exhibition at the academy marked an auspicious beginning, establishing him as a promising talent within the artistic circles of New York City. Throughout his life, Dangerfield remained rooted in West Virginia, continuing to depict scenes from the Appalachian wilderness with unwavering devotion. He eschewed grand narratives or dramatic compositions, instead prioritizing meticulous observation and nuanced tonal gradations—a deliberate choice that reflected his belief in portraying nature’s inherent dignity and tranquility. His canvases often bathed in golden light, conveying a palpable sense of melancholy yet simultaneously celebrating the enduring spirit of the American countryside. Dangerfield's artistic style evolved over time, influenced by luminaries like Frederic Church and George Inness—artists who championed tonal realism and sought to convey atmospheric effects with remarkable precision. Like these contemporaries, Dangerfield meticulously blended pigments to achieve subtle variations in hue and luminosity, creating landscapes that felt both tangible and imbued with emotion. He achieved this masterful blend of observation and feeling through the use of impasto technique – applying thick layers of paint onto the canvas—resulting in textured surfaces that captured the physicality of the natural world. Among his most celebrated works are “Moonlit Landscape” (1915) and “High Noon” (1908). "Moonlit Landscape" exemplifies Dangerfield’s masterful tonal realism, utilizing impasto to convey a dramatic interplay of light and shadow—a serene depiction of Appalachian wilderness bathed in golden luminescence. Similarly, “High Noon” captures the idyllic charm of rural life, portraying a woman and children amidst a tranquil meadow with soft colors and dreamy atmosphere. These paintings stand as testament to Dangerfield’s enduring legacy as an artist who eloquently translated the spirit of his time into unforgettable visual representations.- Notable Works: Moonlit Landscape (1915), High Noon (1908)
- Influences: Frederic Church, George Inness
- Technique: Tonal Realism, Impasto
elliott dangerfield
1859 - 1932 , United States of America
Belangrijkste feiten
- Artistic Movement Or Style: Romantic Landscape Painting
- Artists Or Movements Influenced By This Artist: ['Impressionism']
- Artists Who Influenced This Artist: ['Walter Satterlee']
- Date Of Birth: 1859
- Full Name: Elliott Dangerfield
- Nationality: American
- Notable Artworks:
- Moonlit Landscape
- High Noon
- Place Of Birth: West Virginia, United States


De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.