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DiavoorstellingContra-Internet Totality Study #2: Internet, a .gif triptych (2015)
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Giclée / Kunstafdrukken
Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. (
Bestel handgeschilderde reproductie Koop afbeelding)
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (15 augustus)
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Hoogwaardig linnen canvas
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Retourbeleid van 60 dagen (alleen bij defecten)
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De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
Contra-Internet Totality Study #2: Internet, a .gif triptych (2015)
Giclée / Kunstafdrukken
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Beschrijving verzamelobject
Biografie van de kunstenaar
Zach Blas: Decoding the Digital Frontier
Zach Blas (born Point Pleasant, United States of America, 1981) is an artist whose practice transcends traditional boundaries—a filmmaker, writer, and conceptual explorer deeply invested in interrogating the pervasive influence of digital technologies on contemporary society. His work isn’t merely about observing these advancements; it's a deliberate confrontation with their philosophical implications, fueled by anxieties surrounding artificial intelligence, biometric surveillance, predictive policing, and the very architecture of the internet itself. Blas’s artistic vision extends beyond mere visual representation—he actively seeks to disrupt established narratives through performance art and computational experimentation.- Early Influences & Conceptual Framework Blas's intellectual journey began with a fascination for science fiction literature and philosophy, particularly thinkers like Gilles Deleuze and Félix Guattari whose concepts of rhizomatic networks and nomadic thought profoundly shaped his artistic approach. He’s drawn to exploring how digital spaces destabilize notions of identity and representation, mirroring the anxieties inherent in confronting increasingly sophisticated algorithms.
- Moving Image Explorations Blas's filmmaking endeavors consistently grapple with themes of control, vulnerability, and resistance within technologically mediated environments. His films often utilize glitch aesthetics—deliberate disruptions of image and sound—to symbolize the imperfections and biases embedded within digital systems. These visual strategies serve as a conduit for conveying complex ideas about surveillance culture and the erosion of privacy.
- Performance Art & Computational Praxis Blas’s performance pieces are characterized by their unsettling immediacy, utilizing elements like biometric data visualization and algorithmic improvisation to provoke visceral reactions from audiences. He employs computational tools not just as instruments of creation but as frameworks for conceptual inquiry—asking fundamental questions about how technology shapes our perceptions of reality.
Notable Works & Exhibitions
Blas’s artistic output has garnered international recognition, culminating in prestigious commissions and appearances at prominent cultural institutions. His seminal work, “Contra-Internet Totality Study #1: Internet, a definition,” (2015), presented a multifaceted investigation into the concept of ‘internet,’ utilizing animation and sound design to dissect its symbolic significance as both a tool for connection and a mechanism for control. Similarly, "Contra-Internet Totality Study #2: Internet, a .gif triptych" further amplified this critique through a hypnotic visual sequence designed to induce disorientation and challenge viewers’ assumptions about digital perception. “Contra-Internet Inversion Practice #2: Social Media Exodus (Call)” (2015) utilized live performance combined with algorithmic improvisation to explore the psychological impact of disconnecting from social media platforms—a poignant commentary on our increasingly mediated existence.- Recognition & Awards Blas’s dedication to artistic innovation has been acknowledged by organizations like Creative Capital, securing crucial funding for his ongoing projects.
- Institutional Presence His work has graced the walls of esteemed venues such as the de Young Museum in San Francisco, Tate Modern in London, and Walker Art Center in Minneapolis, demonstrating a commitment to engaging with broader audiences and fostering dialogues about art’s role in addressing pressing social concerns.
Historical Significance & Contemporary Relevance
Zach Blas's artistic practice arrives at a pivotal moment in history—as artificial intelligence becomes increasingly integrated into daily life, raising profound ethical dilemmas regarding autonomy, bias, and the future of human experience. Blas’s refusal to accept technology as simply neutral or benevolent compels us to confront uncomfortable truths about its capacity for manipulation and oppression. By employing unsettling visual languages and challenging conventional narrative structures, he contributes to a critical discourse surrounding digital culture—a dialogue that is undeniably vital in shaping our understanding of the complexities inherent in navigating an increasingly interconnected world.
blas, zach
1981 - , United States of America
Belangrijkste feiten
- Artistic Movement Or Style: Digital Art Movement
- Date Of Birth: 1981
- Full Name: Zach Blas
- Nationality: American
- Notable Artworks: ['Contra-Internet Totality Study #1: Internet, a definition']
- Place Of Birth: Point Pleasant, United States
