date unknown (king III)
Acrylic On Canvas
WallArt
Cubism
Late Medieval
10.0 x 10.0 cm
Pallant House Gallery
Giclée / Kunstafdrukken
Giclée- of canvasafdruk van museumkwaliteit met een snelle productie en flexibele afwerkingsmogelijkheden. ( Bestel handgeschilderde reproductie
Koop afbeelding)
P118B $10
P118H $10
P118W $10
P438Z $10
P508JH $12
P508YH $12
P805H $10
P805Z $10
P919BZ $10
P919G $10
P919XJ $10
P959ZH $10
P968JZ $12
W106C $8
W218G $10
W218JH $8
W218Y $10
W307PJ $10
W316G $10
W316PJ $8
W316Y $10
W398PJ $8
W4111J $10
W500HY $15
W500JH $15
W692G $12
W849H $8
W940BG $15
W953PJ $8
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (14 augustus)
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
Volledige verzendverzekering
Garantie op terugbetaling van invoerrechten
Garantie op exacte kleurweergave
Retourbeleid van 60 dagen (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
date unknown (king III)
Giclée / Kunstafdrukken
Afmetingen reproductie
-
Eindtotaal
$ 81
Beschrijving verzamelobject
Ben Nicholson OM: A Pioneer of Abstract Expressionism
Benjamin Lauder Nicholson (1894–1982) stands as one of the most influential figures in British modern art, recognized primarily for his groundbreaking explorations into abstract composition—a realm where form and color transcend representational imagery to evoke profound emotional resonance. His artistic journey began amidst a turbulent period marked by familial connections to prominent artists like William Nicholson and Mabel Pryde, fostering an early appreciation for visual aesthetics within a creative environment.
- Early Education & Artistic Training: Nicholson’s formative years were shaped by institutions such as Tyttenhangar Lodge Preparatory School, Seaford; Heddon Court, Hampstead; and Gresham's School in Holt, Norfolk. Notably, he honed his artistic skills at the Slade School of Fine Art (1910–1911), alongside luminaries like Paul Nash and Stanley Spencer—artists who would collectively redefine British art’s trajectory during the First World War era. Anecdotally, Nicholson's penchant for billiards offered him a unique perspective on geometric precision and movement, informing his artistic sensibilities.
- Early Works & Influences: Nicholson’s initial artistic endeavors leaned towards naturalistic depictions—a stylistic choice that would soon give way to the transformative embrace of Cubism and Constructivism. These movements instilled in him an understanding of fragmentation and spatial ambiguity, concepts he skillfully incorporated into his subsequent paintings. His formative years were marked by exposure to European avant-garde ideas, particularly those championed by Picasso and Mondrian.
- The St Ives School & Collaboration: Nicholson’s relocation to St Ives, Cornwall, in 1928 proved pivotal—establishing him alongside Christopher Wood as the nucleus of what became known as the St Ives School. This collaborative environment fostered experimentation with landscape painting, infused with a distinctive Cubist sensibility and reflecting the profound influence of Alfred Wallis’s minimalist approach. The Cornish coastline served as an enduring source of inspiration for Nicholson's oeuvre.
- Formal Style & Technique: Nicholson’s artistic style is characterized by meticulous attention to detail—particularly in his use of low relief sculptures crafted from wood and plaster. His technique involved layering materials to create textured surfaces that subtly convey depth and spatial relationships, prioritizing geometric forms and tonal harmonies over explicit representation. This approach aligns with the broader aesthetic principles of Constructivism and reflects a deliberate rejection of traditional artistic conventions.
- Legacy & Recognition: Nicholson’s contribution to British art history is cemented by numerous accolades—including the prestigious Carnegie Prize in 1952—and a comprehensive retrospective exhibition at the Tate Gallery in London in 1955. His enduring influence can be discerned in the works of subsequent generations of artists, who continue to grapple with the challenges and possibilities inherent in abstract expressionism—a movement that Nicholson helped establish as a cornerstone of modern artistic discourse.
His paintings, like “The Stanley & Audrey Burton Gallery” and “Cortivallo,” exemplify his commitment to distilling visual experience into its purest form—capturing the essence of color and texture without resorting to illusionistic depiction. Nicholson’s legacy extends beyond individual artworks; it resides in his unwavering belief that art should transcend mere aesthetic pleasure, fostering contemplation and prompting viewers to engage with fundamental questions about perception and materiality.
Biografie van de kunstenaar
Ben Nicholson OM: A Life in Abstract Art
Ben Nicholson OM (1894–1982) was a British painter and sculptor whose groundbreaking exploration of abstraction revolutionized the landscape of modern British art. Born Benjamin Lauder Nicholson at Denham, Buckinghamshire, he descended from a family steeped in artistic tradition – his father, Sir William Nicholson, and mother, Mabel Pryde, were both accomplished painters—a lineage that profoundly shaped his own creative trajectory.Early Life and Artistic Training
Nicholson’s formative years were marked by rigorous academic pursuits. He attended Tyttenhangar Lodge Preparatory School in Seaford, Heddon Court in Hampstead, and Gresham's School in Holt, Norfolk, imbibing a foundational understanding of artistic principles. His formal education culminated at the Slade School of Fine Art (1910–1911), where he forged connections with fellow artists like Paul Nash, Stanley Spencer, Mark Gertler, and Edward Wadsworth—artists who would become pivotal companions in his artistic journey. Anecdotally, Nicholson spent considerable time engrossed in billiards during this period, perceiving within the game’s geometric patterns and dynamic movement a latent aesthetic potential.Artistic Development and Influences
Nicholson's initial artistic endeavors leaned towards naturalistic still lifes, mirroring his father’s stylistic sensibilities. However, around 1926, he embarked on a transformative voyage into abstraction, decisively influenced by Synthetic Cubism and the pioneering work of Pablo Picasso. This pivotal shift wasn’t merely stylistic; it represented a fundamental reimagining of artistic expression. Further enriching his artistic vision were encounters with Piet Mondrian—whose reductive geometric style championed clarity and order—and Henri Rousseau—whose primitivist approach rekindled an appreciation for raw emotion and instinctive representation. These influences coalesced into a distinctive aesthetic language that would characterize Nicholson’s subsequent oeuvre. He became deeply involved with movements like the Seven and Five Society, Unit One, and Abstraction-Création, actively participating in dialogues about artistic innovation and redefining boundaries within British art.Major Works and Artistic Style
Nicholson's legacy rests primarily upon his monumental relief sculptures—beginning in 1933—which fused painting with sculptural elements to create immersive visual experiences. The white reliefs of the mid-1930s stand as emblems of Nicholson’s artistic achievement, embodying a masterful synthesis of form and color. Alongside these ambitious undertakings, he produced compelling still lifes and landscapes that incorporated geometric forms and muted palettes—demonstrating his versatility as an artist. Notably, “The Nicholson Wall,” commissioned for Sutton Place in Guildford, Surrey, served as a testament to his conviction that abstract art should transcend elitism and engage a broader audience. He experimented extensively with materials – oil paint, pencil, gravel, masonite – combining them in inventive ways to achieve unprecedented textural and chromatic effects.Legacy and Historical Significance
Ben Nicholson is recognized as an indispensable figure in modern British art—a catalyst for abstraction and relief sculpture—whose work garnered international acclaim and cemented his place among the foremost artists of his time. Exhibitions at prestigious venues such as the Venice Biennale and retrospectives at major museums worldwide underscored his enduring artistic significance. He received numerous accolades, including the Order of Merit in 1968, acknowledging his contribution to British culture. Nicholson’s paintings command considerable prices at auction—reflecting their intrinsic artistic merit and historical importance; “Sept 53 (Balearic)” fetched $1,650,500 at Christie's New York in 2011, while “Fiddle and Spanish Guitar” achieved €3,313,000 at Christie’s Paris in 2012. Generations of artists have drawn inspiration from Nicholson’s pioneering approach to abstraction—his unwavering dedication to exploring form and space—establishing him as a cornerstone of artistic innovation.Ben Nicholson OM
1894 - 1982 , Verenigd Koninkrijk
Belangrijkste feiten
- Artistic Movement Or Style: ['Abstract kunst']
- Artists Who Influenced This Artist:
- Henri Rousseau
- Pablo Picasso
- Date Of Birth: April 10, 1894
- Date Of Death: February 6, 1982
- Full Name: Ben Nicholson OM
- Nationality: Britse kunstenaar
- Notable Artworks:
- Sept 53 (Balearic)
- Fiddle en Spaanse Gitaar
- Place Of Birth: London, United Kingdom

De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
