Spring
Romanticism
1876
76.0 x 25.0 cm
Guildhall Art Gallery
Giclée / Kunstafdruk
Giclée- of canvasafdruk van museumkwaliteit met snelle productie en flexibele afwerkingsopties.
Kies uit onze vooraf ingestelde maten die overeenkomen met de originele verhoudingen van het kunstwerk.
U kunt uw eigen afmetingen opgeven om in een specifieke lijst of ruimte te passen. Als de door u gekozen maat niet overeenkomt met de proporties van het originele kunstwerk, zullen wij de afbeelding bijsnijden of uitbreiden met een gespiegelde of effen rand. Een digitaal mockup wordt ter goedkeuring naar u verzonden voordat de productie begint.
Houd er rekening mee dat de preview op het scherm de werkelijke bijsneding of uitbreiding niet weergeeft. Alleen de mockup toont de uiteindelijke compositie nauwkeurig.
Hoewel aangepaste maten beschikbaar zijn, raden wij aan een afmeting uit de vooraf bepaalde lijst te kiezen om de originele proporties te behouden.
Wereldwijde levering () binnen 2 weken in plaats van de standaard 4/5 weken. (22 juli)
Gratis wereldwijde expressverzending
Hoogwaardig linnen canvas
Volledige verzendverzekering
Garantie op terugbetaling van invoerrechten
Garantie op exacte kleurweergave
60 dagen retourbeleid (alleen bij defecten)
100% Geld-terug-garantie
Korting bij meerdere afnames
Spring
Giclée / Kunstafdruk
Afmetingen reproductie
-
Eindtotaal
-
Biografie van de kunstenaar
Alfred Émile Léopold Stevens: A Life in Art
Alfred Émile Léopold Stevens (1823-1906) was a Belgian painter celebrated for his realistic depictions of elegant modern women and Parisian life. He skillfully captured the essence of la vie moderne with refined detail and subtle social commentary, establishing himself as a prominent figure in 19th-century art.
Early Life and Education
Born in Brussels in 1823 into a family deeply connected to the visual arts, Stevens benefited from a stimulating environment. His older brother Joseph (also a painter), his son Léopold, and another brother Arthur (an art dealer and critic) all contributed to the family’s artistic legacy. His father, a veteran of the Napoleonic Wars, was an avid art collector, while his maternal grandparents ran a popular café frequented by intellectuals and artists.
- After his father's death in 1837, Stevens began his formal training at the Académie Royale des Beaux-Arts in Brussels.
- He studied under François Navez, a Neo-Classical painter and former student of Jacques-Louis David.
- In 1843, he moved to Paris to join his brother Joseph and enrolled at the École des Beaux-Arts.
Artistic Development and Influences
Stevens’s early work demonstrated a mastery of conventional naturalistic style, heavily influenced by 17th-century Dutch genre painting. He meticulously studied the works of artists like Gerard ter Borch and Gabriel Metsu, absorbing their techniques for depicting domestic interiors and everyday life.
- His initial success came with paintings exhibiting this influence, such as “The Pardon or Absolution” (1849).
- He gradually transitioned towards portraying contemporary subjects – "la vie moderne" – focusing on the lives of fashionable women in Parisian society.
- Stevens was an early enthusiast of Japonisme, incorporating Japanese objects and aesthetics into his compositions, as seen in “La Dame en Rose” (1866).
Major Achievements and Recognition
Stevens achieved significant recognition throughout his career, exhibiting regularly at the Salons in Paris and Brussels. His paintings garnered critical acclaim and attracted a loyal clientele.
- He received third-class medals at the Paris Salon (1853) and second-class medal at the Universal Exposition (1855).
- His painting “Ce qu'on appelle le vagabondage” (1855) prompted Napoleon III to address the issue of poverty in Paris.
- He was awarded the Legion of Honor (Chevalier, 1863; Officer, 1867; Commander, 1878).
- Stevens won a first-class medal at the Universal Exposition in Paris (1867).
Social Circle and Artistic Connections
Stevens was an active participant in the Parisian art world, cultivating friendships with prominent figures such as the Goncourt brothers, Théophile Gautier, Alexandre Dumas, Édouard Manet, Edgar Degas, Berthe Morisot, and James Abbott McNeill Whistler. He regularly frequented the Café Guerbois, a hub for avant-garde artists.
Later Life and Legacy
Stevens continued to paint successfully throughout his later life, capturing the changing fashions and social dynamics of Parisian society. He served in the French army during the Franco-Prussian War but returned to Belgium with his family before the Paris Commune. He died in 1906, leaving behind a rich artistic legacy.
Historical Significance
Alfred Stevens’s work provides valuable insights into the social and cultural life of 19th-century France. His paintings offer a glimpse into the world of the upper middle class, showcasing their elegance, leisure activities, and evolving tastes. He is remembered as a master of realistic portraiture and genre painting, skillfully capturing the spirit of his time.
alfred émile léopold stevens
1823 - 1906
Belangrijkste feiten
- Birth_Date: 1823
- Birth_Place: Brussels
- Death_Date: 1906
- Influenced_By:
- 17th-century Dutch genre painting
- Gerard ter Borch
- Gabriel Metsu
- Movement: Realism, La Vie Moderne
- Name: Alfred Émile Léopold Stevens
- Nationality: Belgian
- Notable_Works:
- The Pardon or Absolution
- Ce qu'on appelle le vagabondage
- La Dame en Rose
- Hesitation (Madam Morteaux)

De optie voor glas is alleen beschikbaar bij een formaat kleiner dan 110 cm.
