Portret van Keisai Eisen

De 13 beroemdste schilderijen van Keisai Eisen, elk uniek

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 13 werken van Keisai Eisen in onze catalogus

Kortom

Woman with a Veil (1790) is het schilderij van Keisai Eisen dat de meeste aandacht trekt; het origineel bevindt zich in het Hermitage Museum, Sint-Petersburg. Daarna gaat de blik naar Courtesan (1834) en The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037). Van de 13 werken van Keisai Eisen in onze catalogus zijn dit de 13 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.

1790 – 1848, Edo Ukiyo-e Meeste werken: Saitama Prefectural Museum of History and Folklore

Top 10 schilderijen van Keisai Eisen, door de ogen van de galerie

1
Woman with a Veil (1790) door Keisai Eisen

Woman with a Veil

1790 · Woodblock Print · Hermitage Museum, Sint-Petersburg

We are looking at Woman with a Veil, a work by the Japanese artist Keisai Eisen. This piece dates to about 1790, a period marking the beginning of the artist's life and creative presence. It is a significant example of the ukiyo-e tradition, specifically within the genre of bijin-ga, which focuses on the depiction of beautiful women.

De beroemde schilderijen van Keisai Eisen, nummer 11 tot 13

De onderwerpen die de aandacht van Keisai Eisen troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Keisai Eisen worden bewaard

De 6 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Keisai Eisen Schilderijen uit deze lijst
Saitama Prefectural Museum of History and Folklore, SaitamaSaitama Prefectural Museum of History and Folklore Saitama 7 Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra, Kiso Road, Konosu Station, Distant View of Fukiagefuji
Hermitage Museum, Sint-PetersburgHermitage Museum Sint-Petersburg 1 Woman with a Veil
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Courtesan
Art Museum, SeattleArt Museum Seattle 1 Courtesan in Moonlight
Peabody Essex Museum, SalemPeabody Essex Museum Salem 1 The Oiran Michitose of the Miuraya and Her Child Attendants
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Carp ascending a waterfall

Keisai Eisen door de decennia heen: elk een uniek origineel

Werken per decennium

Kies een decennium om het origineel te zien dat dit tijdperk definieert.

Schilderijen van Keisai Eisen: vragen voor de galerie

Wat is het bekendste werk van Keisai Eisen?Onthul het antwoord

Woman with a Veil (1790), Hermitage Museum, Sint-Petersburg. Courtesan (1834) en The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037) volgen.

Welke tien schilderijen van Keisai Eisen zijn het meest bekend?Onthul het antwoord

Woman with a Veil, Courtesan, The Feast of Seven Herbs (Imayo musume nanakusa) - YT - (3037), Courtesan in Moonlight, The Oiran Michitose of the Miuraya and Her Child Attendants, Carp ascending a waterfall, Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra, Kiso Road, Konosu Station, Distant View of Fukiagefuji en Kiso Road, Kumagaya Station, View of Hacchozutsumi. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel werken van Keisai Eisen zijn er bekend?Onthul het antwoord

Onze catalogus bevat 13 werken van Keisai Eisen, daterend van 1825 tot 1840.

Waar kunnen de beroemdste originelen van Keisai Eisen worden bekeken?Onthul het antwoord

Voornamelijk in Saitama Prefectural Museum of History and Folklore (Saitama), Hermitage Museum (Sint-Petersburg) en Cleveland Museum of Art (Cleveland). De bovenstaande museumtabel bevat een volledig overzicht.

In welke periode creëerde Keisai Eisen de bekendste schilderijen?Onthul het antwoord

In 1820s: 2 van de 13 werken op deze pagina werden toen gemaakt, waaronder Courtesan in Moonlight.

Welk beroemd schilderij van Keisai Eisen is de vroegste, en welke de laatste?Onthul het antwoord

Op deze pagina is het vroegste The Oiran Michitose of the Miuraya and Her Child Attendants (1825) en het laatste Carp ascending a waterfall (1840).

Welke onderwerpen had Keisai Eisen de voorkeur?Onthul het antwoord

Kimono (2), People (2) en Street (2), verspreid over de 13 werken op deze pagina.

Met welke materialen schilderde Keisai Eisen het meest?Onthul het antwoord

Woodblock Print, voor 4 van de 13 werken op deze pagina.

Bij welke stroming behoort het werk van Keisai Eisen?Onthul het antwoord

Ukiyo-e, te oordelen aan de originelen op deze pagina.

Welke originele werken van Keisai Eisen kan ik zien in het Saitama Prefectural Museum of History and Folklore?Onthul het antwoord

Kiso-Road, Warabi Station, Toda River Ferry Landing, Kiso Road, Okegawa Station, View of Hirohra en Kiso Road, Konosu Station, Distant View of Fukiagefuji: het Saitama Prefectural Museum of History and Folklore, Saitama herbergt 7 van de werken op deze pagina.

Keisai Eisen: een portret van de kunstenaar

The Soul of the Bunsei Era: The Life and Legacy of Keisai Eisen

In the vibrant, flickering light of 19th-century Edo, few artists captured the pulse of the "floating world" with as much evocative intensity as Keisai Eisen. Born into the prestigious Ikeda samurai clan as Ikeda Yoshinobu, his early life was a tapestry of privilege and profound hardship. The son of a respected calligrapher, Shigeharu, Eisen was raised in an environment steeped in the delicate arts of poetry and brushwork. However, the untimely loss of his parents thrust him into the life of a rōnin—a wandering samurai. This transition from the structured world of the elite to the unpredictable streets of the urban commoner did more than just alter his social standing; it infused his artistic vision with a raw, rebellious spirit and a deep empathy for the transient beauty found in the everyday.

Eisen’s artistic journey was shaped by a rigorous lineage of masters. He first sought formal training under Hakkeisai, a practitioner of the prestigious Kano school, which provided him with a foundation in classical technique and structural precision. Yet, it was his subsequent apprenticeship under Kikugawa Eizan, a titan of bijin-ga (pictures of beautiful women), that truly ignited his creative fire. While he inherited the grace of his predecessors, Eisen possessed an irrepressible urge to innovate. He moved away from the idealized, ethereal beauties of earlier eras, choosing instead to portray women with a more worldly, palpable sensuality. This shift defined the aesthetic of the Bunsei era (1818–1830), a period often characterized by its decadent and psychologically complex atmosphere.

A Master of Sensuality and Landscape

The brilliance of Eisen’s work lies in his ability to balance the intimate with the expansive. He became a master of ōkubi-e, or large-head portraits, where he utilized bold compositions and arresting gazes to convey a spectrum of human emotion—from quiet confidence to a haunting, melancholic longing. His subjects were not mere icons of beauty but characters with depth, their identities woven into the intricate patterns of their meticulously rendered kimonos. Through his brush, the fashion of the Edo period became a language of itsability and social nuance.

Beyond the intimate portraits of women, Eisen demonstrated a remarkable command over the Japanese landscape. His series documenting the Kisokaidō highway stands as a testament to his ability to capture the rhythmic movement of travel and the rugged spirit of the countryside. In works such as his depictions of Fukaya Station or Ageo Station, he transformed mere topographical records into cinematic snapshots of life in motion. He possessed a unique gift for:

  • Atmospheric Depth: Using light and shadow to create a sense of temporal presence, making the viewer feel the humidity of a summer afternoon or the chill of a mountain pass.
  • Narrative Detail: Integrating small, humanizing elements—a wandering dog, a traveler’s handbag, or a distant silhouette—to ground his landscapes in a relatable reality.
  • Collaborative Vision: Engaging in grand-scale projects, such as the joint series with Utagawa Hiroshige, which helped define the visual identity of Japan's most important travel routes.

Historical Significance and Enduring Influence

Keisai Eisen’s contribution to ukiyo-e extends far beyond the aesthetic; he was a chronicler of an era’s soul. While his contemporaries like Kunisada focused on the theatrical drama of Kabuki, and Kuniyoshi explored the heroic legends of warriors, Eisen turned his gaze toward the psychological and the atmospheric. His work bridged the gap between the classical elegance of the past and the more visceral, "decadent" realism that would characterize much of late Edo art. He was not only a printmaker but also a man of letters, contributing to the literary landscape through biographies and historical texts.

Today, Eisen is remembered as one of the most prominent masters of 19th-century Japanese woodblock prints. His ability to capture the ephemeral nature of the "floating world"—the fleeting moment, the passing traveler, the subtle glance—ensures his place in the pantheon of great artists. His legacy continues to resonate, offering modern observers a window into a vanished world where every line and color served to celebrate the profound beauty found within the transient and the everyday.