Portret van Gherardo Starnina

De 33 bekendste schilderijen van Gherardo Starnina, een selectie uit de galerie

Bijgewerkt in oktober 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 33 werken van Gherardo Starnina in onze catalogus

Kortom

Van alle originele werken die Gherardo Starnina heeft nagelaten, is Dormition of the Virgin (1408) het bekendst, in de collectie van het Philadelphia Museum of Art, Philadelphia. Direct daarna volgen Archangel Michael (1404) en Christ as Salvator Mundi (1405). Onze catalogus bevat 33 werken van Gherardo Starnina; de galerie heeft de 33 meest bewonderde werken ter wereld bewaard, elk voorzien van de datum, het museum en het verhaal erachter.

1354 – 1413, Florence Meeste werken: Städel Museum

De top 10 schilderijen van Gherardo Starnina: de selectie van de galerie

1
Dormition of the Virgin (1408) door Gherardo Starnina

Dormition of the Virgin

1408 · Tempera On Panel · Philadelphia Museum of Art, Philadelphia

The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely together against a flat, patterned gold background. Deep blues, vibrant reds, and ochre tones define the garments of the apostles and angels. Each figure is marked by a circular golden halo, creating a rhythmic repetition of shapes across the panel. The lighting…

De selectie van Gherardo Starnina gaat verder, van 11 tot 33

De onderwerpen die de aandacht van Gherardo Starnina troffen

De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.

De musea waar de originele werken van Gherardo Starnina worden bewaard

De 8 musea met de meeste schilderijen op deze pagina.

Museum Stad Werken van Gherardo Starnina Schilderijen uit deze lijst
Städel Museum, FrankfurtStädel Museum Frankfurt 4 Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 4 Jeremiah with Two Angels, Isaiah with Two Angels, Saint Stephen
Galleria degli Uffizi, FlorenceGalleria degli Uffizi Florence 3 Thebaid (detail), Thebaid (detail), Thebaid
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Two Evangelists, St. Matthew (Two Evangelists)
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Dormition of the Virgin
Museo Nazionale di Villa Guinigi, LuccaMuseo Nazionale di Villa Guinigi Lucca 1 Archangel Michael
The Nelson-Atkins Museum of Art, Kansas CityThe Nelson-Atkins Museum of Art Kansas City 1 Adoration of the Magi
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Madonna and Child

Gherardo Starnina jaar voor jaar: de originelen die elk jaar definiëren

Slechts een decennium lang, van 1400 tot 1410, gaf het de wereld elk gedateerd Gherardo Starnina origineel in deze selectie: hier is het, jaar voor jaar.

Werken per jaar

Selecteer een jaar om de originele werken te bekijken.

Vragen van verzamelaars over de schilderijen van Gherardo Starnina

Waar is Gherardo Starnina het meest bekend om?Onthul het antwoord

Dormition of the Virgin (1408), Philadelphia Museum of Art, Philadelphia. Archangel Michael (1404) en Christ as Salvator Mundi (1405) volgen.

Hoe oud was Gherardo Starnina toen Dormition of the Virgin werd gemaakt?Onthul het antwoord

54 jaar oud: Dormition of the Virgin dateert uit 1408, en Gherardo Starnina werd geboren in 1354.

Wat zijn de tien beroemdste schilderijen van Gherardo Starnina?Onthul het antwoord

Dormition of the Virgin, Archangel Michael, Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate, Salvator Mundi, The Angel of the Annunciation and the Virgin Annunciate, Adoration of the Magi, Madonna and Child, A Bishop Saint and Saint Lawrence en Jeremiah with Two Angels. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.

Hoeveel schilderijen heeft Gherardo Starnina nagelaten?Onthul het antwoord

Onze catalogus bevat 33 werken van Gherardo Starnina, daterend van 1400 tot 1410.

In welke musea hangen de meesterwerken van Gherardo Starnina?Onthul het antwoord

Voornamelijk in Städel Museum (Frankfurt), Museum of Fine Arts (Boston) en Galleria degli Uffizi (Florence). De bovenstaande museumtabel bevat een volledig overzicht.

In welke jaren schilderde Gherardo Starnina de beroemdste werken?Onthul het antwoord

In 1410: 8 van de 33 werken op deze pagina werden toen gemaakt, waaronder Jeremiah with Two Angels.

Wat zijn de eerste en de laatste beroemde originelen van Gherardo Starnina?Onthul het antwoord

Op deze pagina is het vroegste Madonna and Child (1400) en het laatste Jeremiah with Two Angels (1410).

Welke onderwerpen koos Gherardo Starnina het vaakst?Onthul het antwoord

People (3), Figures (2) en Medieval art (2), verspreid over de 33 werken op deze pagina.

Welke techniek gebruikte Gherardo Starnina het meest?Onthul het antwoord

Tempera On Panel, voor 5 van de 33 werken op deze pagina.

Welke werken van Gherardo Starnina hangen in het Städel Museum?Onthul het antwoord

Christ as Salvator Mundi, Archangel Gabriel en Virgin Annunciate: het Städel Museum, Frankfurt herbergt 4 van de werken op deze pagina.

Gherardo Starnina: leven en werk

The Soul of the Venetian Renaissance: The Life of Gherardo di Jacopo Starnina

In the golden twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the warmth of burgeoning humanism, there emerged a painter whose brush captured the very essence of spiritual devotion and intricate beauty. Gherardo di Jacopo Starnina, known to history by the affectionate moniker “Starnina,” stands as a vital bridge in the evolution of Italian art. Born in Florence around 1354, his early years were steeped in the prestigious traditions of the Florentine school. As an apprentice to the renowned Agnolo Gaddi, Starnina was immersed in a world where the emotional depth of Giotto met the delicate, lyrical elegance of Simone Martini. This formative period instilled in him a lifelong duality: a profound commitment to realistic observation paired with an unwavering devotion to the spiritual narrative.

The trajectory of Starnina’s life took a transformative turn when he migrated toward Venice around 1380. This move was not merely a change in geography but a shift in artistic atmosphere. In Venice, the light was different, more luminous and atmospheric, and the burgeoning trade brought new textures and colors to the artist's palette. It was here that Starnina truly found his voice, establishing himself as a master of detail and a painter of profound faith. His work began to reflect the unique Venetian sensibility—a blend of rich, decorative splendor and a deep, contemplative stillness that invited the viewer into a state of prayerful meditation.

Mastery of Detail and the Sacred Narrative

To gaze upon a Starnina masterpiece is to enter a world where every fold of fabric and every subtle gesture carries weight. He was not an artist preoccupied solely with grand, sweeping movements; rather, he found the divine in the minute. His technique was characterized by a remarkable attention to texture and nuance, a hallmark that would define the Venetian Renaissance style. In works such as Virgin with Child and Saints, one can witness his ability to weave together angelic figures and holy saints within a composition that feels both mathematically structured and emotionally fluid. He utilized color not just as a means of representation, but as a tool to convey the sanctity of his subjects.

His contributions to sacred spaces remain some of his most enduring legacies. The frescoes adorning the Basilica di San Frediano and the collections within the Museo di Bassano serve as windows into a lost era of craftsmanship. Starnina’s ability to render the Thebaid—the desert landscapes inhabited by hermits—demonstrates his skill in blending landscape with spiritual struggle, using light and shadow to evoke the isolation and piety of the saints. His work on the façades and interiors of religious institutions showcased a mastery of perspective that, while still rooted in Gothic tradition, pointed toward the revolutionary advancements of the coming centuries.

A Lasting Legacy in Art History

While the names of later Venetian giants like Titian or Tintoretto often dominate the historical discourse, the significance of Starnina cannot be overstated. He provided the essential foundation upon which the later masters built their triumphs. By integrating the emotional intensity of his Florentine training with the luminous, decorative richness of Venice, he helped create a new visual language for the Renaissance. His life’s work represents a period of transition, where the symbolic rigidity of the past was gracefully yielding to a more human-centric, observant way of seeing the world.

The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions:

  • Stylistic Synthesis: The seamless blending of Florentine emotional realism with Venetian decorative splendor.
  • Devotional Precision: A unique ability to use intricate detail and texture to enhance the spiritual impact of religious iconography.
  • Historical Continuity: Serving as a crucial link between the late Gothic tradition and the dawn of the High Renaissance.
  • Architectural Integration: The masterful execution of large-scale frescoes and mosaics that transformed sacred spaces into immersive spiritual environments.

Today, when we study the works of Starnina, we are not merely looking at relics of the 15th century; we are witnessing the birth of a new way of perceiving the divine through the lens of human beauty and meticulous artistry.