Bijgewerkt in november 2026 · gerangschikt op basis van onze populariteitsscore (zoekopdrachten, bezoeken en bestellingen per kunstwerk) · 24 werken van Antonio Zanchi in onze catalogus
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Abraham Teaching Astrology To The Egyptians is het schilderij van Antonio Zanchi dat de meeste aandacht trekt. Daarna gaat de blik naar Sisyphus (1662) en Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650). Van de 24 werken van Antonio Zanchi in onze catalogus zijn dit de 24 bekendste, elk een uniek origineel gepresenteerd met het jaar, het museum en de reden waarom het blijft voortbestaan.
The painting titled Abraham Teaching Astrology To The Egyptians is a work by the artist Antonio Zanchi. This canvas captures a moment of ancient instruction, where celestial knowledge is passed between figures in a quiet, focused assembly. The scene centers on the transmission of wisdom, a theme often explored through the lens of biblical narrative and historical setting.
In this oil on canvas, Antonio Zanchi captures the mythological figure Sisyphus in a moment of absolute physical strain. The man’s body is a landscape of tension, defined by the heavy weight of his eternal task. His muscular torso dominates the view, every rib and sinew highlighted by a sharp, directional light. He is caught in the middle of a struggle that has no end, his face partially hidden by…
The oil on canvas work titled Caterina Cornaro Received in Venice by Doge Agostino Barbaro depicts a formal ceremonial encounter. This 17th-century painting is attributed to the artist Antonio Zanchi. Historical records also associate the work with Padovanino, also known as Alessandro Varotari. The scene captures a significant moment of reception involving nobility and high-ranking officials within a structured, theatrical setting.
circumcision of the Son of Moses is an oil painting by the Italian Baroque artist Antonio Zanchi. The work, executed about 1672, belongs to a period when Zanchi was establishing his reputation as a significant figure in Venetian painting.
In this oil on canvas, three figures occupy a shallow, dark space. The scene is defined by a strong, directional light source originating from the upper left, which casts deep shadows across the composition. This lighting highlights the muscular anatomy of the central figure and the specific facial features of the surrounding subjects. The figures are positioned in a tight arrangement, creating an intimate perspective that brings the viewer close…
In "Thanks offering" by Antonio Zanchi, a heavy diagonal movement pulls the eye from the lower left toward the upper left. A group of men, women, and children gather around an altar where a sacrificial fire burns. Their faces turn upward, caught in a shared moment of awe, prayer, or sorrow. Above this earthly assembly, a celestial figure emerges from swirling clouds, suspended in the heavens.
In the "Arrest of Simson" by Antonio Zanchi, a chaotic biblical struggle erupts across a large-scale Baroque canvas. The composition is crowded, a knot of muscular male figures locked in a frantic, physical contest. Diagonal lines cut through the space, creating a turbulent movement that pulls the eye through the struggle. This sense of motion is anchored by a shallow perspective, which pushes the violent action directly toward the viewer's…
The scene captures a pivotal biblical encounter through a lens of intense chiaroscuro. An elderly man, his hair and beard a stark white against a deep, shadowed background, extends a gesture of blessing toward a younger figure. This recipient, partially obscured by shadow, wears a yellow garment that catches the light, creating a sharp visual contrast against the surrounding darkness. To the side, an observer in a blue robe watches…
In 1666, Antonio Zanchi captured a moment of celestial intervention set against the visceral reality of human agony. The composition centers on the Virgin Mary, draped in white, holding the Christ child as she descends to offer solace to those ravaged by disease. Below this divine presence, a crowded assembly of figures endures the physical toll of the plague. Some lie prostrate in despair, while others sit or stand in…
The composition centers on two figures positioned in a tight, dramatic arrangement. On the left, Samson is depicted from the waist up, his muscular physique rendered with heavy emphasis on the anatomical structure of his torso and arms. His hair is long, and a beard and mustache frame his face. To his right, Delilah leans toward him, her hands positioned near his head. She holds a pair of scissors in…
Man with Urine Bottle in his Hand, Antonio Zanchi (attributed to), c. 1650 - c. 16741674 · Rijksmuseum
12
Allegory of pure LoveCa' Rezzonico – Museum van de 18e-eeuwse Venetiaanse kunst
13
The Death of Socrates
14
Myrrha and CinyrasNationaal Museum in Warschau
15
Pazzi Of The Painter Antonio Zanchi
16
Twelve Old Jesus in the Temple
17
Jesus Drives out the Moneychangers from the Temple
18
Baptism of Christ
19
Alegoría Del Tiempo
20
S.Dateiname
21
A Scene Of Rape
22
Magdalena Penitente, Museo Del PradoMuseo del Prado
23
David And Goliath
24
The Virgin Appearing to the Plague Victims1666 · Scuola Grande di San Rocco
De vier onderwerpen die het meest voorkomen in deze originelen, elk met zijn mooiste voorbeeld.
De 8 musea met de meeste schilderijen op deze pagina.
| Museum | Stad | Werken van Antonio Zanchi | Schilderijen uit deze lijst |
|---|---|---|---|
 Bayerische Staatsgemäldesammlungen |
München | 3 | Joseph as Interpreter of Dreams, Thanks offering, Arrest of Simson |
 Mauritshuis |
Den Haag | 1 | Sisyphus |
 Slovak National Gallery |
Bratislava | 1 | circumcision of the Son of Moses |
 Rijksmuseum |
Amsterdam | 1 | Man with Urine Bottle in his Hand, Antonio Zanchi (attributed to), c. 1650 - c. 1674 |
 Ca' Rezzonico – Museum van de 18e-eeuwse Venetiaanse kunst |
Venetië | 1 | Allegory of pure Love |
 Nationaal Museum in Warschau |
Warschau | 1 | Myrrha and Cinyras |
 Museo del Prado |
Madrid | 1 | Magdalena Penitente, Museo Del Prado |
 Scuola Grande di San Rocco |
Venetië | 1 | The Virgin Appearing to the Plague Victims |
Kies een decennium om het origineel te zien dat dit tijdperk definieert.
The oil on canvas work titled Caterina Cornaro Received in Venice by Doge Agostino Barbaro depicts a formal ceremonial encounter. This 17th-century painting is attributed to the artist Antonio Zanchi. Historical records also associate the work with Padovanino, also known as Alessandro Varotari. The scene captures a significant moment of reception involving nobility and high-ranking officials within a structured, theatrical setting.
In this oil on canvas, Antonio Zanchi captures the mythological figure Sisyphus in a moment of absolute physical strain. The man’s body is a landscape of tension, defined by the heavy weight of his eternal task. His muscular torso dominates the view, every rib and sinew highlighted by a sharp, directional light. He is caught in the middle of a struggle that has no end, his face partially hidden by…
circumcision of the Son of Moses is an oil painting by the Italian Baroque artist Antonio Zanchi. The work, executed about 1672, belongs to a period when Zanchi was establishing his reputation as a significant figure in Venetian painting.
Abraham Teaching Astrology To The Egyptians. Sisyphus (1662) en Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650) volgen.
Abraham Teaching Astrology To The Egyptians, Sisyphus, Caterina Cornaro Received in Venice by Doge Agostino Barbaro, circumcision of the Son of Moses, Joseph as Interpreter of Dreams, Thanks offering, Arrest of Simson, Jacob Recibe La Bendición De Isaac, The Virgin Appears To The Plague Victims en Samson And Delilah. De bovenstaande ranglijst vermeldt het jaar en het museum van elk werk.
Onze catalogus bevat 24 werken van Antonio Zanchi, daterend van 1650 tot 1676.
Voornamelijk in Bayerische Staatsgemäldesammlungen (München), Mauritshuis (Den Haag) en Slovak National Gallery (Bratislava). De bovenstaande museumtabel bevat een volledig overzicht.
In 1670s: 5 van de 24 werken op deze pagina werden toen gemaakt, waaronder circumcision of the Son of Moses.
Op deze pagina is het vroegste Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650) en het laatste Joseph as Interpreter of Dreams (1676).
People (6), Figures (5) en Man (5), verspreid over de 24 werken op deze pagina.
Oil On Canvas, voor 8 van de 24 werken op deze pagina.
Joseph as Interpreter of Dreams, Thanks offering en Arrest of Simson: het Bayerische Staatsgemäldesammlungen, München herbergt 3 van de werken op deze pagina.
