Per Krafft the Elder portretas

Per Krafft the Elder tapiai: 52 garsiausi πίναšiai, galerijos akimis

Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 52 Per Krafft the Elder darbai mūsų kataloge

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Galerijos akimais, garsiausias Per Krafft the Elder tapas yra Portrait of Alois Friedrich von Brühl (1739-1793). (1767), kurio originalas eksponuojamas Nacionalinis muziejus Varšuvoje, Varšuva. Portrait of Natalia Alexandrovna Repnina (1767) ir Portrait of Stanisław August Poniatowski (1767) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 52 Per Krafft the Elder darbų mūsų kataloge, galerija žemiau pristato 52 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.

1724 – 1793, Arboga Rococo Daugiausia darbų: Nationalmuseum

10 geriausių galerijos Per Krafft the Elder paveikslų

1
Portrait of Alois Friedrich von Brühl (1739-1793). (1767) aut. Per Krafft the Elder

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · Nacionalinis muziejus Varšuvoje, Varšuva

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

2
Portrait of Natalia Alexandrovna Repnina (1767) aut. Per Krafft the Elder

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · Ermitažas, Šv. Peterburgas

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

4
Portrait of a Man (1775) aut. Per Krafft the Elder

Portrait of a Man

1775 · Oil On Canvas · Krakovos nacionalinis muziejus, Krakovas

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

5
Gustav III (1746–1792), King of Sweden (1791) aut. Per Krafft the Elder

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · Nationalmuseum, Stokholmas

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

6
Portrait of Ignacy Krasicki (1767) aut. Per Krafft the Elder

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · Nacionalinis muziejus Varšuvoje, Varšuva

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

7
Reading Boy (1758) aut. Per Krafft the Elder

Reading Boy

1758 · Oil On Canvas · Nationalmuseum, Stokholmas

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

10
Johan Gustaf Lund, född 1712, kommissarie (1748) aut. Per Krafft the Elder

Johan Gustaf Lund, född 1712, kommissarie

1748 · Oil · National Portrait Gallery of Sweden, Strängnäs

In the portrait of Johan Gustaf Lund, född 1712, kommissarie by Per Krafft the Elder, the subject is presented in a three-quarter view. The composition focuses on the man from the waist up and is positioned slightly off-center. He is depicted with wavy, shoulder-length hair, a style characteristic of the mid-1700s. The figure is set against a dark, flat, and undifferentiated background that provides no environmental context, ensuring the viewer's…

Per Krafft the Elder tapiai, rangos nuo 11 iki 52

11Portrait by Carl von Fersen (1750) aut. Per Krafft the ElderPortrait by Carl von Fersen1750 · National Portrait Gallery of Sweden 12Birgethe Dorthe and Kirstne Margarethe Colstrup (1754) aut. Per Krafft the ElderBirgethe Dorthe and Kirstne Margarethe Colstrup1754 · Nationalmuseum 13Portrait of Stanisław Augustus Poniatowski (1760) aut. Per Krafft the ElderPortrait of Stanisław Augustus Poniatowski1760 · Nacionalinis muziejus Varšuvoje 14A Boy Reading (1758) aut. Per Krafft the ElderA Boy Reading1758 · Nationalmuseum 15Portrait of a Boy (1762) aut. Per Krafft the ElderPortrait of a Boy1762 · Nationalmuseum 16Elisabeth Frederike Sophie (1732–1780), Duchess of Württemberg (1762) aut. Per Krafft the ElderElisabeth Frederike Sophie (1732–1780), Duchess of Württemberg1762 · Nationalmuseum 17Countess Teresa Kinska Poniatowska (1765) aut. Per Krafft the ElderCountess Teresa Kinska Poniatowska1765 18Karl XIII, 1748-1818, kung av Sverige och Norge (1772) aut. Per Krafft the ElderKarl XIII, 1748-1818, kung av Sverige och Norge1772 · Nationalmuseum 19Anna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim (1775) aut. Per Krafft the ElderAnna Charlotta von Stapelmohr (1754-1791), married to State Secretary Elis Schröderheim1775 · Nationalmuseum 20Portrait of Izabela Lubomirska née Czartoryska (1767) aut. Per Krafft the ElderPortrait of Izabela Lubomirska née Czartoryska1767 · Nacionalinis muziejus Varšuvoje 21Portrait of a Boy (1773) aut. Per Krafft the ElderPortrait of a Boy1773 · Finnish National Gallery 22Girl with Bullfinch in a Cage (1766) aut. Per Krafft the ElderGirl with Bullfinch in a Cage1766 · Nationalmuseum 23Emanuel Swedenborg, 1688-1772, ämbetsman (1766) aut. Per Krafft the ElderEmanuel Swedenborg, 1688-1772, ämbetsman1766 · National Portrait Gallery of Sweden 24Old Woman (1768) aut. Per Krafft the ElderOld Woman1768 · Nationalmuseum 25Portrait of Teresa Poniatowska (1767) aut. Per Krafft the ElderPortrait of Teresa Poniatowska1767 · Krakovos nacionalinis muziejus 26Portrait of Izabela Branicka née Poniatowska (1767) aut. Per Krafft the ElderPortrait of Izabela Branicka née Poniatowska1767 · Krakovos nacionalinis muziejus 27Portrait of Konstancja Poniatowska née Czartoryska (1768) aut. Per Krafft the ElderPortrait of Konstancja Poniatowska née Czartoryska1768 · Krakovos nacionalinis muziejus 28Gustav IV Adolf, 1778-1837, kung av Sverige (1785) aut. Per Krafft the ElderGustav IV Adolf, 1778-1837, kung av Sverige1785 · Nationalmuseum 29Portrait of Gustaf IV Adolf of Sweden (1778-1837) (1785) aut. Per Krafft the ElderPortrait of Gustaf IV Adolf of Sweden (1778-1837)1785 · National Portrait Gallery of Sweden 30Portrait of Anders Mattsson (1778) aut. Per Krafft the ElderPortrait of Anders Mattsson1778 · National Portrait Gallery of Sweden 31Portrait of Carl Michael Bellman, 1740-1795 (1779) aut. Per Krafft the ElderPortrait of Carl Michael Bellman, 1740-17951779 · National Portrait Gallery of Sweden 32Anna Charlotta Stapelmohr, 1754-1791, g Schröderheim (1778) aut. Per Krafft the ElderAnna Charlotta Stapelmohr, 1754-1791, g Schröderheim1778 · National Portrait Gallery of Sweden 33The Artist's Daughter Wilhelmina (1783) aut. Per Krafft the ElderThe Artist's Daughter Wilhelmina1783 · Nationalmuseum 34Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793) aut. Per Krafft the ElderGustav IV Adolf, 1778 - 1837, kung av Sverige1793 · Nationalmuseum 35Manufacturer Erik Westén the younger (1787) aut. Per Krafft the ElderManufacturer Erik Westén the younger1787 · Finnish National Gallery 36Secretary Konrad Arvid Johan Mandorf (1793) aut. Per Krafft the ElderSecretary Konrad Arvid Johan Mandorf1793 · Finnish National Gallery 37Johan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk (1792) aut. Per Krafft the ElderJohan August Meijerfeldt, 1725 - 1800. Greve, fältmarskalk1792 · National Portrait Gallery of Sweden 38Gustav IV Adolf, 1778-1837, konung av Sverige (1793) aut. Per Krafft the ElderGustav IV Adolf, 1778-1837, konung av Sverige1793 · National Portrait Gallery of Sweden 39Elis Schröderheim, 1747-1795, ämbetsman (1787) aut. Per Krafft the ElderElis Schröderheim, 1747-1795, ämbetsman1787 · National Portrait Gallery of Sweden 40Portrait of a Lady (1788) aut. Per Krafft the ElderPortrait of a Lady1788 · Nationalmuseum 41Portrait of Bishop Ignacy Krasicki aut. Per Krafft the ElderPortrait of Bishop Ignacy KrasickiKrakovos nacionalinis muziejus 42Carl Funck, 1708-1783 aut. Per Krafft the ElderCarl Funck, 1708-1783Nationalmuseum 43Thomas von Plomgren, 1702-1754, grosshandlare aut. Per Krafft the ElderThomas von Plomgren, 1702-1754, grosshandlareNationalmuseum 44Mrs Dorotea Westén aut. Per Krafft the ElderMrs Dorotea WesténFinnish National Gallery 45The Artist's Wife Maria Wilhelmina aut. Per Krafft the ElderThe Artist's Wife Maria WilhelminaNationalmuseum 46Sofia Albertina, 1753-1829, prinsessa av Sverige aut. Per Krafft the ElderSofia Albertina, 1753-1829, prinsessa av SverigeNational Portrait Gallery of Sweden 47David Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina Humble aut. Per Krafft the ElderDavid Anckarloo (1687-1765), admiral, married to 1. Ingeborg Bering, 2. Eva Catharina HumbleNational Portrait Gallery of Sweden 48Henrik af Trolle, 1730-1784 aut. Per Krafft the ElderHenrik af Trolle, 1730-1784National Portrait Gallery of Sweden 49Brita Christina Sparre, 1720-1776, g. Törnflycht aut. Per Krafft the ElderBrita Christina Sparre, 1720-1776, g. TörnflychtNational Portrait Gallery of Sweden 50Anders Johan von Höpken, 1712-1789, greve aut. Per Krafft the ElderAnders Johan von Höpken, 1712-1789, greveNational Portrait Gallery of Sweden 51Augustin Ehrensvärd, 1710-1772, militär, greve aut. Per Krafft the ElderAugustin Ehrensvärd, 1710-1772, militär, greveNational Portrait Gallery of Sweden 52Izabela Lubomirska née Czartoryska aut. Per Krafft the ElderIzabela Lubomirska née CzartoryskaRoyal Łazienki Museum

žymios Per Krafft the Elder tapiojamos, pagal laikotarpį

Temos, kurios domino Per Krafft the Elder

Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.

Muziejai, kuriuose saugomi Per Krafft the Elder originalūs darbai

7 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas Per Krafft the Elder darbai Šiojo sąrašo paveikslai
Nationalmuseum, StokholmasNationalmuseum Stokholmas 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
Nacionalinis muziejus Varšuvoje, VaršuvaNacionalinis muziejus Varšuvoje Varšuva 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
Krakovos nacionalinis muziejus, KrakovasKrakovos nacionalinis muziejus Krakovas 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, HelsinkisFinnish National Gallery Helsinkis 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
Ermitažas, Šv. PeterburgasErmitažas Šv. Peterburgas 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Museum, VaršuvaRoyal Łazienki Museum Varšuva 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder, po vieno ikoninio paveikslio kiekvienam dešimtmenės laikotarpiui

Darbai pagal dešimtmečius

Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.

Per Krafft the Elder tapyiniai: galerijos atsakymai

Kuris Per Krafft the Elder paveikslas yra pats garsiausias iš visų?Atsakymas

Portrait of Alois Friedrich von Brühl (1739-1793). (1767), Nacionalinis muziejus Varšuvoje, Varšuva. Toliau seka Portrait of Natalia Alexandrovna Repnina (1767) ir Portrait of Stanisław August Poniatowski (1767).

Kiek metų buvo Per Krafft the Elder, kai sukūrė Portrait of Alois Friedrich von Brühl (1739-1793).?Atsakymas

43 metų amžiaus: Portrait of Alois Friedrich von Brühl (1739-1793). sukurta 1767 m. Nr. Per Krafft the Elder gimė 1724.

Kuriose yra 10 geriausių Per Krafft the Elder paveikslų?Atsakymas

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 ir Johan Gustaf Lund, född 1712, kommissarie. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek kūrinių sukūrė Per Krafft the Elder?Atsakymas

Mūsų kataloge yra 52 Per Krafft the Elder darbų, skirtų laikotarpiui nuo 1748 iki 1793.

Kur kabinami garsiausi Per Krafft the Elder originalūs darbai?Atsakymas

Daugiausia – Nationalmuseum (Stokholmas), National Portrait Gallery of Sweden (Strängnäs) ir Nacionalinis muziejus Varšuvoje (Varšuva). Viršuje esančiame muziejų sąraše yra visi jie.

Kada Per Krafft the Elder sukūrė savo garsiausias paveikslus?Atsakymas

1760s laikotarpiu: 15 iš 52 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Portrait of Alois Friedrich von Brühl (1739-1793)..

Kokie yra ankstyviausi ir vėliausi garsieji Per Krafft the Elder kūriniai?Atsakymas

Šioje pusėje seniausias darbas yra Johan Gustaf Lund, född 1712, kommissarie (1748), o naujausias – Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793).

Kurią temą Per Krafft the Elder kūrė dažniausiai?Atsakymas

Man (20), Lace (15) ir Woman (10) iš 52 šioje pusėje esamų darbų.

Kurią techniką Per Krafft the Elder naudojo dažniausiai?Atsakymas

Oil On Canvas, iš 52 šios puslapio darbų – 30.

Su kokiu kierliu siejama Per Krafft the Elder?Atsakymas

Rococo, vadovaujantis šios puslapio originalais kūriniais.

Kurių Per Krafft the Elder originalų turi Nationalmuseum?Atsakymas

Gustav III (1746–1792), King of Sweden, Reading Boy ir The Artist's Daughter Wilhelmina: Nationalmuseum, Stokholmas kolekcijoje yra 18 šioje pusėje esančių darbų.

Per Krafft the Elder: menininkas

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.