Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 361 Lorenzas Loto darbai mūsų kataloge
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Galerijos akimais, garsiausias Lorenzas Loto tapas yra Portrait of a Gentleman in his Study (detail) (1530), kurio originalas eksponuojamas Gallerie dell'Accademia di Venezia, Venecija. Christ Taking Leave of his Mother (1521) ir Allegory of Virtue and Vice (detail) (1505) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 361 Lorenzas Loto darbų mūsų kataloge, galerija žemiau pristato 100 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
To stand before this depiction of a gentleman in his study is to step across the threshold into a world steeped in contemplation and cultivated refinement. The air seems thick with the scent of aged paper, polished wood, and perhaps the faint, sweet echo of music from the nearby violin. This portrait does more than merely record a likeness; it captures an entire state of being—the quiet authority vested in…
Lorenzo Lotto's “Christ Taking Leave of His Mother,” painted in 1521, isn’t merely a depiction of a poignant farewell; it’s a profound meditation on faith, familial love, and the impending sorrow that shadows Christ’s journey to Jerusalem. This masterpiece, now residing within the Gemäldegalerie in Berlin, offers a rare glimpse into the heart of Venetian Renaissance spirituality—a world where earthly beauty intertwined seamlessly with divine symbolism.
Lorenzo Lotto's “Allegory of Virtue and Vice,” a remarkably preserved panel painting from 1505, isn’t merely a depiction of figures; it’s a meticulously crafted stage for an eternal struggle. Holding court within a dramatic, almost theatrical space—a strip of land receding into a turbulent sea beneath a brooding sky—Lotto presents a scene both profoundly unsettling and deeply resonant with human experience. The painting immediately commands attention not through overt grandeur,…
Lorenzo Lotto's "Allegory of Virtue and Vice," painted in 1505, is not merely a decorative panel; it’s a profound meditation on human choice, morality, and the eternal struggle between good and evil. Created during a pivotal moment in his career – a period marked by both artistic experimentation and a growing independence from Venetian conventions – this work reveals Lotto's unique vision and his masterful ability to imbue a complex…
Lorenzo Lotto's “The Woman Taken in Adultery,” painted around 1527-29, is not merely a depiction of a biblical transgression; it’s a profound meditation on sin, judgment, and the complexities of human morality. Housed within the hallowed halls of the Louvre Museum in Paris, this oil painting transcends its subject matter to become a powerful exploration of virtue and vice, rendered with Lotto's signature blend of High Renaissance grace and nascent…
A man emerges from a heavy, ink-black shadow. He is Mastro Battista di Rocca Contrada, a man defined by the tool he holds. His hands grip a wooden crossbow, the grain of the timber rendered with a tactile, weathered precision. He does not look away. His gaze is a direct line, steady and heavy with a quiet, internal tension. The light catches the ridge of his nose and the coarse…
A single knife is embedded in the shoulder of the man, a sharp intrusion against the pale skin. He sits in a heavy, dark habit, the coarse fabric absorbing the light. His gaze is fixed, heavy with a quiet suffering that feels more like a settled fact than a sudden pain. The background is a void of deep browns and blacks, pushing his figure forward into the viewer's space. He…
The focus rests upon the soft curve of a mother’s silhouette and the weight of a child held in her arms. In this detail, the Virgin Mary and the Christ Child occupy the center of a sacred geometry. Their presence is framed by the delicate presence of angels, one hovering near the crown of Mary's head, while others occupy the space to the right. Behind them, the landscape rises in…
Lorenzo Lotto's St. Sebastian, painted in 1531, is not merely a depiction of a biblical martyr; it’s a profound meditation on suffering, faith, and the human condition rendered with an arresting intensity rarely seen in Renaissance art. This oil-on-canvas work, currently residing within the Staatliche Museen in Berlin, transcends simple religious iconography to become a deeply emotive portrait of vulnerability and resilience. Lotto, a master of his craft known for…
The air in the Recanati town square feels heavy with the weight of spoken words. Sunlight washes over the brick buildings, casting soft shadows that give volume to the crowd gathered below. At the center of this communal moment, St. Dominic occupies an elevated wooden pulpit, his figure commanding the attention of the assembly. He is a pillar of spiritual energy, delivering a sermon that seems to ripple through the…
Portrait of a young man in red garment1500 · Kunsthistorisches Museum
12
Madonna della Grazie1525 · Ermitažas
13
Altar of Santa Cristina al Tiverone, bezels crowning of the main board: Angel Pietà1505
14
Portrait of a Man1525 · Statens Museum For Kunst
15
Recanati Polyptych: Pietà1508 · Pinacoteca Civica
16
Portrait of a Woman inspired by Lucretia1530 · National Gallery
17
Altar of Recanati polyptych, crowning of the right wing: St. Catherine of Siena, and St. Sigismund1508
18
Fra Gregorio Belo di Vicenza1547 · Metropolitano meno muziejus
19
Santo Spirito Altarpiece (detail)1521 · Santo Spirito
20
Portrait of Fra Lorenzo da Bergamo1542 · Walters Art Museum
21
Portrait of the Surgeon Gian Giacomo Bonamigo with His Son Giovanni Antonio1544 · Philadelphia Museum of Art
22
Portrait of Andrea Odoni1527 · Royal Collection
23
Holy Family with Saints Anne and Joachim1535 · Courtauld Gallery
24
Portrait of a Young Man with Black Cap and Red Garment (Count Valsassina)1505
25
Portrait of a Gentleman1505
26
male portrait1505
27
Portrait of a bearded man (Giorgione Barbarelli)1512 · Royal Collection
28
Visitation by Lorenzo Lotto1532
29
Ecce Homo1525
30
The saints Sebastian and Christopher1531 · Gemäldegalerie
31
Portrait of a young man1526 · Gemäldegalerie
32
Portrait of a musician1529
33
young man in his study1528
34
Legend of St Barbara (detail) (11)1523 · Oratorio Suardi
35
Mogliano Altarpiece1548
36
Sleeping Apollo and the Muses with Fame1549 · Szépművészeti Múzeum
37
Madonna and Child with St. Jerome, St. Joseph and St. Anne1534 · Galleria degli Uffizi
38
Adoration of the Child1554
39
Madonna with St. Jerome and St. Anthony of Padua1521
40
Madonna with a Bishop and St. Onuphrius1508
41
Sts Thomas Aquinas and Flavian, Sts Peter the Martyr and Vitus1508 · Pinacoteca Comunale
42
Allegory (Allegory of prudence and wisdom)1505
43
The Presentation of Christ in the Temple1556
44
Portrait of a Married Couple1523 · Ermitažas
45
Self-Portrait1540 · Thyssen-Bornemisza muziejus
46
St Catherine of Alexandria1522 · National Gallery of Art
47
Portrait of a Man with a Felt Hat1541
48
Mystic Marriage of St Catherine (detail)1524 · Galleria Nazionale d’Arte Antica
49
St Jerome in the Wilderness (detail)1509 · Castel Sant'Angelo muziejus
50
Portrait of a Gentleman with a Rosary1515 · Nivaagaards Malerisamling
51
Altar polyptych of San Bartolomeo, Bergamo, foot plate: Martyrdom of St. Stephen1516 · Accademia Carrara
52
Deposition1513 · Accademia Carrara
53
The Alms of St Antoninus1542 · Basilica dei Santi Giovanni e Paolo
54
Assumption of the Virgin1549 · San Francesco alle Scale
55
St Jerome in the Wilderness1509 · Castel Sant'Angelo muziejus
56
St. Catherine of Alexandria1522
57
Annunciation1534 · Pinacoteca Civica
58
Allegory of Chastity detail)1506 · National Gallery of Art
59
Judith with the Head of Holofernes1512 · Banca Nazionale del Lavoro
60
Transfiguration1511 · Pinacoteca Civica
61
St Jerome in the Wilderness (detail)1509 · Castel Sant'Angelo muziejus
62
Legend of St Brigid (detail)1523 · Oratorio Suardi
63
Man with a Golden Paw (detail)1527 · Kunsthistorisches Museum
64
Madonna and Child with Sts Peter, Christine, Liberale, and Jerome (detail)1505 · Santa Cristina al Tiverone
65
Portrait of a Woman1506
66
Madonna and Child with Sts Peter, Christine, Liberale, and Jerome1505
67
Altar of Recanati polyptych, the left wing: St. Thomas Aquinas and St. Flavian1508
68
Altar of Recanati polyptych, the right wing: martyr St. Peter and St. Vitus1508
69
Altar of Recanati polyptych, crowning the main board: Angel Pietà1508
70
Altar of Recanati polyptych, main board: Madonna Enthroned with the Christ child, three angels, St. Dominic, St. Gregory and St. Urban1508
71
Allegory of Chastity1505
72
allegory of virtue and vice (detalj 1) -1505
73
Susanna and the Elders1517
74
allegory of chastity (detalj 1) -1505
75
deposition1516
76
Portrait of a Jeweler, Possibly Giovanni Pietro Crivelli1510
77
allegory of virtue and vice1505
78
Allegory of virtue and vice, detalj 6, ngw1505
79
The Martyrdom of St Stephen1516
80
allegory of chastity (detalj 2) -1505
81
Allegory of chastity, c. ngw1505
82
St. Jerome in the Desert1510
83
Christ Leading the Apostles to Mount Tabor1512
84
transfiguration1512
85
St. Dominic Polyptych1506
86
Recanati Polyptych (detail)1508 · Pinacoteca Civica
87
Recanati Polyptych: Sts Peter Martyr and Vitus1508 · Pinacoteca Civica
88
Portrait of a Lady1506
89
St. Jerome Meditating in the Desert1506
90
Altar of St. Lucia, footplate: St. Lucia in prayer and the valediction of St. Lucia1532
91
Stories of St Barbara1524
92
the nativity (detalj 1) -1523
93
The Legend of St. Barbara.1524
94
saint catherine - (detalj 1) -1522
95
The Story of St. Barbara and St. Alvise1524
96
Crucifixion1531
97
annunciation1530
98
St Lucy Altarpiece (detail)1532
99
Angel of the Annunciation1530
100
St Lucy at the Tomb of St Agatha1532
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Lorenzas Loto darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Pinacoteca Civica |
Recanati | 8 | Recanati Polyptych: Pietà, Annunciation, Transfiguration |
 National Gallery of Art |
Vašingtonas | 7 | Allegory of Virtue and Vice (detail), Allegory of Virtue and Vice, St Catherine of Alexandria |
 Kunsthistorisches Museum |
Viena | 13 | Homily of St. Dominic in Recanati, Portrait of a young man in red garment, Man with a Golden Paw (detail) |
 Castel Sant'Angelo muziejus |
Roma | 4 | St Jerome in the Wilderness (detail), St Jerome in the Wilderness, St Jerome in the Wilderness (detail) |
 Oratorio Suardi |
Trezzo sull'Adda | 14 | Legend of St Barbara (detail) (11), Legend of St Brigid (detail) |
 Accademia Carrara |
Bergamas | 11 | Altar polyptych of San Bartolomeo, Bergamo, foot plate: Martyrdom of St. Stephen, Deposition |
 Staatliche Museen zu Berlin |
Berlinas | 5 | Christ Taking Leave of his Mother, St Sebastian |
 Ermitažas |
Šv. Peterburgas | 5 | Madonna della Grazie, Portrait of a Married Couple |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Lorenzo Lotto's “Allegory of Virtue and Vice,” a remarkably preserved panel painting from 1505, isn’t merely a depiction of figures; it’s a meticulously crafted stage for an eternal struggle. Holding court within a dramatic, almost theatrical space—a strip of land receding into a turbulent sea beneath a brooding sky—Lotto presents a scene both profoundly unsettling and deeply resonant with human experience. The painting immediately commands attention not through overt grandeur,…
A close-up depiction of a man’s face and upper torso dominates the frame, rendered in oil on canvas. The composition is centered, focusing the viewer's attention on the subject's individual features. Light descends from above and slightly to the side, casting shadows that define the three-dimensionality of the face and the folds of the garment. This lighting emphasizes the texture of the hair and the meticulous rendering of the beard.
Lorenzo Lotto's “Christ Taking Leave of His Mother,” painted in 1521, isn’t merely a depiction of a poignant farewell; it’s a profound meditation on faith, familial love, and the impending sorrow that shadows Christ’s journey to Jerusalem. This masterpiece, now residing within the Gemäldegalerie in Berlin, offers a rare glimpse into the heart of Venetian Renaissance spirituality—a world where earthly beauty intertwined seamlessly with divine symbolism.
To stand before this depiction of a gentleman in his study is to step across the threshold into a world steeped in contemplation and cultivated refinement. The air seems thick with the scent of aged paper, polished wood, and perhaps the faint, sweet echo of music from the nearby violin. This portrait does more than merely record a likeness; it captures an entire state of being—the quiet authority vested in…
A single knife is embedded in the shoulder of the man, a sharp intrusion against the pale skin. He sits in a heavy, dark habit, the coarse fabric absorbing the light. His gaze is fixed, heavy with a quiet suffering that feels more like a settled fact than a sudden pain. The background is a void of deep browns and blacks, pushing his figure forward into the viewer's space. He…
A man emerges from a heavy, ink-black shadow. He is Mastro Battista di Rocca Contrada, a man defined by the tool he holds. His hands grip a wooden crossbow, the grain of the timber rendered with a tactile, weathered precision. He does not look away. His gaze is a direct line, steady and heavy with a quiet, internal tension. The light catches the ridge of his nose and the coarse…
Portrait of a Gentleman in his Study (detail) (1530), Gallerie dell'Accademia di Venezia, Venecija. Toliau seka Christ Taking Leave of his Mother (1521) ir Allegory of Virtue and Vice (detail) (1505).
50 metų amžiaus: Portrait of a Gentleman in his Study (detail) sukurta 1530 m. Nr. Lorenzas Loto gimė 1480.
Portrait of a Gentleman in his Study (detail), Christ Taking Leave of his Mother, Allegory of Virtue and Vice (detail), Allegory of Virtue and Vice, Christ and the Woman Taken in Adultery, Portrait of a crossbowman (Mastro Battista di Rocca Contrada), Friar Angelo Ferretti as Saint Peter Martyr, Madonna and Child with Saints and an Angel (detail) -, St Sebastian ir Homily of St. Dominic in Recanati. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 361 Lorenzas Loto darbų, skirtų laikotarpiui nuo 1500 iki 1556.
Daugiausia – Pinacoteca Civica (Recanati), National Gallery of Art (Vašingtonas) ir Kunsthistorisches Museum (Viena). Viršuje esančiame muziejų sąraše yra visi jie.
1500s laikotarpiu: 36 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Allegory of Virtue and Vice (detail).
Šioje pusėje seniausias darbas yra Portrait of a young man in red garment (1500), o naujausias – The Presentation of Christ in the Temple (1556).
Man (30), People (21) ir Woman (16) iš 100 šioje pusėje esamų darbų.
Oil On Canvas, iš 100 šios puslapio darbų – 35.
High renaissance, vadovaujantis šios puslapio originalais kūriniais.
Recanati Polyptych: Pietà, Annunciation ir Transfiguration: Pinacoteca Civica, Recanati kolekcijoje yra 5 šioje pusėje esančių darbų.
