94 garsiausių Federico Barocci paveikių – kiekvienas yra unikalus

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 116 Federico Barocci darbai mūsų kataloge

Trumpai tariant

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567) yra viena矚 most žiūrėlių pritraukiančių Federico Barocci tapierių; originalas saugomas Galleria Nazionale delle Marche, Urbino. Po to akmuo patenka į River Divinity (Città del Vaticano, Casino of Pius IV) (1563) ir Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569). Iš 116 Federico Barocci darbų mūsų kataloge šios 94 yra garsiausios – kiekvienas yra unikali originali dai̇lia, pateikta su jos metais, muziejumi ir priežastimi, kodėl ji išlieka per amžius.

1535 – 1612, Urbinas Mannerism Daugiausia darbų: Galleria degli Uffizi

1. Virgin and Child with Sts Simon and Jude (Madonna di San Simone) 1567

2. River Divinity (Città del Vaticano, Casino of Pius IV) 1563

3. Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 1569

10 geriausių Federico Barocci paveikslų: galerijos akimais

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

1567 · Acrylic On Canvas · Galleria Nazionale delle Marche, Urbino

Federico Fiori Barocci’s “Virgin and Child with Sts Simon and Jude,” painted in 1567, stands as a cornerstone of Italian Renaissance art—a pivotal moment marking the transition towards the exuberant dynamism of the Baroque style. Executed for the Santuario Madonna dei Miracoli basilica in Saronno, Lombardy, this altarpiece embodies Barocci’s signature blend of meticulous observation and emotive spirituality, capturing an idealized depiction of motherhood and faith.

Istorija už šio originalo kūrinio

River Divinity (Città del Vaticano, Casino of Pius IV)

1563 · Graphite · Galleria degli Uffizi, Florencija

To gaze upon Federico Fiori Barocci's "River Divinity" is to step into a moment suspended between classical repose and profound vulnerability. This exquisite drawing, executed with the delicate precision of graphite on paper, immediately draws the viewer into its monochromatic embrace. It is not merely an image; it is a meditation rendered in shades of gray, black, and white—a visual whisper from the heart of the Renaissance spirit, yet imbued…

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Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)

1569 · Charcoal · Galleria degli Uffizi, Florencija

To gaze upon this preparatory drawing by Federico Fiori Barocci is to witness art not as a finished statement, but as pure, unbridled thought taking physical form. This piece, titled "Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo)," offers us an intimate glimpse into the mind of a master at work. It is less a depiction to be admired…

Apie šį originalą

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)

1563 · Oil On Canvas · Galleria degli Uffizi, Florencija

In this 1563 fresco, Federico Barocci arranges the figures of the Holy Family within a pyramidal structure. At the center, the Virgin Mary and the infant Jesus are positioned beneath a concentrated halo of light. To their side, Saint Elizabeth is depicted with an outstretched hand, a gesture directed toward the central group. The young Saint Giovannino, representing John the Baptist, is also present within the scene. Surrounding these primary…

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Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)

1579 · Acrylic On Canvas · Galleria degli Uffizi, Florencija

Federico Barocci’s “Five Studies of Male Figure and two of His Right Hand and Arm,” created in 1579, isn’t merely a preparatory drawing; it’s a profound meditation on the act of creation itself. This intimate charcoal study, measuring just 20 x 32 cm, offers an unparalleled glimpse into the artist's meticulous process – a testament to Barocci’s dedication and his revolutionary approach to capturing human form. Far from a static…

Apie šį originalą

Francesco II della Rovere

1572 · Acrylic On Canvas · Galleria degli Uffizi, Florencija

Federico Fiori Barocci’s “Francesco II della Rovere” – A Portrait of Power and Renaissance Grace Federico Fiori Barocci, later known simply as Baroccio, stands as a pivotal figure bridging the Mannerist elegance of the late 16th century with the burgeoning dynamism of the Baroque. His portrait of Francesco Maria II della Rovere, painted in 1572, is not merely a likeness; it’s a carefully constructed tableau of power, lineage, and the…

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Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)

1612 · Acrylic On Canvas · Galleria degli Uffizi, Florencija

Federico Fiori Barocci’s “Young Man’s Head with His Right Hand on His Face” – often referred to as “Assumption of the Virgin, Milano, Collezione Castelbarco Albani” – is not merely a portrait; it's a distilled essence of human vulnerability and a poignant meditation on mortality. Painted in 1612 during a period of profound artistic transition from Mannerism to Baroque, this intimate work offers a glimpse into the soul of its…

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Composition Study (for “Circumcision”, Paris, musée du Louvre)

1590 · Acrylic On Canvas · Galleria degli Uffizi, Florencija

Federico Fiori Barocci's "Composition Study (for ‘Circumcision’, Paris, musée du Louvre)” isn’t merely a preparatory sketch; it’s a profound distillation of the artist’s vision for a monumental work depicting a pivotal scene from biblical history. Completed around 1590, this drawing offers an intimate glimpse into Barocci's meticulous process and reveals a remarkable sensitivity to light, gesture, and the emotional weight of the subject matter – the Circumcision of Isaac. It’s…

Apie šį originalą

Ritratto di monsignor Giuliano della Rovere

1595 · Oil On Canvas · Kunsthistorisches Museum, Viena

The portrait presents Monsignore Giuliano della Rovere in a moment of quiet study. Seated at a three-quarter length, the subject faces the viewer with a direct, focused gaze. He is positioned within an austere room characterized by grey walls, which provides a somber backdrop for his dark clerical attire. A diagonal line guides the eye from the upper left across the composition, leading toward a collection of books stacked in…

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Painting of the Circumcision

1500 · Oil On Canvas · Taranto nacionalinis archeologijos muziejus, Taranto

The Painting of the Circumcision is an oil on canvas work by the artist Federico Barocci. This religious composition depicts the scene of Christ being circumcised in the temple. The physical dimensions of the canvas measure approximately 103 x 82 cm.

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žinomi Federico Barocci paveikslai, nuo 11 iki 94 numerio

Portrait of a Man (1579) aut. Federico Barocci

Portrait of a Man1579 · Ermitažas 12

Madonna di san Giovanni (1564) aut. Federico Barocci

Madonna di san Giovanni1564 · Galleria Nazionale delle Marche 13

Il Perdono di Assisi (1580) aut. Federico Barocci

Il Perdono di Assisi1580 · Galleria Nazionale delle Marche 14

Quintilia Fischieri (1600) aut. Federico Barocci

Quintilia Fischieri1600 · National Gallery of Art 15

Immacolata Concezione (1575) aut. Federico Barocci

Immacolata Concezione1575 · Galleria Nazionale delle Marche 16

Head of an Old Bearded Man, 1584-1586 (1586) aut. Federico Barocci

Head of an Old Bearded Man, 1584-15861586 · Albertina 17

Portrait of Ippolito della Rovere (1602) aut. Federico Barocci

Portrait of Ippolito della Rovere1602 · Italijos ambasada Londone 18

Head of Saint Mary Magdalene (1550) aut. Federico Barocci

Head of Saint Mary Magdalene1550 · Musée Bonnat-Helleu 19

Burial of Christ (1550) aut. Federico Barocci

Burial of Christ1550 20

Communion of Saint Magdalene (1573) aut. Federico Barocci

Communion of Saint Magdalene1573 · Bavarijos valstybinės paveikslų kolekcijos 21

Crocifissione con i dolenti (1566) aut. Federico Barocci

Crocifissione con i dolenti1566 · Galleria Nazionale delle Marche 22

The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy (1587) aut. Federico Barocci

The Virgin and Child in Glory with Saint Anthony Abbot and Saint Lucy1587 23

Cristo e la Maddalena (1590) aut. Federico Barocci

Cristo e la Maddalena1590 · Bavarijos valstybinės paveikslų kolekcijos 24

Assumption1606 · Galleria Nazionale delle Marche 25

Portrait of men (1602) aut. Federico Barocci

Portrait of men1602 26

Saint Francis (1604) aut. Federico Barocci

Saint Francis1604 · Metropolitano meno muziejus 27

Martyrdom of Saint Catherine of Alexandria (1610) aut. Federico Barocci

Martyrdom of Saint Catherine of Alexandria1610 28

Annunciation (1610) aut. Federico Barocci

Annunciation1610 29

Portrait of Antonio Galli (1600) aut. Federico Barocci

Portrait of Antonio Galli1600 · Statens Museum For Kunst 30

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) aut. Federico Barocci

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 31

Aeneas' Flight from Troy (detail) (1598) aut. Federico Barocci

Aeneas' Flight from Troy (detail)1598 · Galleria Borghese 32

Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612) aut. Federico Barocci

Three Studies of Bending Figure and One of His Head (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani)1612 · Galleria degli Uffizi 33

The Nativity (1597) aut. Federico Barocci

The Nativity1597 · Museo del Prado 34

Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583) aut. Federico Barocci

Three Studies of Sitting Figure, Drapery Sketches (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 35

Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) aut. Federico Barocci

Three Studies of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 36

Head of a Woman, 1568-1569 (1569) aut. Federico Barocci

Head of a Woman, 1568-15691569 · Albertina 37

Annunciation (1582) aut. Federico Barocci

Annunciation1582 · Vatikano Pinakoteka 38

Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani) (1573) aut. Federico Barocci

Donkey (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca dei Musei Vaticani)1573 · Galleria degli Uffizi 39

Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579) aut. Federico Barocci

Nude Male Figure Playing Hurdy-gurdy, Studies of His Bust, Head and Hands (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi)1579 · Galleria degli Uffizi 40

Presentation of Virgin Mary at the Temple (1600) aut. Federico Barocci

Presentation of Virgin Mary at the Temple1600 · Santa Maria in Vallicella 41

Portrait of a Man (1572) aut. Federico Barocci

Portrait of a Man1572 42

Portrait of a Lady (1595) aut. Federico Barocci

Portrait of a Lady1595 · Ermitažas 43

The Farewell of Christ to His Mother (1612) aut. Federico Barocci

The Farewell of Christ to His Mother1612 · Condé muziejus 44

Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche) (1595) aut. Federico Barocci

Reclining Monk with Left Arm Leaning on a Rock (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche)1595 · Galleria degli Uffizi 45

Figure genuflesse e studi di mani (per la aut. Federico Barocci

Figure genuflesse e studi di mani (per laGalleria degli Uffizi 46

Portrait of a Young Lady (1600) aut. Federico Barocci

Portrait of a Young Lady1600 · National Gallery of Denmark 47

Portrait of a Young Woman (1570) aut. Federico Barocci

Portrait of a Young Woman1570 · Galleria degli Uffizi 48

The Adoration of the Magi (1561) aut. Federico Barocci

The Adoration of the Magi1561 · Rijksmuseum 49

Christ on the Cross (1604) aut. Federico Barocci

Christ on the Cross1604 · Museo del Prado 50

Male Figure Stooping to Lift a Cauldron (1590) aut. Federico Barocci

Male Figure Stooping to Lift a Cauldron1590 · Liuvro muziejus 51

Female PortraitErmitažas 52

St Jerome1598 · Galleria Borghese 53

Eternal Father and Angels aut. Federico Barocci

Eternal Father and AngelsGalleria Nazionale delle Marche 54

The Head of a Priest, study for The Circumcision aut. Federico Barocci

The Head of a Priest, study for The CircumcisionNationalmuseum 55

Head of ChristBonnefanten muziejus 56

Con una figura che sorregge l aut. Federico Barocci

Con una figura che sorregge lGalleria degli Uffizi 57

Francesco II della Rovere aut. Federico Barocci

Francesco II della Rovere 58

Rest on the Flight into Egypt aut. Federico Barocci

Rest on the Flight into EgyptStädel Museum 59

Cloaked Male Figure and Studies of His Left Leg; Drapery Studies (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 60

Stone-thrower for the Martyrdom of St Vitalis (1582) aut. Federico Barocci

Stone-thrower for the Martyrdom of St Vitalis1582 · Art Gallery of South Australia 61

Head of a Shepherd, study for The Circumcision aut. Federico Barocci

Head of a Shepherd, study for The CircumcisionNationalmuseum 62

Saint LawrenceGalleria Nazionale delle Marche 63

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) aut. Federico Barocci

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 64

Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies1579 · Galleria degli Uffizi 65

Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) aut. Federico Barocci

Man’s Head (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 66

Partial Study of Two Nude Male Figures, One with Raised Arm, the Other on the Ground and Leg and Arm Studies of the First One (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera)1583 · Galleria degli Uffizi 67

Three Studies and a Sketch of a Male Figure both Nude and Clothed (for “Stigmatization of Saint Francis”, Urbino, Galleria Nazionale delle Marche); Profile1595 · Galleria degli Uffizi 68

Self-Portrait (1600) aut. Federico Barocci

Self-Portrait1600 · Residenzgalerie 69

Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana) (1573) aut. Federico Barocci

Studies of Hand, Fingers and Leg, Foot Sketch (for “Rest on the Flight to Egypt”, Città del Vaticano, Pinacoteca Vaticana)1573 · Galleria degli Uffizi 70

Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique) (1583) aut. Federico Barocci

Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 71

Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603) aut. Federico Barocci

Bending Male Bust; Two Hand Studies (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella)1603 · Galleria degli Uffizi 72

Study of a Bent Right Arm (1590) aut. Federico Barocci

Study of a Bent Right Arm1590 · Liuvro muziejus 73

Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio) aut. Federico Barocci

Three Studies of One Figure Supporting Another and Figure Sketch (for “Lamentation”, Bologna, Palazzo D’Accursio)Galleria degli Uffizi 74

Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche) aut. Federico Barocci

Drapery Study (for “Immaculate Conception”, Urbino, Galleria Nazionale delle Marche)Galleria degli Uffizi 75

Self portrait 76

One Study of a Standing Nude Male Figure and Two Studies of a Kneeling Nude Male Figure (for “Calling of Saint Andrew”, Bruxelles, Musées royaux des Beaux-Arts de Belgique)1583 · Galleria degli Uffizi 77

PuttoGalleria degli Uffizi 78

Face of a Woman with Downcast Eyes aut. Federico Barocci

Face of a Woman with Downcast EyesLiuvro muziejus 79

Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta) aut. Federico Barocci

Kneeling Male Figure and Studies of His Right Foot, Arms, Head and Drapery (for “Last Supper”, Urbino, Cathedral of Santa Maria Vergine Assunta)Galleria degli Uffizi 80

Schizzo compositivo (per l aut. Federico Barocci

Schizzo compositivo (per lGalleria degli Uffizi 81

Angels in Flight and Drapery Studies aut. Federico Barocci

Angels in Flight and Drapery StudiesGalleria degli Uffizi 82

Tre schizzi di figure aut. Federico Barocci

Tre schizzi di figureGalleria degli Uffizi 83

The Institution of the Eucharist (1608) aut. Federico Barocci

The Institution of the Eucharist1608 · Santa Maria sopra Minerva bazilika 84

The nativityMuseo del Prado 85

Studies for the figure of Christ in the painting Noli me tangere aut. Federico Barocci

Studies for the figure of Christ in the painting Noli me tangereKupferstichkabinett 86

Madonna del Popolo (1575) aut. Federico Barocci

Madonna del Popolo1575 · Galleria degli Uffizi 87

The Madonna of the Cat (La Madonna del Gatto) aut. Federico Barocci

The Madonna of the Cat (La Madonna del Gatto)National Gallery 88

Descent from the Cross (1568) aut. Federico Barocci

Descent from the Cross1568 89

Aeneas' Flight from Troy aut. Federico Barocci

Aeneas' Flight from TroyGalleria Borghese 90

Rest on the Flight to Egypt aut. Federico Barocci

Rest on the Flight to Egypt 91

Portrait of a Young Man (1580) aut. Federico Barocci

Portrait of a Young Man1580 · Strasburgos gražiųjų rūšų muziejus 92

AnnunciationNancio gražiųjų menų muziejus 93

The Circumcision (1590) aut. Federico Barocci

The Circumcision1590 · Liuvro muziejus 94

Self-Portrait (1570) aut. Federico Barocci

Self-Portrait1570 · Galleria degli Uffizi

žymios Federico Barocci tapiojamos, pagal laikotarpį

Early Period

1550 – 1603 · 3 darbai šiame sąraše

Madonna di san Giovanni (1564), Federico Barocci

#12 Madonna di san Giovanni 1564 · Galleria Nazionale delle Marche

Head of Saint Mary Magdalene (1550), Federico Barocci

#18 Head of Saint Mary Magdalene 1550 · Musée Bonnat-Helleu

Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) (1603), Federico Barocci

#63 Half-Bust Nude Male Figure (for “Presentation of the Virgin in the Temple”, Roma, Church of Santa Maria in Vallicella) 1603 · Galleria degli Uffizi

Early Renaissance

1569 – 1583 · 3 darbai šiame sąraše

Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569), Federico Barocci

#3 Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) 1569 · Galleria degli Uffizi

Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) (1583), Federico Barocci

#30 Three Studies of Male Bust and Two of a Knee (for “Martyrdom of Saint Vitalis”, Milano, Pinacoteca di Brera) 1583 · Galleria degli Uffizi

#64 Two Figure Studies, One Nude and the Other Clothed with a Putto in His Arms (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi); Drapery Studies 1579 · Galleria degli Uffizi

Mature Period

1561 – 1612 · 65 darbai šiame sąraše

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Federico Barocci

#1 Virgin and Child with Sts Simon and Jude (Madonna di San Simone) 1567 · Galleria Nazionale delle Marche

Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) (1563), Federico Barocci

#4 Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV) 1563 · Galleria degli Uffizi

Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) (1579), Federico Barocci

#5 Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi) 1579 · Galleria degli Uffizi

Francesco II della Rovere (1572), Federico Barocci

#6 Francesco II della Rovere 1572 · Galleria degli Uffizi

Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612), Federico Barocci

#7 Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) 1612 · Galleria degli Uffizi

Late Period

1602 – 1612 · 6 darbai šiame sąraše

#24 Assumption 1606 · Galleria Nazionale delle Marche

Portrait of men (1602), Federico Barocci

#25 Portrait of men 1602

Martyrdom of Saint Catherine of Alexandria (1610), Federico Barocci

#27 Martyrdom of Saint Catherine of Alexandria 1610

#28 Annunciation 1610

The Farewell of Christ to His Mother (1612), Federico Barocci

#43 The Farewell of Christ to His Mother 1612 · Condé muziejus

Temos, kurios domino Federico Barocci

Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.

Muziejai, kuriuose saugomi Federico Barocci originalūs darbai

8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus	Miestas	Federico Barocci darbai	Šiojo sąrašo paveikslai
Galleria degli Uffizi	Florencija	36	River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV)
Galleria Nazionale delle Marche	Urbino	8	Virgin and Child with Sts Simon and Jude (Madonna di San Simone), Madonna di san Giovanni, Il Perdono di Assisi
Liuvro muziejus	Paryžius	4	Male Figure Stooping to Lift a Cauldron, Study of a Bent Right Arm, Face of a Woman with Downcast Eyes
Ermitažas	Šv. Peterburgas	3	Portrait of a Man, Portrait of a Lady, Female Portrait
Galleria Borghese	Roma	3	Aeneas' Flight from Troy (detail), St Jerome, Aeneas' Flight from Troy
Museo del Prado	Madridas	3	The Nativity, Christ on the Cross, The nativity
Albertina	Viena	2	Head of an Old Bearded Man, 1584-1586, Head of a Woman, 1568-1569
Bavarijos valstybinės paveikslų kolekcijos	Miunchas	2	Communion of Saint Magdalene, Cristo e la Maddalena

Federico Barocci per dešimtmečius: vieniškas originalas kiekvienam

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1560s

Virgin and Child with Sts Simon and Jude (Madonna di San Simone)

1 vieta iš 94 · Galleria Nazionale delle Marche, Urbino

Amžius 25 – 34 9 darbių šį dešimmetį

Istorija už šio originalo kūrinio

Federico Barocci tapų klausimai galerijai

Koks yra garsiausias Federico Barocci kūrinys?Atsakymas

Virgin and Child with Sts Simon and Jude (Madonna di San Simone) (1567), Galleria Nazionale delle Marche, Urbino. Toliau seka River Divinity (Città del Vaticano, Casino of Pius IV) (1563) ir Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) (1569).

Kuriuo amžiaus atσταση Federico Barocci sukūrė Virgin and Child with Sts Simon and Jude (Madonna di San Simone)?Atsakymas

32 metų amžiaus: Virgin and Child with Sts Simon and Jude (Madonna di San Simone) sukurta 1567 m. Nr. Federico Barocci gimė 1535.

Kurios Federico Barocci dešimt paveikslų yra garsiausi?Atsakymas

Virgin and Child with Sts Simon and Jude (Madonna di San Simone), River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo), Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV), Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi), Francesco II della Rovere, Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani), Composition Study (for “Circumcision”, Paris, musée du Louvre), Ritratto di monsignor Giuliano della Rovere ir Painting of the Circumcision. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek žinoma Federico Barocci darbų?Atsakymas

Mūsų kataloge yra 116 Federico Barocci darbų, skirtų laikotarpiui nuo 1550 iki 1612.

Kur galima pamatyti garsiausių Federico Barocci originalų?Atsakymas

Daugiausia – Galleria degli Uffizi (Florencija), Galleria Nazionale delle Marche (Urbino) ir Liuvro muziejus (Paryžius). Viršuje esančiame muziejų sąraše yra visi jie.

Kuriuo laikotarpiu Federico Barocci sukūrė savo žymiausias paveikslus?Atsakymas

1570s laikotarpiu: 13 iš 94 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Five Studies of Male Figure and two of His Right Hand and Arm (for “Madonna del Popolo”, Firenze, Galleria degli Uffizi).

Kuris iš garsių Federico Barocci paveikslų yra pirmasis, o kuris – paskutinis?Atsakymas

Šioje pusėje seniausias darbas yra Head of Saint Mary Magdalene (1550), o naujausias – Young Man’s Head with His Right Hand on His Face (for “Assumption of the Virgin”, Milano, Collezione Castelbarco Albani) (1612).

Kokia temos Federico Barocci mėgavosi?Atsakymas

Renaissance (30), Man (19) ir Woman (19) iš 94 šioje pusėje esamų darbų.

Kuriomis medžiagomis Federico Barocci tapė dažniausiai?Atsakymas

Oil On Canvas, iš 94 šios puslapio darbų – 34.

Kelią meno kryžkelę priklauso Federico Barocci kūryba?Atsakymas

Mannerism, vadovaujantis šios puslapio originalais kūriniais.

Kurius Federico Barocci originalius galėčiau pamatyti Galleria degli Uffizi?Atsakymas

River Divinity (Città del Vaticano, Casino of Pius IV), Three Studies with One Figure Supporting Another; Figure Sketch and Landscape Sketch (for “Deposition”, Perugia, Cathedral of San Lorenzo) ir Holy Family with Saint Giovannino and Saint Elizabeth (Città del Vaticano, Casino of Pius IV): Galleria degli Uffizi, Florencija kolekcijoje yra 36 šioje pusėje esančių darbų.

Federico Barocci: meno kūrinys – autoportretas

Ankstyvas Gyvenimas ir Mokymasis

Federico Fiori Barocci, gimęs 1535 metais Urbine, Italijoje, buvo vienas iš reikšmingiausių Aukštojo Renesanso ir ankstyvojo Baroko tapytojų. Jo tikrasis vardas – Federico Fiori, tačiau jis greitai sulaukė pravardžio “il Baroccio” – šnekamosios kalbos posūkis, reiškęs nedidelį dviračių vežimėlį su jautimis, paplitusį Šiaurės Vakarų Italijos tarmėse. Ši pravardė, nors ir atrodanti keistai, tapo neatsiejama nuo jo meninio identiteto. Federico pradėjo savo mokymąsi tėvo, Ambrogio Barocci, vietos garso skulptoriaus, dirbtuvėje. Tačiau pagrindinis jo meno kelio etapas prasidėjo, kai jis ėmė mokytis pas Battista Franco Urbine. Šis mokymas padėjo tvirtus pamatus būsimiems jo sėkmės laiptams. Battista Franco įtakos dėka Federico susipažino su Renesanso tapybos principais ir pradėjo kurti savo unikalų stilių.

Meninė Karjera ir Įtaka

Barocci greitai išsiskyrė savo talentu, o jo darbai sulaukė didelio pripažinimo ir įtakos. Jo kūryba buvo tarsi pranašystė ateinančiam Baroko stiliui, ypač Peterio Paulo Rubenso tapybai. Federico dirbo garsiausioje Taddeo ir Federico Zuccari studijoje Romoje, kur susipažino su įvairiais meno srovėmis ir technikomis. Pirmasis reikšmingas jo darbas – “Šv. Margarita”, sukurtas Šventosios Sakramento brolijai. Vėliau Popiežius Pijus IV pakvietė Barocci padėti dekoruoti Vatikaną, Belvedere rūmuose, kur jis nutapė Mergelės Marijos su kūdikiu paveikslus ir freską lubuose, vaizduojančią Apreiškimą. Barocci stilius pasižymėjo subtiliu manierizmo ir baroko elementų deriniu – tai buvo naujas žvilgsnis į religinę tematiką, kupinas emocijų ir dinamikos.

Svarbiausi Darbai ir Palikimas

Barocci paliko po savęs daugybę nuostabių darbų, kurie iki šiol stebina savo grožiu ir techniniu meistriškumu. Tarp jų – “Penki vyrų figūrų studijos ir dvi jo dešinės rankos bei peties studijos” (Uffizi galerija, Florencija), puikiai iliustruojančios jo gebėjimą atvaizduoti žmogaus kūną. Taip pat verta paminėti “Kompozicijos studiją” (“Apipjaustymas”, Paryžius, Musée du Louvre) – tai įrodymas jo talento subalansuoti kompoziciją ir emocijas. “Vyro galva” (“Šv. Andriejaus pašaukimas”, Briuselis, Musées Royaux des Beaux-Arts de Belgique) atskleidžia Barocci dėmesį detalėms ir išraiškingumui. Tačiau vieni žymiausi jo darbai – “Gimimo scena” (1597 metų aliejinis paveikslas Prado muziejuje), “Madonna del Popolo” (Uffizi galerija, Florencija) ir ypatingai populiari “Katės Madonna” (“La Madonna del Gatto”). 1582 metais sukurtas “Apreiškimas” taip pat yra svarbus jo kūrybos akcentas.

Meno Įtaka ir Sekėjai

Barocci įtaka buvo milžiniška, o jo darbai įkvėpė daugelį kitų menininkų. Peteris Paulas Rubenso ypač gerbė Barocci dramatišką ir emocingą tapybos manierą. Jo palikimas tebešvytinti per daugybę darbų, saugomų garsiausiuose muziejuose visame pasaulyje, tokiuose kaip Uffizi galerija (Florencija) ir Musée du Louvre (Paryžius). Barocci tapybos stilius atspindėjo naują požiūrį į religinę tematiką, kupiną švelnumo, emocijų ir dinamikos. Jo darbai iki šiol lieka aktualūs ir įkvepia menininkus bei meno mėgėjus visame pasaulyje. Federico Barocci – tai tikras Renesanso ir Baroko meno tiltas, palikęs neišdildomą pėdsaką meno istorijoje.

Visi 116 Federico Barocci darbai →

10 geriausių Federico Barocci paveikslų: galerijos akimais

žinomi Federico Barocci paveikslai, nuo 11 iki 94 numerio

žymios Federico Barocci tapiojamos, pagal laikotarpį

Early Period

Early Renaissance

Mature Period

Late Period

Temos, kurios domino Federico Barocci

Renaissance 30 darbai

Man 19 darbai

Woman 19 darbai

Baroque 16 darbai

Muziejai, kuriuose saugomi Federico Barocci originalūs darbai

Federico Barocci per dešimtmečius: vieniškas originalas kiekvienam

Darbai pagal dešimtmečius

Federico Barocci tapų klausimai galerijai

Federico Barocci: meno kūrinys – autoportretas

Ankstyvas Gyvenimas ir Mokymasis

Meninė Karjera ir Įtaka

Svarbiausi Darbai ir Palikimas

Meno Įtaka ir Sekėjai