The 100 Most Famous Egon Schiele Paintings, Each One of a Kind

Portrait of Leopold Czihaczek

Egon Schiele's 1907 “Portrait of Leopold Czihaczek” is more than just a likeness; it’s a raw, intensely personal exploration of the human condition. This oil on canvas painting, currently residing within the esteemed Leopold Museum in Vienna, offers a rare glimpse into the mind of one of Expressionism's most distinctive figures. Schiele, grappling with themes of mortality and vulnerability during a period of profound artistic transformation, created this work not…

More from 1907

#55 Portrait of Leopold Czihaczek, Standing 1907

Mother and Child (Madonna)

In the realm of early twentieth-century modernism, few works capture the raw, psychological intimacy of human connection as poignantly as Egon Schiele’s “Mother and Child (Madonna).” Created in 1908, this masterpiece serves as a profound meditation on maternal love, stripped of the idealized, porcelain perfection often found in classical religious iconography. Instead, Schiele presents us with an uncompromisingly honest vision of vulnerability. The painting depicts a woman cradling her infant…

More from 1908

#71 Kneeling Young Man 1908

Man with Blue Headband and Hand on Cheek

A Window into the Soul: Egon Schiele’s ‘Man with Blue Headband and Hand on Cheek’ This captivating drawing by Egon Schiele, created in 1909, is a powerful example of early Expressionism. More than just a portrait, it's an intimate exploration of the human psyche, rendered with striking intensity and psychological depth. The work invites us to contemplate not merely *what* we see, but *how* we feel when confronted by such…

More from 1909

#86 Autumn Tree with Fuchsias 1909

Self Portrait with Hands on Chest

A Window into the Soul: Egon Schiele’s ‘Self Portrait with Hands on Chest’ (1910) This striking self-portrait by Austrian Expressionist master Egon Schiele is more than just a likeness; it's a raw and unflinching exploration of inner turmoil, vulnerability, and the search for identity. Created in 1910, at a pivotal moment in both his artistic development and personal life, this work embodies the core tenets of Expressionism while establishing Schiele’s…

More from 1910

#14 Trijų vyrų kompozicija 1910 · Leopold Museum

Savysekančiasis II (Mirtis ir Žmogus)

Painted in 1911, Egon Schiele’s “The Self-Seers II (Death and Man)” isn't merely a portrait; it is a visceral plunge into the depths of human psychology, a stark meditation on life, death, and the inescapable nature of existence. This work stands as a pivotal piece within early Expressionism, radiating an unsettling power that continues to captivate viewers over a century later. The painting presents a figure, formally dressed yet strikingly…

More from 1911

#12 Moa 1911 · Leopold Museum

Portretas su Vala Neuzil

Egon Schiele's "Portrait of Wally" (1912) isn’t merely a depiction of a young woman; it is a visceral exploration of human vulnerability and the unsettling beauty that lies within. This masterpiece, housed in Vienna's Leopold Museum, stands as a pivotal work of Austrian Expressionism, reflecting the anxieties and psychological complexities of a rapidly changing era on the cusp of World War I. The portrait captures Walburga "Wally" Neuzil, Schiele’s lover…

More from 1912

#9 Mondananti moteris 1912 · Leopold Museum #11 Portrait of a Woman 1912

The truth unveiled - -

Egon Schiele's "The Truth Unveiled," painted in 1913, isn’t merely a depiction of figures; it’s an excavation of the human psyche, a raw and unsettling exploration of mortality, duality, and the agonizing process of unveiling hidden realities. Measuring a modest 48 x 32 cm, this work punches far beyond its size, radiating an intensity that demands attention and invites prolonged contemplation. Created during his formative years within the turbulent currents…

More from 1913

#46 Wally with a Red Blouse 1913

Lovers: Man and Woman I

Egon Schiele's 1914 painting, *Lovers: Man and Woman I*, isn’t merely a depiction of two figures; it’s a visceral exploration of human connection, vulnerability, and the unsettling beauty of mortality. Created during a period of intense personal struggle for the artist – marked by illness, loss, and a profound awareness of his own precarious existence – this work embodies the core tenets of Expressionism, translating raw emotion directly onto the…

More from 1914

#10 Savasis kaip Šventasis Sebastijonas (plakatas) 1914

Mirtis ir Žentelė

Egon Šieleio "Mirtis ir Žentelė" – Ekspresionizmo Šalikas Egon Šieleio kūrinys “Mirtis ir Žentelė” (1915 m.) – tai ne tik paveikslių drobės fragmentas, bet visą gyvenimą užsiūrėjęs klausimas apie žmogaus egzistenciją. Tai ekspresionizmo šalis, kurioje susiduria tamsumas ir šviesos spinduliai, skurdas ir meilė, mirties niūnumas ir gyvybės atžalba. Šieleis, savo darbu, įkėlė į drobę Vienos visuomenės vidinį chaosą ir neramumus, susidūręs su karų traumomis ir pačius save pažinant. Jo kūriniai…

More from 1915

#18 Two Women Embracing 1915 · Szépművészeti Múzeum

Portrait of an Old Man (also known as Johann Harms)

Egon Schiele's “Portrait of an Old Man (also known as Johann Harms),” painted in 1916, is not merely a likeness; it’s a profound meditation on aging, mortality, and the quiet dignity of human experience. This arresting work, rendered in muted browns, greys, and beiges, immediately draws the viewer into a world of somber introspection. It's a testament to Schiele’s Expressionist sensibilities – he wasn’t interested in capturing objective reality but…

Motina su dviem vaikais

Egon Šieleio *Motina su dviem vaikais* (1917) yra ne tik įtikinamas darbas, bet ir gili emocijų bei susidūrimo su istorijos atspalviais išraiška. Ši drobė, kuria galite pasigirti turint Belvedere Austrijos galerijoje Vokeryje, išlieka svarbiausia Šieleio kūrinio dalimi, kurią žymiai paveikė jo trumpa, bet itin įtakinga karjera. Tai ne tik portretas; tai aštri analizė apie šeimos ryžių, liūdėjimo ir Europoje vyravusios neramybės.

More from 1917

#5 Šeima 1917 · Austrian Gallery Belvedere #8 Apbučimas (Kochaniašių II) - - , 1917

Secession 49. Exhibition

In the hauntingly beautiful Secession 49. Exhibition, Egon Schiele invites us into a moment of profound stillness amidst the social currents of 1918 Vienna. This evocative work serves as much more than a mere depiction of a café scene; it is a psychological landscape captured in monochrome. As we gaze upon the figures gathered around the dining table, we are not met with the polished elegance of traditional portraiture, but…

More from 1918

#31 Kalnų srauta 1918