Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 35 Lucien Simonas darbai mūsų kataloge
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Galerijos akimais, garsiausias Lucien Simonas tapas yra On a Visit, Begging Sisters (1902), kurio originalas eksponuojamas Petit Palais, Paris. The Friends (1899) ir Cirque forain, Finistère (1900) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 35 Lucien Simonas darbų mūsų kataloge, galerija žemiau pristato 32 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
The oil painting titled On a Visit, Begging Sisters captures a quiet, heavy moment of human connection. Created about 1902, the work is a product of the hand of Lucien Simon. The canvas holds a stillness that reflects the somber weight of the figures gathered within its frame.
The air in the room feels heavy, thick with the scent of old wood and the unspoken thoughts of five men. They sit closely, a dense cluster of figures pulled toward the center of a dimly lit interior. There is a profound sense of stillness here, as if the world outside has ceased to exist, leaving only this intimate circle of companionship. The light does not flood the space; instead,…
The oil painting depicts a circus scene set within a circular ring, viewed from the perspective of an observer situated within a darkened crowd. In the upper right quadrant, a female performer in a white tutu and pink tights is captured mid-motion, leaping or dancing while holding French tricolor flags. Below this central figure, the spectators are rendered as shadowed forms, their faces and bodies suggested through loose, expressive brushstrokes.…
In Jour d'été, portrait de mes enfants, Lucien Simon invites us into a quiet, sunlit interior where three children are positioned in a balanced triangular formation. This arrangement spans the foreground and middle ground, grounding the subjects within the airy space. A large open window serves as the primary source of light and depth, revealing a coastal landscape that extends toward a distant horizon. Through this aperture, the receding view…
In the Impressionist oil painting Bathers by Lucien Simon, a group of women is positioned at the edge of a body of water. The figures are shown in various states of undress, some engaged in the act of bathing while others prepare to enter the water. These women are situated near a large, dark cliff or rock formation that anchors the right side of the composition. The landscape consists of…
In this large-scale oil painting, The Communicants by Lucien Simon captures a moment of profound stillness. Created about 1911, the work presents a group of figures gathered within a solemn, architectural setting. These figures, who appear to be young girls or perhaps nuns, occupy the space with a quiet, ritualistic presence. They move through a dense and layered composition that draws the eye through the staggered formation of their bodies.
A group of figures gathers in a coastal village, their forms anchored against a heavy, overcast sky. The air feels thick, saturated with the moisture of the Atlantic. In the foreground, the people move with a quiet, stoic rhythm, their silhouettes defined by thick, textured brushstrokes that suggest the coarse fabric of their traditional attire. Earthy tones of ochre and muted brown settle over the scene, interrupted only by small,…
The oil painting titled Nausicaa presents a wide, horizontal scene set against a rugged, mountainous landscape. In the foreground and middle ground, a group of women are positioned near a body of water, such as a river or a coastline. The figures are distributed across the composition, creating a rhythmic movement through the space. Some women stand upon the rocky terrain, while others are situated within the water. The color…
In Le quai d'Audierne, Lucien Simon organizes the maritime landscape into distinct, layered planes. The foreground is anchored by the heavy presence of figures gathered upon a stone quay. These figures inhabit the immediate space, grounding the viewer in the physical reality of the harbor. Beyond them, the middle ground opens into a stretch of water where various sailing vessels rest. The composition relies on the diminishing size of these…
In "Sardine Fishery in Penmarc'h," Lucien Simon captures a bustling scene of a sardine fishery in Penmarc'h. Created about 1933, this impressionistic oil painting focuses on the labor and daily life of a fishing community. The work centers on the rhythmic, heavy movements of people engaged in their trade. It is a study of a coastal working area where the salt air meets the grit of manual toil.
Flower Volcano2004 · Royal Free Hospital
12
Wrestlers in Brittany1898 · Museum of Fine Arts Ghent (MSK)
13
Returning from Mass in PenmarchFinnish National Gallery
14
Talking in the TwilightNationalmuseum
15
The Fair
16
Le goûter1906
17
Intimité1944 · Musée des Beaux-Arts de Quimper
18
The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h1913 · Musée des Beaux-Arts de Quimper
19
Staging Post1913
20
The Fairground Parade1919 · Musée des Beaux-Arts de Quimper
21
After the War1919
22
Cheval effrayé1931
23
Quai de Kérity1938 · Musée d'Orsay
24
Bigoudènes devant les tréteaux1940 · Musée des Beaux-Arts de Quimper
25
In the Breton Countryside1945
26
Abstract Design2005 · Edgware Community Hospital
27
Red Abstract2004 · Royal Free Hospital
28
Departure of the Leave-Takers of the Great War at the Gare de Pont-l'Abbé
29
A Gust of WindPushkinio valstybinis dailės muziejus
30
A Parisian Funeral
31
Strata2004 · Royal Free Hospital
32
Famille bigoudène en deuil1910 · Musée des Beaux-Arts de Quimper
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Lucien Simonas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Musée des Beaux-Arts de Quimper |
Kampė | 5 | Intimité, The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h, The Fairground Parade |
 Petit Palais |
Paris | 3 | On a Visit, Begging Sisters, The Friends, Nausicaa |
 Musée d'Orsay |
Paris | 3 | Jour d'été, portrait de mes enfants, The Communicants, Quai de Kérity |
 Royal Free Hospital |
Londonas | 3 | Flower Volcano, Red Abstract, Strata |
 National Museum of Art, Architecture and Design |
Oslo | 1 | Cirque forain, Finistère |
 T nacionalinis dailės muziejus |
Buenos Aires | 1 | Bathers |
 Ermitažas |
Šv. Peterburgas | 1 | Bretons |
 Musée d'Unterlinden |
Kolmar | 1 | Le quai d'Audierne |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
The air in the room feels heavy, thick with the scent of old wood and the unspoken thoughts of five men. They sit closely, a dense cluster of figures pulled toward the center of a dimly lit interior. There is a profound sense of stillness here, as if the world outside has ceased to exist, leaving only this intimate circle of companionship. The light does not flood the space; instead,…
The oil painting titled On a Visit, Begging Sisters captures a quiet, heavy moment of human connection. Created about 1902, the work is a product of the hand of Lucien Simon. The canvas holds a stillness that reflects the somber weight of the figures gathered within its frame.
In this large-scale oil painting, The Communicants by Lucien Simon captures a moment of profound stillness. Created about 1911, the work presents a group of figures gathered within a solemn, architectural setting. These figures, who appear to be young girls or perhaps nuns, occupy the space with a quiet, ritualistic presence. They move through a dense and layered composition that draws the eye through the staggered formation of their bodies.
In Le quai d'Audierne, Lucien Simon organizes the maritime landscape into distinct, layered planes. The foreground is anchored by the heavy presence of figures gathered upon a stone quay. These figures inhabit the immediate space, grounding the viewer in the physical reality of the harbor. Beyond them, the middle ground opens into a stretch of water where various sailing vessels rest. The composition relies on the diminishing size of these…
In "Sardine Fishery in Penmarc'h," Lucien Simon captures a bustling scene of a sardine fishery in Penmarc'h. Created about 1933, this impressionistic oil painting focuses on the labor and daily life of a fishing community. The work centers on the rhythmic, heavy movements of people engaged in their trade. It is a study of a coastal working area where the salt air meets the grit of manual toil.
In the quiet corners of art history, certain works possess the unique ability to halt time, inviting the viewer into a sanctuary of stillness. Lucien Simon’s 1944 masterpiece, Intimité, is precisely such a work. This evocative portrait captures a profound moment of connection between two figures, seated amidst an abundance of floral arrangements that seem to breathe alongside them. The painting does not merely depict a room; it constructs an…
On a Visit, Begging Sisters (1902), Petit Palais, Paris. Toliau seka The Friends (1899) ir Cirque forain, Finistère (1900).
41 metų amžiaus: On a Visit, Begging Sisters sukurta 1902 m. Nr. Lucien Simonas gimė 1861.
On a Visit, Begging Sisters, The Friends, Cirque forain, Finistère, Jour d'été, portrait de mes enfants, Bathers, The Communicants, Bretons, Nausicaa, Le quai d'Audierne ir Sardine Fishery in Penmarc'h. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 35 Lucien Simonas darbų, skirtų laikotarpiui nuo 1898 iki 1945.
Daugiausia – Musée des Beaux-Arts de Quimper (Kampė), Petit Palais (Paris) ir Musée d'Orsay (Paris). Viršuje esančiame muziejų sąraše yra visi jie.
1910s laikotarpiu: 7 iš 32 šioje pusėje esančių darbų buvo sukurtos tada, iš jų The Communicants.
Šioje pusėje seniausias darbas yra Wrestlers in Brittany (1898), o naujausias – In the Breton Countryside (1945).
People (6), Water (4) ir Sky (4) iš 32 šioje pusėje esamų darbų.
Oil, iš 32 šios puslapio darbų – 6.
Impressionism, vadovaujantis šios puslapio originalais kūriniais.
Intimité, The Burning of the Seaweed in Front of the Chapelle Notre-Dame-de-la-Joie in Penmarc'h ir The Fairground Parade: Musée des Beaux-Arts de Quimper, Kampė kolekcijoje yra 5 šioje pusėje esančių darbų.
