Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 263 Johanas Frederikas Luisas darbai mūsų kataloge
Trumpai tariant
Iš visų originalų, kuriuos paliko Johanas Frederikas Luisas, garsiausias yra Interior of the Residence of the Pasha, New Orsova (1838). Tiesiog už jų seka Lilium Auratum (1871) ir John Clark with the Animals at Sandpit Gate (1825). Mūsų kataloge yra 263 darbų autoriaus Johanas Frederikas Luisas; galerija išsaugojo 100 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
Interior of the Residence of the Pasha, New Orsova is a work by John Frederick Lewis, executed in 1838. This piece belongs to the Orientalism style, reflecting the artist's engagement with the domestic and architectural realities of the Ottoman-influenced regions he encountered during his travels.
John Frederick Lewis's "Lilium Auratum," painted in 1871, is more than just a depiction of two women amidst a profusion of flowers; it’s a meticulously crafted window into the opulent sensibilities and burgeoning Orientalist movement of Victorian England. This captivating work, housed within the broader context of Lewis’s extensive travels through the Mediterranean and North Africa, offers a rare glimpse into a world of leisure, beauty, and carefully constructed narratives.…
In the lush, verdant expanse of Windsor Great Park, specifically at the historic Sandpit Gate, John Frederick Lewis captures a moment that transcends mere landscape painting to become a profound tableau of 19-century British life. Completed around 1825, John Clark with the Animals at Sandpit Gate is much more than a portrait of a man; it is an exquisite celebration of the harmonious, albeit curated, relationship between humanity and the…
A Café on the Bosphorus1838
12
New Orsova; Exterior of the Pasha'a Residence1838
13
Yeni Jami, (or Mosque of the New Tomb)1838
14
Tophana1838
15
Asking for Alms1833
16
Portrait of John Ponsonby, 1st Viscount Ponsonby1841
17
Easter Day at Rome1840
18
Sheik Hussein of Gebel Tor and His Son1843 · Yale Center for British Art
19
The Pipe Bearer1856 · Birmingham Museum and Art Gallery
20
A Syrian Sheik, Egypt1856 · Fitzwilliam Museum
21
The Doubtful Coin1869 · Birmingham Museum and Art Gallery
22
The Harem1876 · Birmingham Museum and Art Gallery
23
On the Banks of the Nile, Upper Egypt1876 · Yale Center for British Art
24
Arabian Nights1876
25
Seated Turk1841 · Yale Center for British Art
26
Arab School1851 · Metropolitano meno muziejus
27
Study of a Lion and Study of a Lioness' Head1820 · Yale Center for British Art
28
The Courtyard of the Coptic Patriarch's House in Cairo1864 · Tate Britain
29
Girl with Two Caged Doves
30
Highland Hospitality
31
A Head Keeper, Windsor Castle1826 · Yale Center for British Art
32
The Bazaar of the Ghûriyah from the Steps of the Mosque of El-Ghûri, Cairo
33
A Street Scene in Granada on the Day of the Bullfight1833 · Yale Center for British Art
34
A View Of The Street And Morque Of Ghorreyah, Cairo
35
The Siesta
36
Head of a cow
37
The Ramesseum at Thebes1851 · Yale Center for British Art
38
?A Sketch for `Foresters Stalking Deer'1824 · Yale Center for British Art
39
The Head of a Tigress (felis Tigris). Etching with Engraving1825
40
Saint Sophia and Distant View of Sultan Achmet (mosques)1838
41
A Turkish Araba Drawn by Two White Oxen1841 · Yale Center for British Art
42
Seraglio Point1838
43
Artillery Barracks, Tophana1838
44
An Interior1834
45
Four Women in ann Interior, Brussa, Turkey1841
46
The Harem Introduction of an Abyssinian slave1860
47
An Intercepted Correspondence1869
48
Interior of An Eastern House1851 · Yale Center for British Art
49
Study for the Proclamation of Don Carlos1838 · Yale Center for British Art
50
A hunting scene
51
Self-portrait sketch 1
52
Portrait sketch of Mrs Birch
53
Face of a lion
54
Self-portrait of the artist as a boy
55
Head of a lioness 1
56
Sleeping Lion 1
57
Head of a man in profile
58
A hunting scene in winter
59
Portrait sketch of Edwin Landseer
60
Portrait drawing of the artist's grandmother
61
J.F. Lewis by himself on the Rhine
62
Earl Grey and his daughter Lady Elizabeth Bulteel
63
A group of three figures, one kneeling, possibly before a shrine
64
A sleeping child
65
A huntsman with dead deer
66
Head and shoulders of a young woman
67
Sheet of rough sketches including a caricature of a monk's head
68
A woman seated in a rustic interior
69
A farm horse
70
Puma and pug at Exeter Change
71
Scutari
72
Portrait sketch of Charles George Lewis
73
A sleeping lion
74
A lion at the 'Old Exeter Change'
75
Sleeping Lion
76
A lioness at the Old Exeter Change
77
Great Mosque at Brusa
78
A man and a boy in rustic dress
79
A lioness
80
Sleeping Lion and Lioness
81
A man sawing timber
82
The Leaning Tower of Saragoza
83
J. F. Lewis by himself
84
A young girl
85
Contrabandistas1836 · British Museum
86
At Uncle Charles the Binder
87
Windsor Castle
88
Fountain from the Gate of the Seraglio
89
Mule and Muleteer
90
Head of a lion 1
91
Cannon Foundry, Tophane
92
Head of a cat
93
The Coffee BearerManchester Art Gallery
94
Farm workers resting
95
The entrance to the Great Mosque at Bursa, Turkey
96
Portrait
97
Brusa
98
Study of three Turks at Bursa
99
Arab School
100
A Halt in the Desert
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Johanas Frederikas Luisas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 28 | Sheik Hussein of Gebel Tor and His Son, On the Banks of the Nile, Upper Egypt, Seated Turk |
 Birmingham Museum and Art Gallery |
Birminghamas | 4 | The Pipe Bearer, The Doubtful Coin, The Harem |
 Metropolitano meno muziejus |
Niujorkas | 3 | Arab School |
 Tate Britain |
Londras | 2 | The Courtyard of the Coptic Patriarch's House in Cairo |
 British Museum |
Londonas | 2 | Contrabandistas |
 Birmingham Museums And Art Gallery |
Birminghamas | 1 | Lilium Auratum |
 Royal Collection |
Londonas | 1 | John Clark with the Animals at Sandpit Gate |
 Fitzwilliam Museum |
1 | A Syrian Sheik, Egypt |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In the lush, verdant expanse of Windsor Great Park, specifically at the historic Sandpit Gate, John Frederick Lewis captures a moment that transcends mere landscape painting to become a profound tableau of 19-century British life. Completed around 1825, John Clark with the Animals at Sandpit Gate is much more than a portrait of a man; it is an exquisite celebration of the harmonious, albeit curated, relationship between humanity and the…
Interior of the Residence of the Pasha, New Orsova is a work by John Frederick Lewis, executed in 1838. This piece belongs to the Orientalism style, reflecting the artist's engagement with the domestic and architectural realities of the Ottoman-influenced regions he encountered during his travels.
John Frederick Lewis's "Lilium Auratum," painted in 1871, is more than just a depiction of two women amidst a profusion of flowers; it’s a meticulously crafted window into the opulent sensibilities and burgeoning Orientalist movement of Victorian England. This captivating work, housed within the broader context of Lewis’s extensive travels through the Mediterranean and North Africa, offers a rare glimpse into a world of leisure, beauty, and carefully constructed narratives.…
Interior of the Residence of the Pasha, New Orsova (1838). Toliausiai eina Lilium Auratum (1871) ir John Clark with the Animals at Sandpit Gate (1825).
33 metų amžiaus: Interior of the Residence of the Pasha, New Orsova sukurta 1838 m. Nr. Johanas Frederikas Luisas gimė 1805.
Interior of the Residence of the Pasha, New Orsova, Lilium Auratum, John Clark with the Animals at Sandpit Gate, A Gondolier, Venice, Return of the Sultan Mahmoud from the Mosque, Sketches of a trip to Spain: Capilla de Villaviciosa, Bulgarian Village, the Port of Constantinople, Sweet Waters (in Asia) ir Turkish Female. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 263 Johanas Frederikas Luisas darbų, skirtų laikotarpiui nuo 1820 iki 1876.
Daugiausia – Yale Center for British Art (New Haven), Birmingham Museum and Art Gallery (Birminghamas) ir Metropolitano meno muziejus (Niujorkas). Viršuje esančiame muziejų sąraše yra visi jie.
1830s laikotarpiu: 20 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Interior of the Residence of the Pasha, New Orsova.
Šioje pusėje seniausias darbas yra Study of a Lion and Study of a Lioness' Head (1820), o naujausias – The Harem (1876).
Animals (11), Landscape (6) ir Portraits (6) iš 100 šioje pusėje esamų darbų.
Watercolor, iš 100 šios puslapio darbų – 6.
Orientalist painting, vadovaujantis šios puslapio originalais kūriniais.
Sheik Hussein of Gebel Tor and His Son, On the Banks of the Nile, Upper Egypt ir Seated Turk: Yale Center for British Art, New Haven kolekcijoje yra 11 šioje pusėje esančių darbų.
John Frederick Lewis, žymus anglų orientalistas tapytojas, gimė 1804 m. liepos 14 d. Londone. Jis buvo Frederico Christiano Lewiso sūnus – graviūrų meistro ir kraštovaizdžio tapytojo. Ši šeimos artistinė aplinka neabejotinai turėjo įtakos jo ankstyvam vystymuisi. Formalūs mokymai prasidėjo po Sir Thomas Lawrence’o globoja, kur jis tobulino savo įgūdžius kartu su kitais menininkais, tokiais kaip Edwin Landseer. Šis pamatinis laikotarpis suteikė jam stiprią technikų ir kompozicijos supratimą.
Lewiso kūrybinė karjera vyko per kelis skirtingus etapus, kuriuos pažymėjo besikeičiantys stiliai ir teminiai akcentai:
Lewis sukūrė didžiulį darbų rinkinį, garsėjantį kruopščiu detalumu ir įtaikiu atmosferos perteikimu. Kai kurie žymiausi jo darbai apima:
Lewiso stilių formavo keli veiksniai, ypač Sir Thomas Lawrence’o pabrėžimas portretams ir kompozicijai. Tačiau tiesioginė Vidurio Rytų kultūrų stebėjimas leido jam sukurti unikalų estetinį pobūdį, kuriam būdinga:
Lewiso indėlis į meno pasaulį slypi jo reikšmingame vaidmenyje kuriant orientalistinį tapybą. Jo kruopščios islamo architektūros, baldų ir kostiumų reprezentacijos nustatė naujus realizmo standartus šiame žanre. Jis padėjo populiarinti romantizuotą, tačiau detalią Vidurio Rytų viziją tarp Vakarų auditorijos. Grįžęs į Angliją 1851 metais, jis tęsė tapybą iki savo mirties rugpjūčio 15 dieną 1876 metais Walton-on-Thames.
Jo darbai ir toliau yra tiriami ir gerbiami dėl meninės vertės ir istorinio įžvalgumo apie XIX amžiaus suvokimą apie Orientą.
