Francesco Bartolozzi portretas

2 garsiausių Francesco Bartolozzi paveikių rinkinys: galerijos išboru

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 2 Francesco Bartolozzi darbai mūsų kataloge

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Iš visų paliktų originalų kūrinių Francesco Bartolozzi garsiausias yra Thomas Cheesman (1777), esantis National Portrait Gallery kolekcijoje, Londras. Mūsų kataloge yra 2 darbų autoriaus Francesco Bartolozzi; galerija išsaugojo 2 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.

1728 – 1815, Florence Daugiausia darbų: National Portrait Gallery

Francesco Bartolozzi geriausios 10 paveikslų: galerijos pasirinkimas

1
Thomas Cheesman (1777) aut. Francesco Bartolozzi

Thomas Cheesman

1777 · Oil On Canvas · National Portrait Gallery, Londras

This oil on canvas portrait depicts Thomas Cheesman, an English engraver and draughtsman. Attributed to the artist Francesco Bartolozzi, the work was created circa 1777. The subject, who lived from 1760 to circa 1834, is presented in a formal manner that identifies his professional standing. The painting is held within the National Portrait Gallery in London.

2
Bacchante (1786) aut. Francesco Bartolozzi

Bacchante

1786 · Engraving · Ermitažas, Šv. Peterburgas

In this 1786 composition, we find ourselves drawn into a quiet, wooded setting where three women are gathered. There is a sense of ease in their posture, a feeling of shared companionship that feels almost private, as if we have stumbled upon a fleeting moment of rest. The figures are positioned with a natural grace; one woman rests on the left, while the other two are situated closer to the…

Muziejai, kuriuose saugomi Francesco Bartolozzi originalūs darbai

2 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas Francesco Bartolozzi darbai Šiojo sąrašo paveikslai
National Portrait Gallery, LondrasNational Portrait Gallery Londras 1 Thomas Cheesman
Ermitažas, Šv. PeterburgasErmitažas Šv. Peterburgas 1 Bacchante

Francesco Bartolozzi metai po metų: originalūs darbai, apibūdinantys kiekvieną iš jų

Vos vos dešimtmetis, nuo 1777 iki 1786, suteikė pasauliui kiekvieną nurodytą Francesco Bartolozzi originalą iš šios kolekcijos: štai jie, metus po metų.

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Kolekcjonerų klausimai apie Francesco Bartolozzi paveikslus

Kuriu darbu Francesco Bartolozzi yra labiausiai garsus?Atsakymas

Thomas Cheesman (1777)

Kokia buvo Francesco Bartolozzi amžius, kai buvo sukurtas Thomas Cheesman?Atsakymas

49 metų amžiaus: Thomas Cheesman sukurta 1777 m. Nr. Francesco Bartolozzi gimė 1728.

Kiek paveikslų paliko Francesco Bartolozzi?Atsakymas

Mūsų kataloge yra 2 Francesco Bartolozzi darbų, skirtų laikotarpiui nuo 1777 iki 1786.

Kuriuose muziejuose eksponuojami Francesco Bartolozzi šedevrai?Atsakymas

Daugiausia – National Portrait Gallery (Londras) ir Ermitažas (Šv. Peterburgas). Viršuje esančiame muziejų sąraše yra visi jie.

Kokie yra pirmasis ir paskutinis garsieji Francesco Bartolozzi originalūs darbai?Atsakymas

Šioje pusėje seniausias darbas yra Thomas Cheesman (1777), o naujausias – Bacchante (1786).

Francesco Bartolozzi: gyvenimas ir kūryba

Francesco Bartolozzi: Life and Legacy

Early Life and Training

  • Born: Florence, Italy in 1725.
  • Initially destined to follow his father’s profession as a goldsmith and silversmith.
  • Demonstrated exceptional artistic talent early on, leading him to study painting under Florentine artists Ignazio Hugford and Giovanni Domenico Ferretti.
  • Spent three years dedicated to painting before turning his attention to engraving in Venice.
  • Influenced by the work of Joseph Wagner, a prominent engraver, during his time in Venice.

Artistic Development and Style

  • Bartolozzi’s early engravings were initially in the style of artists like Marco Ricci and Zuccarelli.
  • He later developed a distinctive style, becoming renowned for popularizing the “crayon” method of engraving.
  • The ‘crayon’ manner imitated the subtle effects of chalk drawings, creating soft, delicate textures and tones.
  • His work often featured portraits and allegorical scenes, reflecting Neoclassical influences.

Career in London

  • Moved to London in 1764 and remained there for nearly forty years.
  • Quickly established himself as a leading engraver, appointed ‘Engraver to the King’ with an annual salary of £300.
  • Elected a founding member of the Royal Academy in 1768, solidifying his position within the British art establishment.
  • Contributed significantly to Boydell's Shakespeare Gallery, creating engravings based on works by prominent artists.
  • Frequently collaborated with artists such as Cipriani and Angelica Kauffman.

Major Achievements and Works

  • Notable works include engravings of “Clytie” after Annibale Carracci and the “Virgin and Child” after Carlo Dolci.
  • His skill in reproducing paintings with a chalk-like quality made his engravings highly sought after.
  • In 1802, he became the founding president of the short-lived Society of Engravers.
  • Bartolozzi’s influence extended to numerous pupils, including Michele Benedetti and Luigi Schiavonetti.

Later Life and Historical Significance

  • In 1802, Bartolozzi accepted the position of director of the National Academy of Lisbon.
  • He died in Lisbon in 1815.
  • Bartolozzi’s contribution to engraving lies in his mastery and popularization of the crayon manner, which significantly impacted the aesthetic qualities of engravings during his time.
  • His work remains a testament to the skill and artistry of 18th-century engravers and continues to be appreciated for its delicate beauty and technical brilliance.