Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 47 Edwardas Steichenas darbai mūsų kataloge
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Iš visų paliktų originalų kūrinių Edwardas Steichenas garsiausias yra Le Tournesol (The Sunflower) (1920), esantis National Gallery of Art kolekcijoje, Vašingtonas. Tiesiog už jų seka Behind-the-scenes photograph, Paying the Piper (1921) ir Portrait, Osgood Perkins (1923). Mūsų kataloge yra 47 darbų autoriaus Edwardas Steichenas; galerija išsaugojo 47 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
To stand before this monochromatic document from 1921 is to step directly onto the dusty, exhilarating threshold of cinematic history. This photograph, capturing a behind-the-scenes moment from the production of 'Paying the Piper,' is far more than a mere record; it is an artifact imbued with the palpable energy of creation. One can almost hear the clatter of equipment and the hushed direction calls echoing across the makeshift set. The…
Edward Steichen’s 1923 photograph, "Portrait, Osgood Perkins," is not merely a picture; it is an immersion into the velvet depths of theatrical fantasy. This striking black and white studio portrait captures a moment suspended between life and myth. The subject, dramatically costumed as a vampire, stands in profile, his posture radiating an almost predatory elegance. Steichen masterfully uses the stark contrast inherent to early 20th-century photography to sculpt this figure…
To stand before Edward Steichen's Portrait of Clarence White is to step into a hushed moment suspended in time. This photograph is far more than a mere likeness; it is an immersion into the delicate landscape of introspection. The composition draws the viewer immediately into the intimate space shared between the artist and his subject. Clad in the soft, enveloping tones of monochrome, the portrait captures a man whose gaze…
Edward Steichen's "The Kid," produced in 1921 for the film starring Charles Chaplin and Jackie Coogan, stands as a quintessential example of Art Deco poster design—a bold declaration of cinematic excitement frozen in time. More than just an advertisement, it’s a meticulously crafted visual narrative that captures the spirit of its era.
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across…
This evocative lobby card for "Blood and Sand," dating back to 1922, transports the viewer directly into the passionate, sun-drenched melodrama of early cinema. It is more than just a promotional piece; it is a carefully constructed tableau vivant, capturing the very essence of cinematic yearning. The composition immediately draws the eye to the central figure—a man embodying the romantic archetype, dressed in attire suggestive of Spanish passion and drama.…
To gaze upon this lobby card for "Blood and Sand" is to step directly onto the vibrant, dramatic set of early cinema history. This piece is not merely a promotional artifact; it is a carefully constructed tableau vivant, capturing the raw energy and intoxicating allure that defined the silent film era. The composition immediately arrests the viewer with its bold chromatic choices—the passionate reds, the electric yellows, and the deep,…
In the realm of vintage visual culture, few images capture the whimsical essence of early cinema as effectively as this Preview slide for The Immigrant. This evocative piece serves as a window into a bygone era, presenting a delightful caricature of the legendary Charlie Chaplin in his most iconic role as the Tramp. The central figure is rendered with a charmingly exaggerated physicality; his oversized shoes, hat, and suit create…
Paul RobesonGeorge Eastman muziejus
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Lobby card, The Love Special1921 · Museum of the Moving Image
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In Memoriam1906 · Denver Art Museum
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Lobby kortas „Šiaurės Širdė“1921 · Museum of the Moving Image
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Studio site photograph, Famous Players-Lasky, Hollywood, CA1922 · Museum of the Moving Image
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Sunflower1920 · George Eastman muziejus
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Preview slide, Hunting Big Game in Africa1922 · Museum of the Moving Image
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Isadora Duncan in the Parthenon, Athens1921 · Toledo meno muziejus
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Lobby card, The Green Temptation1922 · Museum of the Moving Image
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Film still, Footlights1921 · Museum of the Moving Image
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Nocturne, Temple d'Amour1910
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Film still, Experience1921 · Museum of the Moving Image
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Brequet Photographic Plane Brought Down in Flames, World War I1918
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Lobby card, Java Head1923 · Museum of the Moving Image
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Advertising slide, Paramount Pictures1915 · Museum of the Moving Image
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Herald, The Kid Brother1927 · Museum of the Moving Image
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Lobby card, The Blue Fox, Episode 101921 · Museum of the Moving Image
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Special message slide,1915 · Museum of the Moving Image
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Lobby card, The Man from Lost River1921 · Museum of the Moving Image
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The Lotus Screen, S.S.S1909
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Studio site photograph, Thomas H. Ince Studios, Culver City, CA1922 · Museum of the Moving Image
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Herald, Blood and Sand1922 · Museum of the Moving Image
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Portrait, Constance Talmadge1920 · Museum of the Moving Image
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Preview slide, Cleopatra1917 · Museum of the Moving Image
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Lady in a Flower Field1899
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The Little Round Mirror1901
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Film still, Behind the Scenes1914 · Museum of the Moving Image
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Portrait, William Farnum1920 · Museum of the Moving Image
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Aerial Bombs Dropping on Montmedy, World War I1918
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Aerial View of Trenches1918 · New Orleans Museum of Art
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Film still, Footlights1921 · Museum of the Moving Image
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Jean Walker Simpson1923
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Film still, Puritan Passions1923 · Museum of the Moving Image
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Programa, Orpheum Teatro, Filadelfija, PA1915 · Museum of the Moving Image
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Aerial View of Trenches (37)1918 · New Orleans Museum of Art
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"Lobby card, Rosita" - Klaipėdos kortelis iš filmo „Rosita“1923 · Museum of the Moving Image
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Studijų kambario fotografija, Tomas H. Ince studijos, Culver City, Kalifornija1922 · Museum of the Moving Image
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
6 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Edwardas Steichenas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Museum of the Moving Image |
Astoria | 32 | Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Preview slide, The Kid |
 Denver Art Museum |
Denver | 2 | Portrait of Clarence White, In Memoriam |
 George Eastman muziejus |
Rochester | 2 | Paul Robeson, Sunflower |
 New Orleans Museum of Art |
Niu Orleanas | 2 | Aerial View of Trenches, Aerial View of Trenches (37) |
 National Gallery of Art |
Vašingtonas | 1 | Le Tournesol (The Sunflower) |
 Toledo meno muziejus |
Toledo | 1 | Isadora Duncan in the Parthenon, Athens |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to blur into a singular, evocative vision. Created in 1909, this masterpiece captures a woman lost in a profound state of contemplation. Seated with her hands delicately pressed against her face, she creates a veil of privacy, shielding her inner world from the…
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
Le Tournesol (The Sunflower) (1920), National Gallery of Art, Vašingtonas. Toliau seka Behind-the-scenes photograph, Paying the Piper (1921) ir Portrait, Osgood Perkins (1923).
20 metų amžiaus: Le Tournesol (The Sunflower) sukurta 1920 m. Nr. Edwardas Steichenas gimė 1900.
Le Tournesol (The Sunflower), Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Portrait of Clarence White, Preview slide, The Kid, Fan magazine, Motion Picture Magazine, vol. 9, no. 6, Herald, The Ten Commandments, Lobby card, Blood and Sand, Lobby card, Blood and Sand ir Preview slide, The Immigrant. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 47 Edwardas Steichenas darbų, skirtų laikotarpiui nuo 1909 iki 1927.
Daugiausia – Museum of the Moving Image (Astoria), Denver Art Museum (Denver) ir George Eastman muziejus (Rochester). Viršuje esančiame muziejų sąraše yra visi jie.
1920s laikotarpiu: 29 iš 47 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Le Tournesol (The Sunflower).
Šioje pusėje seniausias darbas yra The Lotus Screen, S.S.S (1909), o naujausias – Herald, The Kid Brother (1927).
Black and white (7), Edward steichen (7) ir Portrait (6) iš 47 šioje pusėje esamų darbų.
Black and White Photography, iš 47 šios puslapio darbų – 9.
Pictorialism, vadovaujantis šios puslapio originalais kūriniais.
Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins ir Preview slide, The Kid: Museum of the Moving Image, Astoria kolekcijoje yra 32 šioje pusėje esančių darbų.
