Charles de Steuben portretas

19 garsiausių Charles de Steuben paveikių rinkinys: galerijos išboru

Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 19 Charles de Steuben darbai mūsų kataloge

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Iš visų paliktų originalų kūrinių Charles de Steuben garsiausias yra Portrait of Anna Benardaki (1844), esantis Ermitažas kolekcijoje, Šv. Peterburgas. Tiesiog už jų seka Portrait of Baron Alexander Stieglitz (1844) ir Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Mūsų kataloge yra 19 darbų autoriaus Charles de Steuben; galerija išsaugojo 19 labiausiai pasaulyje žyminiausių kūrinių – kiekvienas jų pateikiamas su datos, muziejaus ir istorijos aprašymu.

1788 – 1856, Bauerbach Romanticism Daugiausia darbų: Ermitažas

Charles de Steuben geriausios 10 paveikslų: galerijos pasirinkimas

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Portrait of Anna Benardaki (1844) aut. Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Ermitažas, Šv. Peterburgas

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

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Portrait of Baron Alexander Stieglitz (1844) aut. Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Ermitažas, Šv. Peterburgas

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

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Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) aut. Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Ermitažas, Šv. Peterburgas

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

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Portrait of a Young Woman (1843) aut. Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Ermitažas, Šv. Peterburgas

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

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Portrait of D.E. Benardaki (1844) aut. Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Ermitažas, Šv. Peterburgas

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

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Portrait of Countess Yulia Stroganova (1848) aut. Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Ermitažas, Šv. Peterburgas

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

Charles de Steuben darba rinkinys tęsiamas, nuo 11 iki 19

Temos, kurios domino Charles de Steuben

Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.

Muziejai, kuriuose saugomi Charles de Steuben originalūs darbai

8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.

Muzejaus Miestas Charles de Steuben darbai Šiojo sąrašo paveikslai
Ermitažas, Šv. PeterburgasErmitažas Šv. Peterburgas 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LilasPalais des Beaux-Arts de Lille Lilas 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet muziejus, ParisCarnavalet muziejus Paris 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, ParisMusée Victor Hugo Paris 1 Sketch for the painting "La Esmeralda and her goat"
Opera House, VersalioOpera House Versalio 1 Anne d'Autriche, reine de France
Château de Versailles, VersalioChâteau de Versailles Versalio 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, KlevlandasCleveland Museum of Art Klevlandas 1 Battle of Poitiers, 25 October 732

Charles de Steuben dešimtmetėms po dešimtmetės: originalus kūrinys, apibūdinantis kiekvieną iš jų

Darbai pagal dešimtmečius

Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.

Kolekcjonerų klausimai apie Charles de Steuben paveikslus

Kuriu darbu Charles de Steuben yra labiausiai garsus?Atsakymas

Portrait of Anna Benardaki (1844), Ermitažas, Šv. Peterburgas. Toliau seka Portrait of Baron Alexander Stieglitz (1844) ir Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Kokia buvo Charles de Steuben amžius, kai buvo sukurtas Portrait of Anna Benardaki?Atsakymas

56 metų amžiaus: Portrait of Anna Benardaki sukurta 1844 m. Nr. Charles de Steuben gimė 1788.

Kokie yra 10 garsiausių Charles de Steuben paveikslų?Atsakymas

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" ir Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.

Kiek paveikslų paliko Charles de Steuben?Atsakymas

Mūsų kataloge yra 19 Charles de Steuben darbų, skirtų laikotarpiui nuo 1800 iki 1850.

Kuriuose muziejuose eksponuojami Charles de Steuben šedevrai?Atsakymas

Daugiausia – Ermitažas (Šv. Peterburgas), Palais des Beaux-Arts de Lille (Lilas) ir Carnavalet muziejus (Paris). Viršuje esančiame muziejų sąraše yra visi jie.

Kuriomis metais Charles de Steuben tapo savo garsiausius kūrinius?Atsakymas

1830s laikotarpiu: 9 iš 19 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Kokie yra pirmasis ir paskutinis garsieji Charles de Steuben originalūs darbai?Atsakymas

Šioje pusėje seniausias darbas yra The Death of Napoleon (1800), o naujausias – Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Kurią temą Charles de Steuben rinkosi dažniausiai?Atsakymas

Woman (3), Man (3) ir Lace (2) iš 19 šioje pusėje esamų darbų.

Kurią techniką Charles de Steuben naudojo dažniausiai?Atsakymas

Oil On Canvas, iš 19 šios puslapio darbų – 5.

Kelią meno kryptį priklauso Charles de Steuben?Atsakymas

Romanticism, vadovaujantis šios puslapio originalais kūriniais.

Kurių Charles de Steuben darbai eksponuojami Ermitažas?Atsakymas

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz ir Portrait of Alexander P. von Benckendorff (1819 – 1851): Ermitažas, Šv. Peterburgas kolekcijoje yra 7 šioje pusėje esančių darbų.

Charles de Steuben: gyvenimas ir kūryba

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.