Atnaujinta spalis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 159 Alfredas Wallisas darbai mūsų kataloge
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Galerijos akimais, garsiausias Alfredas Wallisas tapas yra Sailing Ship and Orchard (1937), kurio originalas eksponuojamas Kettle's Yard, Kembridžas. Fishing Boat with Two Masts and Yellow Sails (1920) ir String of Boats (1928) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 159 Alfredas Wallisas darbų mūsų kataloge, galerija žemiau pristato 100 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
The artwork is a watercolor painting that presents a serene depiction of a sailing ship gliding across calm waters alongside an orchard laden with blossoms. The composition is dominated by a large, triangular sail that serves as the central anchor, directing the viewer’s gaze toward the expansive horizon. A hillside or cliff face in the background provides a diagonal line, while the waterline creates a horizontal base. The scene includes…
Fishing Boat with Two Masts and Yellow Sails is a work by Alfred Wallis, dating from 1920. The artist, who was born in Devonport, United Kingdom, in 1855, brought a unique perspective to his canvases, shaped by a life lived in close proximity to the sea. Before he turned to painting, Wallis was a self-taught craftsman who spent much of his life working as a shipbuilder.
A collection of sailboats drifts across a quiet expanse of water, their varying scales suggesting a sense of depth and distance. In the background, a lighthouse provides a fixed point of reference against the horizon, anchoring the nautical scene. The composition is defined by a muted, earthy palette, where shades of brown dominate the visual field, lending the work a grounded, somber quality. The arrangement of the vessels creates a…
The painting titled White House and Cottages, the Old House, Porthmeor Square, St Ives was created by the artist Alfred Wallis. This work dates to about 1932. The artist, a self-taught painter from the United Kingdom, produced this piece during a period of prolific activity in St Ives, Cornwall.
To gaze upon Alfred Wallis's "A Brig, Close to Shore" is not merely to observe a painting; it is to feel the bracing salt spray on your face and hear the rhythmic creak of timbers against the tide. This work transports us directly into the vibrant, untamed heart of the Cornish coast. The scene is dominated by the powerful grace of a sailboat, its canvas sails catching an unseen wind,…
In the evocative masterpiece St Ives, we are invited into a world where the boundaries between memory and reality dissolve into a charming, stylized landscape. Created around 1928, this work offers an aerial perspective that looks down upon a cluster of coastal dwellings and maritime vessels nestled along a serene blue expanse. The composition is dominated by a central grouping of buildings and boats, arranged with a density that suggests…
Headland with two three masters (verso)1938 · The Pier Arts Centre
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Green Sails1939
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The Blue Ship1934
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Boats before a Great Bridge (Royal Albert Bridge )1937 · Kettle's Yard
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Rough Sea
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Ship, People and AnimalsKettle's Yard
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Schooner in Full Sail near a Lighthouse1928 · Kettle's Yard
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P. Z. 111928
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Seven Boats Entering Harbour1928 · Kettle's Yard
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Houses at St Ives, Cornwall1928
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Houses at the Water's Edge (Porthleven )1928 · Kettle's Yard
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Seascape, Ships Sailing Past the Long Ships1928 · Kettle's Yard
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Five Ships, Mount's Bay1928 · Kettle's Yard
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St Ives1928
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Two Ships and Steamer Sailing Past a Port, Falmouth and St Anthony Lighthouse1931 · Kettle's Yard
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St. Ives Harbor1932
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Schooner Approaching a Harbour1930
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White Houses, Hales Down, near St Ives1932 · Kettle's Yard
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Two Boats1930 · Jerwood Gallery
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House1935
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Fishes and Lobster Pots1936 · Kettle's Yard
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Boats under Saltash Bridge (Royal Albert Bridge) (recto)1937 · Kettle's Yard
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Harbour Scene (verso)1937 · Kettle's Yard
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Grey Sailing Ship and Small Boat (verso)1938 · Kettle's Yard
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Harbour with Two Lighthouses and Motor Vessel, St Ives Bay1934 · Kettle's Yard
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House1936
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Harbour, St Ives, Cornwall1936
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House with Trees1937 · Kettle's Yard
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Cottages in a Wood, St Ives1937 · Kettle's Yard
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Crucifixion or Allegory with Three Figures and Two Dogs1934 · Kettle's Yard
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St Ives harbour White sailing ship (recto)1938 · The Pier Arts Centre
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Trees and Cottages1937 · Kettle's Yard
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Three Master and Steamer in Port (verso)1937 · Kettle's Yard
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White sailing ship – three masts1938 · The Pier Arts Centre
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Three ships and lighthouse (verso)1938 · The Pier Arts Centre
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Against Longships fog (recto)1938 · The Pier Arts Centre
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Ravine with Estuary (Bristol Channel and Suspension Bridge )1938 · Kettle's Yard
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Landscape with Field, Chimneys and Road between Blue and Dark Green Cottages (Consols Mine)1936 · Kettle's Yard
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St Ives harbour and Godrevy (recto)1938 · The Pier Arts Centre
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Boat on the Sea1937
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Yacht, pink and green (verso)1938 · The Pier Arts Centre
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'Consols Mine Raswall Hill and the Road Zennor to Farms. The White You See Is Granite'1936
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Black Steamship1938 · The Pier Arts Centre
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Shipwreck 2, the Wreck of the 'Alba'1941 · Kettle's Yard
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Death Ship1942 · Kettle's Yard
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Boat with Figures1940
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Shipwreck 1, the Wreck of the 'Alba'1940 · Kettle's Yard
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Small Boat in a Rough Sea1936 · Kettle's Yard
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Land, Fish and Motor Vessel1937 · Kettle's Yard
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Two Ships with Brown Green Sails in Rising SeaKettle's Yard
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Motor Vessel Mounting a WaveKettle's Yard
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Trawler1925 · Arts Council Collection
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Trymastė Barkas Švyturio Šviestu1930 · Kettle's Yard
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Steam Boat
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Three Master in Full Sail near a LighthouseKettle's Yard
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Four Steam Ships and Three Jetties (verso)Kettle's Yard
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Three Sailing Boats in a Line (recto)Kettle's Yard
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Mount's Bay
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Two BoatsKettle's Yard
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Three Grey Sailed ShipsKettle's Yard
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Large and Small SteamboatsKettle's Yard
72
Ships in HarbourUniversity of Essex
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Nine Ships in HarbourKettle's Yard
74
Fishing Boat in Harbour, with Red Sail Mast SteepedKettle's Yard
75
Grey Three MasterKettle's Yard
76
Harbour and Sailing ShipUniversity of Essex
77
Mount's Bay with Four LighthousesKettle's Yard
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Sailing Ships and Two Steamers, Newlyn HarbourKettle's Yard
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Penzance HarbourKettle's Yard
80
A Fishing Boat off the Coast
81
BoatsWolfson College
82
Two Sailing Ships with a LighthouseKettle's Yard
83
Knill's MonumentKettle's Yard
84
Schooner
85
Wreck of the Alba
86
Fishing Boat Between Two Lighthouses
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Three Boats off the Shore
88
Passin Ice Burgs
89
Fishing Boat
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Two Masted Schooner, Ketch
91
Four Masted Sailing Ship and LighthouseKettle's Yard
92
Four Sailing Boats Leaving Pier with LighthouseKettle's Yard
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Grey Steam BoatKettle's Yard
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Two Funnel Steamboat amongst Three Sailing BoatsKettle's Yard
95
Motor Vessel with Four MenKettle's Yard
96
Three Master with Four Sailors and Four Dolphins in Green SeaKettle's Yard
97
Two Masted YawlFitzwilliam College
98
GatewayKettle's Yard
99
Motor Vessel near LandKettle's Yard
100
Wreck of the Alba
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Alfredas Wallisas darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Kettle's Yard |
Kembridžas | 96 | Sailing Ship and Orchard, White House and Cottages, the Old House, Porthmeor Square, St Ives, Barque with a Man at the Wheel on a Stormy Sea |
 The Pier Arts Centre |
Stromness | 9 | Headland with two three masters (verso), St Ives harbour White sailing ship (recto), White sailing ship – three masts |
 University of Essex |
Colchester | 5 | Ships in Harbour, Harbour and Sailing Ship |
 Arts Council Collection |
Londonas | 2 | Trawler |
 Wolverhampton Art Gallery |
Wolverhampton | 1 | A Brig, Close to Shore |
 Tate Britain |
Londras | 1 | St Ives |
 Jerwood Gallery |
Hastings | 1 | Two Boats |
 Wolfson College |
Oxford | 1 | Boats |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
Fishing Boat with Two Masts and Yellow Sails is a work by Alfred Wallis, dating from 1920. The artist, who was born in Devonport, United Kingdom, in 1855, brought a unique perspective to his canvases, shaped by a life lived in close proximity to the sea. Before he turned to painting, Wallis was a self-taught craftsman who spent much of his life working as a shipbuilder.
The artwork is a watercolor painting that presents a serene depiction of a sailing ship gliding across calm waters alongside an orchard laden with blossoms. The composition is dominated by a large, triangular sail that serves as the central anchor, directing the viewer’s gaze toward the expansive horizon. A hillside or cliff face in the background provides a diagonal line, while the waterline creates a horizontal base. The scene includes…
To gaze upon Alfred Wallis's "A Brig, Close to Shore" is not merely to observe a painting; it is to feel the bracing salt spray on your face and hear the rhythmic creak of timbers against the tide. This work transports us directly into the vibrant, untamed heart of the Cornish coast. The scene is dominated by the powerful grace of a sailboat, its canvas sails catching an unseen wind,…
Sailing Ship and Orchard (1937), Kettle's Yard, Kembridžas. Toliau seka Fishing Boat with Two Masts and Yellow Sails (1920) ir String of Boats (1928).
82 metų amžiaus: Sailing Ship and Orchard sukurta 1937 m. Nr. Alfredas Wallisas gimė 1855.
Sailing Ship and Orchard, Fishing Boat with Two Masts and Yellow Sails, String of Boats, White House and Cottages, the Old House, Porthmeor Square, St Ives, Barque with a Man at the Wheel on a Stormy Sea, Voyage to Labrador, Brigantine Sailing Past Green Fields, Landscape with Two Large Trees and Houses, A Brig, Close to Shore ir St Ives. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 159 Alfredas Wallisas darbų, skirtų laikotarpiui nuo 1920 iki 1942.
Daugiausia – Kettle's Yard (Kembridžas), The Pier Arts Centre (Stromness) ir University of Essex (Colchester). Viršuje esančiame muziejų sąraše yra visi jie.
1930s laikotarpiu: 39 iš 100 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Sailing Ship and Orchard.
Šioje pusėje seniausias darbas yra Fishing Boat with Two Masts and Yellow Sails (1920), o naujausias – A Brig, Close to Shore (1942).
Coastal landscape (9), Boats (8) ir Sea (7) iš 100 šioje pusėje esamų darbų.
Oil, iš 100 šios puslapio darbų – 5.
Naive art, vadovaujantis šios puslapio originalais kūriniais.
Sailing Ship and Orchard, White House and Cottages, the Old House, Porthmeor Square, St Ives ir Barque with a Man at the Wheel on a Stormy Sea: Kettle's Yard, Kembridžas kolekcijoje yra 56 šioje pusėje esančių darbų.
Alfredas Wallis (1855–1942) išsiskiria iš savo laikotarpio tradicinio meno peizažo – tai figūra, kurios tyli paprastumas slepia gilią stebėjimo jautrumą ir nekliantį atsidavimą siekiant įamžinti pakario Kornwalijos esmę. Gimęs Anglijos Devonporte, Wallis neturėjo jokio oficialaus meno išsilavinimo; jis buvo savikuriamas meistras, didžiąją gyvenimo dalį praleidęs dirbdamas valdybininkas, iš medienos šlifuodamas laivus, plaukiančius Atlanto vandenimis. Šis praktinis, tiesioginis meistriškumas įsidėmėjo jį kruopščiu dėmesiui į detales ir medžiagų supratimu, kuris vėliau persikėlė į jo paveikslus. Formavimo metai jis praleido tobulindamas laivų statymo įgūdžius – tai buvo amžiniam cornwalijos šeimoms perduodamas žinios ir darbas, suteikęs jam unikalią, visceralį ryšį su jūros pasauliu, kurį jis galiausiai amžinai įamžino drobėje.
Tik 1920-aisiais Wallis arčiau pradedanti meninė karjera tikrai užsim绽o, jo persikelpus į gyvybingą Kornwalijos St Ives meno enklavą. Pavilkęs nuo kūrybinės šios bendruomenės energijos – kurioje dalyvavo tokie pastebimieji asmenys kaip Benas Burrellis ir George'as Nashas – jis pradėjo kurti gausią darbų seriją, vaizduojančią laivus, uostus ir peizažus, skystus ypatingame Kornwalijos šviesos spinduli.* Jo estetika yra neabejotinai unikali: jai būdingos plokščios perspektyvos, ryškios kontūrai ir nuoršios spalvų paletės, kurioje dominuoja gilios mėlynos ir jūros žalvės. Wallis kūryba įkūnija naiva meno principus – stilių, šaknis kurį įsikėlę tiesioginiuose sensoriniuose patyrimuose, o ne intelektualizuotose akademinėse teorijose. Jis vengė sudėtingų kompozicijų ir sudėtingų brushstrokes, teikdamas pirmenybę aiškumui bei tiesioginiam, emociniam poveikiui.
Wallis įtakos menui reikšmė slypi jo gebėjime kasdienius jūreivystės gyvenimo elementus transformuoti į kažką giliai dvasingą ir atmosferinį. Jo paveikslai nėra tik vietų atvaizdai; jie prisigimė su pajautu judėjimo ir atminties pojūčiu. Per tokius darbus kaip Trawler ir
Jo istorinė svarba tvirtinamas jo vaidimu kaip tiltu tarp sugrūžios jūros darbo realybės ir 20 amžiaus modernaus meno judėjimų. Nors jam trūko oficialaus mokymo, jo „primityvus“ požiūris pasi offered gaivintį alternatyvą to laikmečio sudėtingoms technikoms, paveikdamas tai, kaip mes suvokiam temo ir med mediumo santykį. Jo gyvenimo kūrinys išlieka įrodymu nesimokėto akių galimybių jėga, įrodant, kad tikra meninė vizija dažnai iškyla iš gilaus, visą gyvenimą trukdančio artumo su savo aplinkybe. Šiandien jo palikimas toliau įkvepia tuos, kuriuos traukia Kornwalijos gyvenimo žavesys ir amžinas jūros grožis.
