Atnaujinta lapkritis 2026 · pagal mūsų populiarumumo koeficientą (paieškos, lankytojai ir užsakymai kiekvienam kūriniui) · 34 Alessandro Varotari darbai mūsų kataloge
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Galerijos akimais, garsiausias Alessandro Varotari tapas yra Portrait of a Lady with a Vase (1640), kurio originalas eksponuojamas Staatliche Kunstsammlungen Dresden, Dresno. Judith (1640) ir Cornelia mother of the Gracchi (1620) užbaia trio, kurį atpažįsta kiekvienas ž)/\ Iš 34 Alessandro Varotari darbų mūsų kataloge, galerija žemiau pristato 30 garsiausius – kiekvienas yra originalus, su nurodytu metais, muziejumi bei unikaliu aprašymu.
A young woman sits in a moment of stillness, her gaze meeting the observer with a sense of quiet dignity. She is positioned slightly off-center, her body turned toward the left while her eyes hold a steady, direct connection with the viewer. The light, descending from the upper left, carves her features out of the darkness, casting soft shadows that give her face and neck a palpable, three-dimensional weight. She…
Alessandro Varotari executed this religious work, titled Judith, during the 1640s. Also identified as Judith with the Head of Holofernes, the painting focuses on the biblical figure of the same name. The subject is a central figure in various theological narratives, here rendered through the lens of seventeenth-century dramatic tradition.
In this 1620 oil painting, a noblewoman gestures toward her children, presenting them as her greatest treasures. The composition centers on Cornelia, whose posture leans toward the right, creating a dynamic, asymmetrical movement. She is draped in heavy crimson and magenta fabrics that catch the light, contrasting sharply against a bright blue sky. To the left, the metallic sheen of a helmet rests near the bottom of the frame, while…
The composition is anchored by the reclining nude of Venus, whose form extends diagonally across the canvas. She rests upon heavy white drapery, her skin rendered with a luminous quality that contrasts sharply against the dark, atmospheric background. Beside her, a small, winged Cupid leans inward, his presence creating a focal point of interaction near her face and neck. The scene is defined by a strong chiaroscuro effect, where a…
This Baroque-style oil painting features a youthful, winged Cupid in a dynamic, mid-motion pose. The composition centers on the luminous, fleshy body of the cherub, which occupies most of the vertical space against an indistinct, dark background. The figure is depicted in a close-up view, utilizing chiaroscuro to highlight the back and side of the form while casting much of the background into deep shadow, creating a sense of three-dimensional…
This 1624 oil painting presents a crowded, dynamic grouping of figures arranged in a tight, overlapping composition. A central woman, clad in a dark green bodice and blue mantle, acts as the anchor of the scene while holding a small, dark vase. To her left, a young child clings to her shoulder, creating a sense of immediate, physical connection. To her right, another woman gestures toward her chest, her expression…
In this 1636 oil on canvas, we find ourselves drawn into a singular, visceral moment of the biblical narrative. Judith, the heroine of her people, holds the severed head of the Assyrian general Holofernes. The composition is vertical, focusing our attention on her waist-up figure as she stands slightly off-center. There is a striking tension between the violence of the act and the composure of the woman. Her expression is…
In Justice and Peace, Alessandro Varotari presents a quiet, heavy intimacy through two female figures. Painted about 1649, the work centers on their close embrace, a physical connection that anchors the composition. A small, cherub-like child rests near the women, adding a sense of soft, youthful presence to the grouping. The figures are bound by more than just touch; they are linked by the symbols of their names. An olive…
This monochrome print, likely an engraving or etching, presents a vertical portrait of a single female figure from the chest upward. The subject, identified as Mater Dolorosa, is positioned against a dark, textured, non-descript background. Her head is tilted upward, her gaze directed toward the upper left corner of the frame. The facial features and hands are defined by subtle modeling, achieved through fine, dense cross-hatching and stippling. Light enters…
The tension of a profound biblical encounter unfolds across this large-scale oil on canvas, titled Christ and the Woman Taken in Adultery. Created by the artist Alessandro Varotari, the work captures a moment of intense spiritual and human drama. Known also by his epithet Il Padovanino, Alessandro Varotari brings a narrative weight to this religious art piece, which dates to the 1630s. The scene pulses with the gravity of the…
The Madonna with Design of a Shrine1630 · Santa Maria della Salute
12
Graces and Cupids1620 · Ermitažas
13
AllegoryKunsthistorisches Museum
14
Ceres with Two PuttiMuseum of 18th-century Venice
15
VanitasAccademia di San Luca
16
Susanna and the ElderRumunijos nacionalinis meno muziejus
17
Europa and the Bull
18
Esther before Ahasuerus
19
Venus and Mars Surprised by Vulcan
20
The penitent magdalene
21
The three graces
22
Miracle of St DominicBasilica dei Santi Giovanni e Paolo
23
Madonna and child, and the angel tobiaRoyal Collection
24
Semiramis called to arms
25
Sleeping Venus with Putti
26
Cornelia and her Sons
27
Orpheus Enchanting the Animals
28
Samson and Delilah
29
Mars and Venus at the chess1635
30
Trittico di Sant'Andrea1631
Ketverios temos, dažniausiai pasikrausto originaluose, kiekvienos su savo puikiausiu pavyzdžiu.
8 muziejai, kuriuose saugoma daugiausia šioje pusėje esamų paveikslų.
| Muzejaus | Miestas | Alessandro Varotari darbai | Šiojo sąrašo paveikslai |
|---|---|---|---|
 Kunsthistorisches Museum |
Viena | 3 | Judith with the head of Holofernes, Christ and the Woman Taken in Adultery, Allegory |
 Staatliche Kunstsammlungen Dresden |
Dresno | 2 | Portrait of a Lady with a Vase, Judith |
 Museum of 18th-century Venice |
Venice | 2 | Cornelia mother of the Gracchi, Ceres with Two Putti |
 Kingston Lacy |
Wimborne Minster | 1 | Cupid with Roses |
 Pinacoteca Querini Stampalia |
Venice | 1 | Justice and Peace |
 Santa Maria della Salute |
Venecija | 1 | The Madonna with Design of a Shrine |
 Ermitažas |
Šv. Peterburgas | 1 | Graces and Cupids |
 Accademia di San Luca |
Roma | 1 | Vanitas |
Pasirinkite dešimtmetį, kad pamatytėte jį apibrėžusį originalą.
In this 1620 oil painting, a noblewoman gestures toward her children, presenting them as her greatest treasures. The composition centers on Cornelia, whose posture leans toward the right, creating a dynamic, asymmetrical movement. She is draped in heavy crimson and magenta fabrics that catch the light, contrasting sharply against a bright blue sky. To the left, the metallic sheen of a helmet rests near the bottom of the frame, while…
In this 1636 oil on canvas, we find ourselves drawn into a singular, visceral moment of the biblical narrative. Judith, the heroine of her people, holds the severed head of the Assyrian general Holofernes. The composition is vertical, focusing our attention on her waist-up figure as she stands slightly off-center. There is a striking tension between the violence of the act and the composure of the woman. Her expression is…
A young woman sits in a moment of stillness, her gaze meeting the observer with a sense of quiet dignity. She is positioned slightly off-center, her body turned toward the left while her eyes hold a steady, direct connection with the viewer. The light, descending from the upper left, carves her features out of the darkness, casting soft shadows that give her face and neck a palpable, three-dimensional weight. She…
Portrait of a Lady with a Vase (1640), Staatliche Kunstsammlungen Dresden, Dresno. Toliau seka Judith (1640) ir Cornelia mother of the Gracchi (1620).
52 metų amžiaus: Portrait of a Lady with a Vase sukurta 1640 m. Nr. Alessandro Varotari gimė 1588.
Portrait of a Lady with a Vase, Judith, Cornelia mother of the Gracchi, Venus and Cupid, Cupid with Roses, A Variant of the D'Avalos Allegory (after Titian), Judith with the head of Holofernes, Justice and Peace, Mater Dolorosa ir Christ and the Woman Taken in Adultery. Viršuje esančioje reitingo sąraše nurodyta kiekvieno kūrinio metis ir muziejus.
Mūsų kataloge yra 34 Alessandro Varotari darbų, skirtų laikotarpiui nuo 1620 iki 1649.
Daugiausia – Kunsthistorisches Museum (Viena), Staatliche Kunstsammlungen Dresden (Dresno) ir Museum of 18th-century Venice (Venice). Viršuje esančiame muziejų sąraše yra visi jie.
1620s laikotarpiu: 5 iš 30 šioje pusėje esančių darbų buvo sukurtos tada, iš jų Cornelia mother of the Gracchi.
Šioje pusėje seniausias darbas yra Cornelia mother of the Gracchi (1620), o naujausias – Justice and Peace (1649).
Woman (10), Drapery (4) ir Skin tones (4) iš 30 šioje pusėje esamų darbų.
Oil, iš 30 šios puslapio darbų – 6.
Baroque, vadovaujantis šios puslapio originalais kūriniais.
Judith with the head of Holofernes, Christ and the Woman Taken in Adultery ir Allegory: Kunsthistorisches Museum, Viena kolekcijoje yra 3 šioje pusėje esančių darbų.
