Užsisakyti kopiją Pirkti skaitmeninį paveikslą
Pasidalinti
Dalintis
Išsamiau
Pridėti į mėgstamiausius
Atsisiųsti
Panašūs eksponatai
Rentgeno nuotrauka
Automatinė diorama
Maryport
1899
46.0 x 92.0 cm
Skaityti daugiau
Giclée / Meno spausdinimas
Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys.
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Galite nurodyti savo matmenis, kad vaizdas atitiktų konkretų rėmą ar erdvę. Jei pasirinktas dydis nesutaps su originalaus paveikslėlio proporcijomis, mes arba apkirpsime kūrinį, arba išplėsime vaizdą naudojant veideliu atspindėtą arba vientisą šoną. Skaitmeninis maketas bus išsiųstas jums patvirtinti prieš pradedant gamybą.
Atkreipkite dėmesį, kad ekrane matomas vaizdinys neatspindi tikrojo apkirpimo ar išplėtimo. Tik maketas tiksliai parodytų galutinę kompoziciją.
Nors galima rinktis ir individualius dydžius, rekomenduojame pasirinkti vieną iš išanksti nustatytų matmenų, kad būtų išlaikytos originalios proporcijos.
Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (19 liepa)
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Aukštos kokybės lininis drobė
Pilnas siuntimo draudimas
Muitinės mokesčių grąžinimo garantija
Tikro spalvų atitikimo garantija
60 dienų grąžinimo politika (tik esant gamyklinėms defektams)
100% pinigų grąžinimo garantija
Nuolaida už kelias reprodukcijas
Stiklo variantas prieinamas tik pasirinkus dydį iki 110 cm
Maryport
Giclée / Meno spausdinimas
Reprodukcijos matmenys
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Galutinė kaina
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Autoriaus biografija
William Mitchell (1925 – 2020): A Sculptor Rooted in Place and Vision
William Mitchell was a New Zealand sculptor whose distinctive style blended Brutalist architectural influences with lyrical explorations of landscape and human experience. Born in Dunedin, Otago, on November 29, 1925, he developed an unwavering dedication to his craft—a passion that would define his life’s work and solidify his legacy as one of New Zealand's most important artists of the mid-century. His artistic journey began with a formative encounter with Brutalist architecture in London during the late 1940s and early 1950s, where he witnessed firsthand the transformative potential of concrete forms to convey emotion and communicate ideas—a fascination that would become central to his creative vision. Mitchell’s formal training encompassed studies at Dunedin Technical School followed by postgraduate research at Yale University in 1953-54. This exposure to American modernist sculpture profoundly impacted his artistic sensibilities, fostering an appreciation for geometric abstraction while simultaneously nurturing a sensitivity to organic shapes and textures. He honed his skills under the tutelage of Josef Albers and Kenneth Clark, absorbing influences from both Bauhaus principles and European Surrealism—a synthesis that would characterize his distinctive aesthetic. His sculptural output spanned decades, producing monumental works that engaged with themes of memory, place, and social responsibility. Notable projects included “The Stone” (1967), commissioned for the Christchurch Botanic Gardens, which embodies Mitchell’s commitment to integrating sculpture into urban environments—a pioneering endeavor that anticipated the growing interest in public art during the 1960s and 70s. Similarly, his contribution to the Auckland Civic Square project—featuring a striking concrete sculpture titled “The Gathering”—demonstrates his ability to create powerful visual statements that resonate with viewers on an emotional level. Mitchell’s artistic exploration extended beyond monumental sculptures; he produced smaller-scale works that explored intricate patterns and textures—often utilizing recycled materials—to convey subtle nuances of meaning. His meticulous attention to detail and masterful manipulation of form reflected a deep engagement with the materiality of sculpture itself—a characteristic that distinguishes his oeuvre from many of his contemporaries. He was awarded an MBE for services to art in 1986, recognizing his enduring contribution to New Zealand’s artistic landscape. Throughout his career, Mitchell remained steadfast in his belief that art could serve as a catalyst for social change—a conviction evident in his involvement with numerous community projects and initiatives aimed at fostering dialogue and promoting understanding. He was particularly passionate about the role of sculpture in shaping public spaces and enhancing the quality of life for citizens—a perspective that underpinned his artistic practice and informed his engagement with broader cultural debates. William Mitchell passed away peacefully on February 19, 2020, leaving behind a rich body of work that continues to inspire artists and scholars alike—a testament to his enduring vision and unwavering dedication to the transformative power of art.
william mitchell
1925 - 2020
Trumpa informacija
- Artistic Movement Or Style: Abstract Expressionism
- Artists Or Movements Influenced By This Artist: ['Pre-Raphaelitism']
- Artists Who Influenced This Artist:
- Wadsworth
- Nicholson
- Date Of Death: 2020
- Full Name: William Mitchell
- Nationality: French
- Notable Artworks:
- Herring Fishing Boats Leaving Port
- Charles L Mitchell
- Place Of Birth: Nice, France
