The Day's Work, Hop Picking (Thérèse Lessore)
Thérèse Lessore (1884–1945) sukūrė The Day's Work, Hop Picking. Dimensijos – 77 × 54 cm.
- 77 × 54 cm
The Day's Work, Hop Picking, trumpai
- Pavadinimas
- The Day's Work, Hop Picking
- Autorius
- Thérèse Lessore (1884–1945)
- Dizainere/is gimęs
- Southwick, United Kingdom
- Matmenys
- 77 × 54 cm
The Day's Work, Hop Picking dididraudžios kokybės vaizdai
Viešoji domenė: suregalis mirė 1945 m.
Thérèse Lessore, The Day's Work, Hop Picking. Viešoji domenė.
Atsakimai į klausimus apie The Day's Work, Hop Picking
Kokie yra originalaus „The Day's Work, Hop Picking“ matmenys?
Originalaus kūrinio „The Day's Work, Hop Picking“ – Thérèse Lessore matmenys yra 77 x 54 cm.
Ar „The Day's Work, Hop Picking“ yra viešosios teisės kūrinys?
„The Day's Work, Hop Picking“ – Thérèse Lessore yra yra viešosios erdvės dalis – jo autorinė teisė pasibaigusi. Šis statusas nustato, kaip galima reprodukcijaus šio kūrinio vaizdą.
Kuriam menininkui priskiriamas kūrinys „The Day's Work, Hop Picking“?
„The Day's Work, Hop Picking“ kūrybinį darbą sukūrė Thérèse Lessore. Šioje puslapio informacijoje aprašomas Thérèse Lessore originalus kūrinys.
Ar Thérèse Lessore kūrinys „The Day's Work, Hop Picking“ yra viešosios nuoslegos ir kodėl?
„The Day's Work, Hop Picking“ – Thérèse Lessore yra yra viešosios erdvės dalis – jo autorinė teisė pasibaigusi. Autorinės teisės galioja nuo mirties metų, kai šis kūrėjas mirė 1945 m.
Apie šį menininką, Thérèse Lessore
1884–1945, United Kingdom
Thérèse Lessore
Thérèse Lessore: A Quiet Observer of Bloomsbury Beauty Thérèse Lessore (1884 – 1945) was a British artist whose distinctive watercolor paintings and collaborative designs for Wedgwood pottery cemented her place as a significant figure in the artistic landscape of the early twentieth century. Born in Southwick, West Sussex, she inherited an artistic lineage stretching back to Jules Frédéric Lessore, her father—a French painter who had established himself in England—and his wife Ada Louise Cooper. Her family’s connections to Wedgwood and its celebrated designers further shaped her creative vision, fostering a fascination with decorative arts alongside her passion for capturing the subtleties of human experience. Her formative years were marked by exposure to artistic excellence; she attended the Slade School of Fine Art from 1904 to 1909, where she honed her skills and earned the prestigious Melville Nettleship Prize for figure composition.