Cais da Farinha, carry us on the banks of the Seine, in Paris, the capital where the artist meets for the second time, now for a period of five years (1921-1926), and already with a path marked by the influence of his master of the School of Fine Arts of Lisbon and a naturalistic tradition, incorporated by Malhoa and Columbano. Technically, ready to develop new paths and to emancipate himself from the academic demands, Dórdio Gomes has joined the pictorial movement which will mark the history of European painting and open himself to the new constructive and formal concerns developed by Paul Cézanne, the postmodernist. This painting is an exercise of landscaping, in which the author paints outdoors, like the Impressionists did, in front of the motif, providing the chromatic changes of nature, at the precise moment of a day of charged atmospheric environment, in a scenario of distant perspective, making the outline of the horizon stand out, the silhouette of Notre-Dame. The right bank of the river, on rolling, winding earth, occupies the foreground of the observer, in search of the objects present, such as the car and boats moored in the waters of the Seine.
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Kokia yra „Cais da Farinha, Paris“ – Simão César Dordio Gomes technika ir kūrybos data?
„Cais da Farinha, Paris“ sukurtas 1923 m. naudojant Oil techniką. Medžiaga ir data nurodo, kaip ir kada buvo sukurtas originalas.
Kiek žmonių žiūri į „Cais da Farinha, Paris“?
Eksistuoja Statistika puslapis kūriniui „Cais da Farinha, Paris“. Jame pateikiama mėnesio apžiūrų diagrama, apimanti šį kūrinį bei kitus šio kūrybinio veikėjo darbus, su skirstymu pagal šalis ir kalbas.
Į kokį meno kryžminę ir kokį laikotarpį priskiriama „Cais da Farinha, Paris“ – Simão César Dordio Gomes?
„Cais da Farinha, Paris“ – Simão César Dordio Gomes priskiriamas Modernism stiliui, kūrėjo prekiaujantem į Modernizmas laikotarpį.