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Horses at the Manger

Matmenys
59.0 x 89.0 cm

Experience 'Horses at the Manger' by John Frederick Herring II – a serene rural landscape painting of nine horses. Classic equestrian art, 1890s, perfect for collectors.

Explore the evocative art of John Frederick Herring II (1820-1907), a OriginalUniqueArt master known for his detailed landscapes & historical scenes, including church depictions.

Giclée / Meno spausdinimas

Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. ( Pirkti rankų darbo tapybą Perejti prie skaitmeninių vaizdų)

Corner sample of the P118B picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
P118B €10
Corner sample of the P118H picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
P118H €10
Corner sample of the P118W picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
P118W €10
Corner sample of the P438Z picture frame: lieto polistirolo detalės, 5.5 cm wide and 3.5 cm thick
P438Z €10
Corner sample of the P508JH picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P508JH €12
Corner sample of the P508YH picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P508YH €12
Corner sample of the P805H picture frame: lieto polistirolo detalės, 5 cm wide and 3.5 cm thick
P805H €10
Corner sample of the P805Z picture frame: lieto polistirolo detalės, 5 cm wide and 3.5 cm thick
P805Z €10
Corner sample of the P919BZ picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P919BZ €10
Corner sample of the P919G picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P919G €10
Corner sample of the P919XJ picture frame: lieto polistirolo detalės, 7 cm wide and 3.5 cm thick
P919XJ €10
Corner sample of the P959ZH picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
P959ZH €10
Corner sample of the P968JZ picture frame: lieto polistirolo detalės, 6 cm wide and 4 cm thick
P968JZ €12
Corner sample of the W106C picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W106C €8
Corner sample of the W218G picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W218G €10
Corner sample of the W218JH picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W218JH €8
Corner sample of the W218Y picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W218Y €10
Corner sample of the W307PJ picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3 cm thick
W307PJ €10
Corner sample of the W316G picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3 cm thick
W316G €10
Corner sample of the W316PJ picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3 cm thick
W316PJ €8
Corner sample of the W316Y picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3 cm thick
W316Y €10
Corner sample of the W398PJ picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W398PJ €8
Corner sample of the W4111J picture frame: solidus medžio

**Improved version:**
solidus medis, 6.5 cm wide and 3.5 cm thick
W4111J €10
Corner sample of the W500HY picture frame: solidus medžio

**Improved version:**
solidus medis, 7 cm wide and 5 cm thick
W500HY €15
Corner sample of the W500JH picture frame: solidus medžio

**Improved version:**
solidus medis, 7 cm wide and 5 cm thick
W500JH €15
Corner sample of the W692G picture frame: solidus medžio

**Improved version:**
solidus medis, 8 cm wide and 4 cm thick
W692G €12
Corner sample of the W849H picture frame: solidus medžio

**Improved version:**
solidus medis, 5 cm wide and 3 cm thick
W849H €8
Corner sample of the W940BG picture frame: solidus medžio

**Improved version:**
solidus medis, 7.5 cm wide and 4.5 cm thick
W940BG €15
Corner sample of the W953PJ picture frame: solidus medžio

**Improved version:**
solidus medis, 6 cm wide and 3.5 cm thick
W953PJ €8

Standartinis dydis
pagal užsakymą
CM
INCH

Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.

plotis
aukštis

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Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (5 lapkritis)

Nemokamas greitasis pristatymas visame pasaulyje
Aukštos kokybės lininis drobė
Pilnas siuntimo draudimas
Muitinės mokesčių grąžinimo garantija
Tikro spalvų atitikimo garantija
100 dienų grąžinimo politika (tik esant įtaigoms)
100% pinigų grąžinimo garantija
Nuolaida dideliems užsakymams

Visos kainos suma

€ 72

Horses at the Manger

Giclée / Meno spausdinimas

Reprodukcijos matmenys

-

Bendroji kaina

€ 72


Autoriaus biografija

The Legacy of John Frederick Herring II: A Master of the Equestrian Spirit

In the grand tapestry of British art history, few names evoke the rhythmic pulse of the Victorian countryside as vividly as John Frederick Herring II. Born in 1820 in Chelmsford, Essex, Herring emerged not merely as a painter, but as a chronicler of an era defined by the elegance of the horse and the pastoral serenity of the English landscape. His artistic lineage is one of profound importance; he was the scion of a celebrated tradition, having been raised under the watchful eye and expert tutelage of his father, John Frederick Herring Sr. This early immersion in the nuances of equine anatomy and the dynamics of motion instilled in him a lifelong devotion to capturing the very essence of animal vitality—a passion that would eventually elevate him to the heights of nineteenth-century fame.

Herring’s development was marked by a seamless blend of inherited tradition and formal academic rigor. While his father provided the foundational language of the equestrian genre, Herring sought to expand this vocabulary through his studies at the Royal Academy in London. Here, he moved beyond simple documentation to embrace a more sophisticated approach to light, texture, and atmosphere. His work began to bridge the gap between the specialized niche of sporting art and the broader, more emotive realms of Romantic landscape painting. This evolution allowed him to present horses not just as subjects of athletic prowess, and racing, but as integral components of a living, breathing ecosystem.

The Art of Motion and the English Landscape

What truly distinguishes Herring’s oeuvre is his unparalleled ability to render the tension and grace of movement. Whether depicting the thundering hooves of a racehorse or the quiet, muscular repose of carriage horses in a courtyard, his canvases possess an unmistakable energy. In masterpieces such as “The Royal Mail Coach” (1841), one observes a masterful command over composition, where the drama of travel and social status is anchored by the meticulous realism of the animals and their surroundings. He did not merely paint horses; he painted the weight of their breath, the subtle sheen of their coats, and the way they interacted with the rugged textures of the English earth.

Beyond the spectacle of the hunt and the race, Herring found profound beauty in the quietude of rural life. His landscapes often served as a stage for the pastoral rhythms of the Victorian age, featuring:

  • Serene Pastoral Scenes: Works like “Farmyard with Saddlebacks” utilize earthy tones and textured brushwork to evoke the rustic charm of agricultural existence.
  • Naturalistic Studies: His ability to capture tranquil moments, such as in “Ducks and Ducklings,” demonstrates a sensitivity to the delicate balance of nature within lush, verdant meadows.
  • Architectural Integration: His landscapes frequently incorporated churches and village structures, reflecting the era's deep-seated connection between the land, community, and spiritual morality.

Historical Significance and Enduring Influence

The significance of John Frederick Herring II extends far beyond the confines of sporting circles. During his lifetime, his work resonated with a wide spectrum of society, earning him prestigious commissions from figures as notable as Queen Victoria. This level of patronage underscores his role in defining the visual identity of the Victorian era—a period that sought to find beauty in both the industriousness of progress and the nostalgic stability of the countryside. His paintings acted as windows into a world where the boundaries between human endeavor and animal instinct were harmoniously intertwined.

As we look back upon his prolific career, which spanned until his death in 1907, we see an artist who successfully navigated the transition from the strictures of classical realism to the more emotive sensibilities of the late nineteenth century. His dedication to anatomical precision and atmospheric depth ensured that his work remained timeless. Today, Herring’s legacy lives on through his ability to freeze moments of profound vitality, offering modern viewers a poignant connection to the lost rhythms of a bygone British landscape.

Trumpa informacija

  • Artistic Movement Or Style: Romanticism
  • Artists Or Movements Influenced By This Artist: ['Victorian Art Styles']
  • Artists Who Influenced This Artist: ['John Frederick Herring Sr.']
  • Date Of Birth: 1820
  • Date Of Death: 1907
  • Full Name: John Frederick Herring II
  • Nationality: British
  • Notable Artworks:
    • The Royal Mail Coach on the Road
    • Grey carriage horses in the coachyard at Putteridge Bury, Hertfordshire
    • Farmyard Scene
  • Place Of Birth: Cheltenham, Gloucestershire