More about this painting
Nuoroda nukopijuota!
A painting made for you, by hand
Rankiniu būdu tapytas aliejus ant droblio jūsų pageidaujamame dydį ir rėmuose – tai mūsų menininkų pagal užsakymą sukurtas darbas. ( Perjungti į spausdinamus版作品
Perejti prie skaitmeninių vaizdų)
Explore the art of Ernest Charles Walbourn, a British painter active in the 19th century. Discover his works & connect with museums like Musée Hébert & Down House.
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Chapter 1
Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.
Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.
Įveskite jums reikiamą plotį ir aukštį, kad paveikslas atitiktų jūsų rėmą ar sieną. Kadangi šis darbas yra rankinio darbo, siekiant išgauti kitokios formos dydį, paveikslas gali būti šiek tiek didesnis (nuo kraštų bus palikta daugiau erdvės) arba mažesnis – pasirinkite jums patogiausią variantą. Prieš pradedant tapyti, atsiųsime jums skaitmeninį maketą patvirtinimui. Šioje puslapio nuotraukoje matomas vaizdas nėra galutinis rezultatas – jį parodys tik sukurtas maketas.
Chapter 2
Choose the edges of the stretched canvas
Choose your frame
Moulding: . Overall size with the frame: .
Chapter 3
Pristatymas visame pasaulyje () per 3–4 savaites, o ne įprastai – per 5 savaites. (1 lapkritis). Kokybė lieka nepakeičiama.
Chapter 4
A nameplate, as in a museum?
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
A protective varnish?
When do you need it?
Chapter 5
On The River
Reprodukcijos matmenys
Daugiau detalių, meistriškumo ir papildomo gamybos laiko
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Dėl meno kūrinių ar reprodukcijų, kurių bet kuri pusė yra didesnė nei 105 cm (apie 41 inch), rėmas bus siunčiamas kaip išskaidytas surinkimo rinkinys. Šis metodas užtikrina saugų pristatymą ir apsaugo nuo transportavimo metu galimos žalos.
Reikalingas profesionalus surinkimas – tai nėra „pasidaryk pats“ (DIY) produktas.
Rinkinys turi būti surinktas, o drobė išplėsta naudojant patyrį profesionalų rėmininką, medžio klijus (nėra įtraukti į rinkinį), drobės plėšimo kleslę bei presas, kad rėmo rėžiai išliktų tiesūs, kol klijai išdžiūvus. Netinkamas surinkimas arba netolydus drobės įtampa gali negrįžtamai sugadinti meno kūrinį, todėl šie atvejai nėra užtraukiami mūsų garantijos.
Į komplektą įeina visi vientisos medienos elementai, tiksliai išpjauti pagal dydį.
Surmontinama naudojant pridėtus varžtus bei papildomai reikalingą medžio kliją kampų jungtims, kuris nėra pridėtas ir turi būti parinktas rėmininkui.
Reikalingi profesionalūs įrankiai, kurie nėra įtraukti į rinkinį: drobės kėlimo plytelės (stiprintuvai) ir klemiai, laikantys rėmo strygius tiesiu kampu, kol džiūsta lipas.
Svarbu:
Kampų jungtims reikalingi medžio klijai, barams reikia laikyti naudojant presas, kol klijai visiškai išdžiūvės, o surinktam rėmui įtempiamai privilgti būtinos drobės įtempimo plytযুক্ত. Šios priemonės į rinkinį neįtrauktos. Prieš užsakydami šio dydžio rinkinį, rekomenduojame pasimalkoti patyrusiu rėmų meistru.
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Blizgus lakas (ryškina spalvas, saugo nuo šviesos ir drėgmės)
Ką galima pakeisti (pavyzdžiui): pakeisti veidą klientui skirta nuotrauka; pridėti augintinį (pvz., katę pakeisti šuniu); įtraukti paslėptą žinutę fone; pakeisti fono kraštovaizdį ar elementus.
Pristatymas visame pasaulyje () per 3–4 savaites, o ne įprastai – per 5 savaites. (1 lapkritis). Kokybė lieka nepakeičiama.
Pristatymas visame pasaulyje () per 5 weeks. (8 lapkritis).
Included with every order
More about this painting
In numbers
About the original
1872 - 1927, United Kingdom
Ernest Charles Walbourn, a British landscape painter active primarily in the late 19th and early 20th centuries, possessed a remarkable ability to capture the serene beauty and quiet dignity of rural England. Born in Dalston, Middlesex, on February 16, 1872, into a family with connections to Tasmania, Walbourn’s artistic journey began not as a predetermined path but as a personal pursuit against his father's initial reservations. His early life, marked by a supportive environment and access to art training, laid the foundation for a career dedicated to depicting scenes of idyllic countryside life – a genre deeply rooted in Victorian sensibilities yet imbued with a subtle romanticism.
Walbourn’s artistic development was significantly shaped by his relocation to Chingford, Essex, in 1895. This move provided him with a studio within the family home and crucial financial support, allowing him to fully dedicate himself to painting. His early exhibitions at the Royal Institute of Oil Painters and subsequently at the Royal Academy established a solid reputation, attracting collectors who appreciated his meticulous detail and evocative use of light and color. He skillfully blended academic techniques with a distinctly personal style, creating works that resonated with a longing for simpler times – a sentiment particularly poignant during an era of rapid industrialization and social change.
Walbourn’s work is firmly situated within the broader context of Barbizon School painting. Like his contemporaries, including Charles-François Daubigny, he prioritized direct observation of nature and a rejection of overly polished academic styles. However, Walbourn's approach was characterized by an even greater emphasis on capturing atmospheric effects – the subtle shifts in light and shadow that define the English countryside. His paintings are not merely representations of landscapes; they are imbued with a sense of mood and atmosphere, conveying a feeling of tranquility and timelessness.
The influence of Charles Darwin is also subtly present in Walbourn’s work. His depictions of rural life often portray a harmonious relationship between humanity and nature – a reflection of the Victorian fascination with natural history and the belief in the inherent goodness of the natural world. This connection to the land, combined with his technical skill, resulted in paintings that were both aesthetically pleasing and intellectually engaging.
Several of Walbourn’s works stand out for their exceptional quality and evocative power. “Backyard,” a particularly compelling example, captures the quiet beauty of a rural setting with remarkable realism and attention to detail. The painting's warm tones and subtle lighting create a sense of intimacy and serenity, inviting the viewer to step into another world. Similarly, his depictions of farm scenes – often featuring young women tending to livestock or gathering flowers – are imbued with a gentle charm and a nostalgic quality.
Walbourn’s technical skill is evident in his masterful use of color, brushwork, and composition. He employed loose, expressive brushstrokes to capture the textures of foliage, soil, and water, while carefully balancing light and shadow to create depth and atmosphere. His ability to render the subtle nuances of natural light was particularly noteworthy, contributing significantly to the overall mood and impact of his paintings.
Despite facing challenges during his lifetime – including a lack of formal artistic training and the initial disapproval of his father – Ernest Charles Walbourn achieved considerable recognition for his work. His paintings were exhibited at prestigious venues, sold to discerning collectors, and included in the collections of notable museums, such as the Bolton Museum and the Herbert Art Gallery & Museum. His legacy endures through his evocative depictions of English pastoral life, which continue to resonate with viewers today.
Walbourn’s story serves as a testament to the power of perseverance and the enduring appeal of art that celebrates the beauty and tranquility of the natural world. His paintings offer a glimpse into a bygone era – a time when rural England was viewed with both admiration and nostalgia, and when artists sought to capture its essence on canvas.