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Entombment

Giclée / Meno spausdinimas

Muziejų lygio „giclée“ arba drobos spausdinimas: greita gamyba ir lankstios apdailos parinktys. ( Pirkti rankų darbo tapybą Perejti prie skaitmeninių vaizdų)

Kolekcinio objekto aprašas

Admire Donatello’s ‘Entombment,’ a poignant bronze sculpture from 1465. Witness Renaissance realism & detail in this moving depiction of mourning. Hand-painted reproductions available.

Autoriaus biografija

Ankstyvojo renesanso skulptorius ir laisvos nuogos Davido pionierius. Atraskite jo išraiškinius šedevrus ir palikimą.

nuo ·

1 skyrius

On which medium should it be printed?

Canvas is printed with giclée inks and can be stretched or framed like a painting; paper comes flat, or framed behind glass.

2 skyrius

Kokio dydžio turėtų būti?

Slinkite, kad pakeistumėte dydį; kairėje pusėje esančiame paveikslėlyje rodomas tikrasis rėmo plotis. Originalios proporcijų išlaikomos.

Standartinis dydis
pagal užsakymą
CM
INCH

Pasirinkite iš mūsų nustatytų dydžių, atitinkančių originalaus meno kūrinio proporcijas.

plotis
aukštis

Įveskite jums reikiamą plotį ir aukštį, kad atvaizdas derėtų prie jūsų rėmo ar sienos. Spausdiną galima tik sumažinti, bet nepadidinti virš originalaus paveikslėlio dydžio, todėl keičiant proporcijas, dalis vaizdo prarandama. Prieš spausdinimą atsiųsime jums skaitmeninį maketą patvirtinimui. Šioje puslapio nuotraukoje matomas pjūvis nėra tikslus – jį rodo tik maketas.

3 skyrius

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Corner sample of the WhiteWrap canvas edge finish, stretched on solidus medžio

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Corner sample of the P118B picture frame: lieto polistirolo detalės, 5 cm wide and 3 cm thick
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Corner sample of the P438Z picture frame: lieto polistirolo detalės, 5.5 cm wide and 3.5 cm thick
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Corner sample of the W106C picture frame: solidus medžio

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solidus medis, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: solidus medžio

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solidus medis, 5 cm wide and 3 cm thick
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solidus medis, 5 cm wide and 3 cm thick
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solidus medis, 6 cm wide and 3 cm thick
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Corner sample of the W692G picture frame: solidus medžio

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Corner sample of the W849H picture frame: solidus medžio

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Corner sample of the H36-GOLD picture frame: medžio skulptūra su gipso sluosniu, 15 cm wide and 6.5 cm thick
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Corner sample of the H36-SILVER picture frame: medžio skulptūra su gipso sluosniu, 15 cm wide and 6.5 cm thick
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Įrėmintas

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4 skyrius

Pristatymas visame pasaulyje () per 2 weeks, o ne įprastas 4/5 savaičių laikotarpis. (22 lapkritis)

Paskutinės detalės

Pavadinimo plokštelė, kaip muziejuje?

Išgraviruotos bronzinės plokštelės detalės

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

Skaidrios akrilo plokštelės informacija

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

Juodos akrilo plokštelės informacija

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

Apsauginis lakas?

Kada jums reikia?

5 skyrius

Your print, as you ordered it

Entombment

Reprodukcijos technika

Reprodukcijos matmenys

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Reprodukcijos rėmėjimo parinktys

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Dėl meno kūrinių ar reprodukcijų, kurių bet kuri pusė yra didesnė nei 105 cm (apie 41 inch), rėmas bus siunčiamas kaip išskaidytas surinkimo rinkinys. Šis metodas užtikrina saugų pristatymą ir apsaugo nuo transportavimo metu galimos žalos.

Reikalingas profesionalus surinkimas – tai nėra „pasidaryk pats“ (DIY) produktas.
Rinkinys turi būti surinktas, o drobė išplėsta naudojant patyrį profesionalų rėmininką, medžio klijus (nėra įtraukti į rinkinį), drobės plėšimo kleslę bei presas, kad rėmo rėžiai išliktų tiesūs, kol klijai išdžiūvus. Netinkamas surinkimas arba netolydus drobės įtampa gali negrįžtamai sugadinti meno kūrinį, todėl šie atvejai nėra užtraukiami mūsų garantijos.

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Svarbu:
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Pavadinimo lentelė

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Apsauginis lakas

Blizgus lakas (ryškina spalvas, saugo nuo šviesos ir drėgmės)

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Skubiai

Pristatymas visame pasaulyje () per 2 savaites, o ne standartines 4/5 savaičių. (22 lapkritis)

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Skubus pristatymas

Pristatymas visame pasaulyje () per 4–5 weeks. (29 lapkritis).

Įskaičiuota

Bendroji kaina

€ 72

Visos kainos suma € 72

Stiklo variantas prieinamas tik pasirinkus dydį iki 110 cm

Pridedama prie kiekvieno užsakymo

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  • 100 dienų grąžinimo politika (tik esant įtaigoms)
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  • Nuolaida dideliems užsakymams

Donatello’s ‘Entombment’: A Bronze Testament of Grief and Grace

Donatello's “Entombment,” completed around 1465 in Florence, stands as a monumental achievement within the Early Renaissance—a sculpture that transcends mere representation to embody profound human emotion and theological weight. More than just a depiction of Christ’s death, it is a complex tableau of mourning, faith, and the acceptance of fate, rendered with an unprecedented realism and emotional depth for its time. The bronze itself, meticulously cast and patinated, possesses a remarkable tactile quality—a testament to Donatello's mastery of material and his innovative approach to sculpting techniques.

The scene unfolds within a shallow relief, a departure from the monumental, freestanding sculptures that had dominated Renaissance art until then. Donatello masterfully utilizes space and perspective to draw the viewer into the heart of the composition: Mary Magdalene kneels in sorrow beside Christ’s body, her face etched with anguish; St. John the Evangelist stands on the right, his posture conveying a solemn reverence. The figures are not idealized but rendered with palpable humanity—their limbs weary, their expressions raw and vulnerable. The detail is astonishing – from the folds of Magdalene's robe to the delicate curve of Christ’s hand, every element speaks to Donatello’s meticulous observation and artistic skill.

A Synthesis of Classical and Christian Themes

Donatello’s “Entombment” brilliantly synthesizes elements of classical antiquity with deeply rooted Christian symbolism. The pyramidal composition, reminiscent of Roman sculpture, provides a stable foundation for the narrative. The figures themselves echo classical depictions of mourning—drawing on established artistic conventions while imbuing them with a distinctly Renaissance sensibility. Christ's pose, recalling depictions of fallen heroes in Greek mythology, elevates his death to a heroic sacrifice. The inclusion of three mourners – Mary Magdalene, St. John, and an unidentified woman – represents the universal human experience of grief and loss, extending beyond the specific religious context.

The choice of bronze as the medium is significant. Bronze offered both durability and a rich, dark patina that would deepen with age—a visual metaphor for the enduring nature of faith and memory. Donatello’s innovative use of patination further enhanced this effect, creating subtle gradations of color and texture that bring the sculpture to life. The work was originally intended for the chapel of the Medici family in the church of Santa Maria Novella in Florence, a testament to the powerful patronage that fueled artistic innovation during the Renaissance.

Symbolism and Emotional Resonance

Beyond its formal qualities, “Entombment” is laden with symbolic meaning. The shroud draped over Christ’s body represents both his mortality and his resurrection—a promise of eternal life. The positioning of the figures suggests a narrative of acceptance and surrender: Mary Magdalene kneels in humility before her Lord, while St. John offers a gesture of reverence. The overall mood is one of profound sorrow tempered by hope—a recognition of human suffering alongside an affirmation of faith.

The sculpture’s emotional impact remains powerfully resonant today. It invites viewers to contemplate the themes of death, grief, and redemption—to confront their own mortality and to reflect on the enduring power of compassion and belief. Donatello's “Entombment” is not merely a work of art; it is a profound meditation on the human condition, rendered with unparalleled skill and sensitivity.

A Legacy in Bronze

“Entombment” cemented Donatello’s reputation as one of the leading sculptors of his time. It demonstrated his ability to fuse classical ideals with Christian iconography, creating works that were both aesthetically compelling and spiritually profound. The sculpture's influence can be seen in countless subsequent artworks—a testament to its enduring legacy. Today, reproductions of “Entombment” continue to inspire and move viewers around the world, offering a glimpse into the artistic genius of one of history’s greatest sculptors.

Klausimai ir atsakymai

Ką „Entombment“ turi bendro su visa Donatelo kūryba?

„Entombment“ kartu su kitais Donatelo kūriniais pasižymi Early Renaissance stiliumi ir tamsiomis temomis: classical influence, renaissance realism, religious mourning, siena cathedral art, donatello's mastery, bronze sculpture legacy, medieval burial scene, human emotion focus.

Kokia „Entombment“ kūrinio rūšis?

„Entombment“ yra Sculpture kūrinys.

Kokią emociją perteikia Early Renaissance stiliaus kūrinys „Entombment“?

„Entombment“ Melancholic emocija akompaniuoja jo Early Renaissance stiliui.

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Skaičiais

  • 1465metai, kai buvo nupiežta
  • 29pasirinkimo rėmai
  • standartinės dydžio, savo proporcijomis
  • 5savaitės sugryžti ir pristatyti
Donatelo

Donatelo

1386 - 1466, Italija

Trumpa informacija apie Donatelo

  • Artistic Movement Or Style: Ankstyvojo renesanso
  • Artists Or Movements Influenced By This Artist:
    • Italų renesansas
    • Europos menininkai
  • Date Of Birth: 1386
  • Date Of Death: 1466
  • Full Name: Donato di Niccolò di Betto Bardi
  • Nationality: Italijonas
  • Notable Artworks:
    • Davidas
    • Šventasis Liudvikas Tuluozinis
    • Izaako aukas
    • Kryžius
    • Gatamelatos meistras su žirgu
  • Place Of Birth: Florencija, Italija

Trumpa informacija

  • Artistic style: Renaissance sculpture
  • Influences: Classical Sculpture
  • Year: 1465-1460
  • Movement: Early Renaissance
  • Artist: Donatello
  • Medium: Bronze

Karo viktorina

Kiekviename klausime yra tik vienas teisingas atsakymas.

Klausimas 1:
What is the primary subject depicted in Donatello’s ‘Entombment’?
Klausimas 2:
In what year was Donatello’s ‘Entombment’ created?
Klausimas 3:
Which artistic movement is most closely associated with Donatello’s ‘Entombment’?
Klausimas 4:
The sculpture utilizes a technique known as relief. What does this term refer to?
Klausimas 5:
What is the significance of the figures mourning Christ in ‘Entombment’?