11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 353점의 우타가와 히로시게 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 우타가와 히로시게의 가장 유명한 작품은 Early Department from a Daimyo이며, 원작은 나가사키의 나카가와마치 바토 히로시게 미술관에 전시되어 있습니다. The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857)와 Hakone (1834)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. 우타가와 히로시게의 작품 353점 중, 갤러리는 가장 유명한 100점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
In the delicate dance of lines and muted pigments, Utagawa Hiroshige’s Early Department from a Daimyo invites us to step through a portal into the heart of Edo-period Japan. This exquisite woodblock print captures a moment of vibrant communal life along a bustling riverside, where the rigid structures of social hierarchy melt into the shared leisure of a sunny afternoon. As we gaze upon the scene, we are not merely…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
In the delicate interplay of ink and paper, Utagawa Hiroshige’s "Station 36, Goyu; Kyoka Tokaido Series" offers much more than a mere topographical record of a journey. Completed in 1855, this exquisite woodblock print serves as a profound distillation of Edo-period sensibilities, capturing a yearning for tranquility amidst the burgeoning dynamism of a Japan in transition. As the nation stood at a pivotal crossroads between ancient feudal traditions and the…
프루시미 역 #51 - 우타가와 히로시게의 일본적 정취 담은 풍경화 우타가와 히로시게는 에도 시대 말기의 일본 미술가로, 서양 미술에 지대한 영향을 미친 일본 유화가입니다. 그는 단순히 자연을 모방하는 것을 넘어 깊은 시적인 감성을 담아 풍경화를 그려냈으며, 특히 도카이도 선로의 51번 역을 그린 작품은 그의 예술적 재능과 시대 정신을 잘 보여줍니다. 이 그림은 에도 시대의 사회적 변화와 서구 문화 유입이라는 격동 속에서 일본 미술가로서 새로운 시각을 제시하며 후대에 영감을 불어넣었습니다. 작품…
The Ichikoku Bridge spans a quiet stretch of water in the Eastern Capital. Beneath its wooden arch, two boats drift through the current. People move across the structure, some carrying backpacks and others clutching small handbags. A mountain rises in the distance, watching over the scene. Trees frame the edges of the view, their leaves casting shadows near the water's edge.
In the soft, burgeoning light of a nineteenth-century morning, Utagawa Hiroshige invites us to witness a moment of profound stillness along the Tōkaidō road. Shinagawa Sunrise is not merely a depiction of a coastal village; it is a masterclass in the art of atmosphere. As the sun begins its ascent, the boundary between the heavens and the earth dissolves into a luminous haze. The water of the bay reflects a…
In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of Japanese life as profoundly as Utagawa Hiroshige. His masterpiece, The Rokugo River Ferry, Kawasaki, serves as a breathtaking window into the Edo period, inviting the viewer to step onto the bustling banks of one of the most vital crossings on the Tokaido road. This evocative scene from his legendary series, The Fifty-three Stations of the Tokaido,…
In the delicate interplay of mist and water, Itsukushima in Aki Province offers more than a mere glimpse of a Japanese landmark; it provides a profound meditation on the ephemeral nature of existence. Created by the legendary ukiyo-e master Ando Hiroshige in 1858, this woodcut print captures the spiritual essence of the Itsukushima shrine area with a poetic sensitivity that remains unparalleled. As one gazes upon the composition, the eye…
The woodblock print depicts a section of the Tenryu River near the station of Mitsuke. In the center of the composition, a large sandbank divides the water into two distinct currents. Several small wooden boats occupy the river, with figures positioned within them to manage the crossing. Some vessels are moored directly against the central sandbank, while others navigate the moving water. The far shore is visible in the distance,…
타조와 포도덩굴1800 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
12
The Pine Woods of Miho in Suruga Province (Suruga Miho no matsubara)1858 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
13
62 (55) Komakata Hall and Azuma Bridge1857 · 브루클린 미술관
14
Evening Snow at Kanbara1834 · 로스앤젤레스 카운티 미술관
15
Dawn in the licensed quarters1857 · 뉴사우스웨일스 주립 미술관
16
Night View of Saruwakacho
17
Station 28, Fukuroi1855 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
18
Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo1800 · Hill-Stead Museum
19
Keishi (Kyoto), Capital1834 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
20
Hara: View of Ashitakayama and Fuji1855 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
21
Yokkaichi (Station #44)1834 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
22
Desolate Wintry Scene, Hamamatsu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
23
Noge and Yokohama in Musashi Province (Musashi, Noge, Yokohama)1858 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
24
Wild sea breaking on the rocks1856
25
시라스카, 시오미자카 지우 (시오미산 경관)1833 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
26
Mt.Fuji on the Left, Yoshiwara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
27
Tsukuda Offing in the Eastern Capital (Tōto: Tsukuda oki)1858 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
28
Kawachi1853 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
29
The Dye Craft Shops of Arimatsu, Narumi, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)나카가와마치 바토 히로시게 미술관
30
View of Shiomi Slope, Shirasuka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)나카가와마치 바토 히로시게 미술관
31
Entrance to Enoshima in Sagami Province (Sagami Enoshima iriguchi)1858 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
32
Morning Mist, Mishima, from the series the Fifty-three Stations of the Tokaido (Hoeido edition )나카가와마치 바토 히로시게 미술관
33
The Imagire Sea Ferry, Maisaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)나카가와마치 바토 히로시게 미술관
34
Sukiya Riverbank in the Eastern Capital (Tōto sukiya kaigan)1858 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
35
Satta Pass, Yui, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
36
True View of Imagire, Maisaka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
37
Clear Winter Morning, Kameyama, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
38
The Tenryu River, Mitsuke, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
39
The Seven-ri Ferry Crossing, Kuwana, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
40
Aronia and Bullfinch
41
카타다에서 돌아오는 기러기들1834 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
42
Yugyoji Temple, Fujisawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
43
Travellers and Soliciting Women, Goyu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
44
The Totoumi Bank of the Oi River, Kanaya, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
45
The Suruga Bank of the Oi River, Shimada, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
46
Kyoka Tokaido Series, Kanagawa (Yokohama)인디애나폴리스 미술관 (Indianapolis Museum of Art)
47
Distant View of Miho, Ejiri, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
48
Mt. Fuji in the Morning, Hara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
49
A Horse Fair, Chiriu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
50
Wakasa1853 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
51
Distant View of Mt.Akiba, Kakegawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
52
The Ichiri-Han Sea Ferry, Arai, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)나카가와마치 바토 히로시게 미술관
53
Gateway Entrance to the Atsuta Shrine on the Beach, Miya, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)나카가와마치 바토 히로시게 미술관
54
Akasaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)나카가와마치 바토 히로시게 미술관
55
The Sakawa River, Odawara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
56
A Footpath between Ricefield, Hiratsuka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
57
Awa Province: Whirlpool at Naruto1853
58
73 The City Flourishing, the Tanabata Festival1857
59
Sarugababa Plain, Futagawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
60
Local Specialty Teahouse, Mariko, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)나카가와마치 바토 히로시게 미술관
61
Sakanoshita인디애나폴리스 미술관 (Indianapolis Museum of Art)
62
역 23번역, 후지이다인디애나폴리스 미술관 (Indianapolis Museum of Art)
63
Marsh Grasses and Mandarin Ducks
64
50th station, Minakuchi
65
Sakanoshita: the Throwing Away the Brush Peak1834 · 브루클린 미술관
66
Shibaura Bay of Musashi Province801 · 메트로폴리탄 미술관
67
Koyurugi Beach of Sagami Province801 · 메트로폴리탄 미술관
68
Honmoku Bay of Musashi Province801 · 메트로폴리탄 미술관
69
Untitled (Two Rabbits, Pampas Grass, and Full Moon)1851
70
11. Kiyomizu Hall and Shinobazu Pond at Ueno1857
71
85. Kinokuni Hill and Distant View of Akasaka and the Tameike Pond1857
72
76 Bamboo Quay by Kyōbashi Bridge1857
73
58 (52) Sudden Shower over Shin-Ōhashi bridge and Atake1857 · 도쿄 후지 미술관
74
103. Senju Great Bridge1857
75
18. The Ōji Inari Shrine1857
76
113. Aoi Slope Outside Toranomon Gate1857
77
114. Bikuni Bridge in Snow1857
78
70 (60) The Mouth of the Nakagawa River1857
79
2. Kasumigaseki1857
80
15. Suwa Bluff in Nippori1857
81
63 (69) The Ayase River and Kanegafuchi1857
82
115. The Takata Riding Grounds1857
83
86. Naitō Shinjuku in Yotsuya1857
84
16. Flower Park and Dangozaka Slope in Sendagi1857
85
68 (59) Open Garden at the Hachiman Shrine in Fukagawa1857
86
10. Sunrise at Kanda Myōjin Shrine1857
87
Peach and Long-tailed Bird
88
Golden Pheasant in Bracken
89
The Imado Bridge at the Foot of Mount Matsuchi801 · 메트로폴리탄 미술관
90
Dog1858 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
91
118. Kitsunebi on New Year's Night Under the Enoki Tree near Ōji1857
92
109. Minami Shinagawa and Samezu Coast1857
93
Night View of Matsuchiyama and the San1857 · 로스앤젤레스 카운티 미술관
94
아카사카 번호 37인디애나폴리스 미술관 (Indianapolis Museum of Art)
95
Shiojiri Pass in Shinano Province (Shinano Shiojiritōge)1858 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
96
Yoshiwara인디애나폴리스 미술관 (Indianapolis Museum of Art)
97
Fuchu, No. 20인디애나폴리스 미술관 (Indianapolis Museum of Art)
98
Woman Walking in the Snow1850 · 메트로폴리탄 미술관
99
82. Moon Viewing1857
100
Station 27, Kakegawa1855 · 인디애나폴리스 미술관 (Indianapolis Museum of Art)
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
#21 Yokkaichi (Station #44)
#22 Desolate Wintry Scene, Hamamatsu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)
#29 The Dye Craft Shops of Arimatsu, Narumi, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)
#33 The Imagire Sea Ferry, Maisaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 우타가와 히로시게의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 나카가와마치 바토 히로시게 미술관 |
나가사키 | 30 | Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) |
 인디애나폴리스 미술관 (Indianapolis Museum of Art) |
인디애나폴리스 | 35 | Hakone, Station 36, Goyu; Kyoka Tokaido Series, 후지마이 역 #51 |
 메트로폴리탄 미술관 |
뉴욕 | 8 | Shibaura Bay of Musashi Province, Koyurugi Beach of Sagami Province, Honmoku Bay of Musashi Province |
 브루클린 미술관 |
브루클린 | 4 | Itsukushima in Aki Province, 62 (55) Komakata Hall and Azuma Bridge, Sakanoshita: the Throwing Away the Brush Peak |
 Hill-Stead Museum |
파밍턴 | 3 | Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo |
 로스앤젤레스 카운티 미술관 |
로스앤젤레스 | 2 | Evening Snow at Kanbara, Night View of Matsuchiyama and the San |
 반 고흐 미술관 |
암스테르담 | 1 | The maple leaves of Mama, Tekona shrine and Tsugi bridge |
 뉴사우스웨일스 주립 미술관 |
시드니 | 1 | Dawn in the licensed quarters |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
프루시미 역 #51 - 우타가와 히로시게의 일본적 정취 담은 풍경화 우타가와 히로시게는 에도 시대 말기의 일본 미술가로, 서양 미술에 지대한 영향을 미친 일본 유화가입니다. 그는 단순히 자연을 모방하는 것을 넘어 깊은 시적인 감성을 담아 풍경화를 그려냈으며, 특히 도카이도 선로의 51번 역을 그린 작품은 그의 예술적 재능과 시대 정신을 잘 보여줍니다. 이 그림은 에도 시대의 사회적 변화와 서구 문화 유입이라는 격동 속에서 일본 미술가로서 새로운 시각을 제시하며 후대에 영감을 불어넣었습니다. 작품…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Early Department from a Daimyo, 나카가와마치 바토 히로시게 미술관, 나가사키. 다음은 The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857)와 Hakone (1834)입니다.
Early Department from a Daimyo, The maple leaves of Mama, Tekona shrine and Tsugi bridge, Hakone, Station 36, Goyu; Kyoka Tokaido Series, 후지마이 역 #51, Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi), Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Itsukushima in Aki Province 및 Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition). 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1833년부터 1858년 사이의 우타가와 히로시게 작가의 작품 353점이 수록되어 있습니다.
대부분 나카가와마치 바토 히로시게 미술관 (나가사키), 인디애나폴리스 미술관 (Indianapolis Museum of Art) (인디애나폴리스) 및 메트로폴리탄 미술관 (뉴욕)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1850s 동안: 이 페이지의 총 100점의 작품 중 44점이 해당 시기에 제작되었으며, 그중 The maple leaves of Mama, Tekona shrine and Tsugi bridge점입니다.
이 페이지에서 가장 오래된 작품은 시라스카, 시오미자카 지우 (시오미산 경관) (1833)이며, 가장 최근 작품은 Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi) (1858)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Edo period (30), Ukiyo-e (22) 및 Woodblock print (20)
이 페이지의 총 100점의 작품 중 88점의 Woodblock Print
이 페이지의 원작들을 기준으로 볼 때, Japanese landscape painting
Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ) 및 Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition): 나카가와마치 바토 히로시게 미술관, 나가사키은(는) 이 페이지에 있는 작품 중 29점을 소장하고 있습니다.
