11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 114점의 줄리오 로마노 작품 (당사 카탈로그 기준)
요약하자면
천장화: 유피테르의 왕좌 주변에 모인 신들 (1532)은(는) 줄리오 로마노의 작품 중 가장 많은 관심을 받는 회화입니다. 그다음 시선은 View of the Sala dei Giganti (vault and south wall) (1526)와 Tapestry with Playing Putti (1545)로 향합니다. 우리 카탈로그에 수록된 줄리오 로마노의 작품 114점 중, 가장 유명한 100점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
"천장화: 유피테르의 왕좌 주변에 모인 신들"은 줄리오 로마노가 남긴 매우 중요한 프레스코 작품입니다. 1532년에 제작된 이 걸작은 이탈리아 만투아에 위치한 팔라초 델 테(Palazzo del Tè) 내 살라 데이 지간티(Sala dei Giganti)의 천장을 화려하게 장식하고 있습니다. 이 기념비적인 장식화는 예술가가 성기 르네상스의 고전적 조화에서 벗어나, 매너리즘 특유의 표현적 긴장감으로 나아갔음을 보여주는 결정적인 증거이기도 합니다.
To gaze upon this magnificent fresco, View of the Sala dei Giganti (vault and south wall), is to step directly into the vibrant heart of the High Renaissance. Painted in 1526 by the masterful hand of Giulio Romano, this work transcends mere decoration; it is a profound narrative tapestry woven from human drama, natural vitality, and divine symbolism. The scene explodes with life, drawing the viewer into a monumental gathering…
To gaze upon this depiction of a tapestry with playing putti is to step directly into an idealized moment plucked from the heart of the Italian Renaissance. It is more than just a painting; it is a captured breath of youthful exuberance, rendered with the masterful touch characteristic of Giulio Romano. The scene unfolds as a vibrant pastoral tableau, where several cherubic figures—the beloved putti—engage in playful revelry. Their presence…
To stand before an image like the Allegory of the Virtues of Federico II Gonzaga is to step directly into the vibrant, intellectual heart of the Italian High Renaissance transitioning into Mannerism. This monumental work, executed in 1531 by Giulio Romano, is far more than a mere depiction of figures; it is a carefully orchestrated philosophical statement rendered in pigment and plaster. The scene unfolds with an almost theatrical richness,…
Giulio Romano’s “The Lovers,” painted around 1525, isn't merely a depiction of intimacy; it’s a meticulously crafted tableau brimming with symbolism and echoing the complex currents of the High Renaissance. Born Giulio Pippi in Rome around 1499, Romano swiftly ascended through the ranks of Raphael’s studio, absorbing the master’s classical ideals while simultaneously forging his own distinctive Mannerist style – a style characterized by heightened emotion, distorted forms, and an…
This detail from 1535 captures a fragment of a larger religious narrative, focusing on the human response to a divine presence. A central figure, distinguished by a large staff topped with a cross, anchors the composition. The arrangement of figures creates a sense of depth through overlapping forms and varying scales, drawing the eye from the immediate foreground into a complex, crowded space. The composition avoids the static balance of…
Giulio Romano's "The Birth of Bacchus," a monumental charcoal and chalk drawing from 1533, isn’t merely a depiction of a mythological scene; it’s a visceral exploration of human drama, a raw sketch brimming with energy and symbolic weight. Born Giulio Pippi in Rome around 1499, Romano emerged as a pivotal figure within the waning embers of the High Renaissance, swiftly absorbing the influence of Raphael while forging his own distinctive…
Giulio Romano’s “Flaying of Marsyas” isn't merely a depiction of a mythological punishment; it’s a visceral embodiment of struggle, humiliation, and the brutal intersection of divine power and mortal defiance. Painted in 1525-35 during his tenure as court artist for Duke Federico Gonzaga of Mantua, this monumental fresco – now meticulously reproduced on canvas – plunges the viewer directly into the heart of Ovid’s *Metamorphoses*. The story itself is a…
A Tapestry of Time and Transformation: Giulio Romano’s “Victory, Janus, Chronos, and Gaea” Giulio Romano's "Victory, Janus, Chronos, and Gaea," painted in 1532-1534 during his illustrious tenure as court artist for Federico II Gonzaga of Mantua, is more than just a visually arresting fresco; it’s a profound meditation on the cyclical nature of time, the duality of existence, and the very essence of Roman mythology. Born Giulio Pippi in Rome…
A Vision of Renaissance Grandeur: Exploring Giulio Romano’s Palazzo del Té Giulio Romano's *View of the Palazzo del Té* stands as a testament to the zenith of Mannerist art and architectural ambition—a project conceived by Federico Gonzaga, Duke of Mantua, between 1526 and 1534. More than just a building, it embodies an entire worldview: a deliberate rejection of linear perspective and idealized beauty in favor of dramatic illusionism and psychological…
Evangelist symbols1522 · 빈 미술사 박물관
12
View of the Salone dei Cavalli1526
13
The Old Woman and Vulcan, Tribute to Apollo1526
14
Nude Child with Open Arms우피치 미술관
15
The Holy Family1520 · J. 폴 게티 미술관
16
An Allegory of Immortality1540 · 디트로이트 미술관
17
The Holy Family, St John with a small Bird in his Hand1530 · Statens Museum For Kunst
18
The Holy Family with the Infant Saint John the Baptist1520 · 스코틀랜드 국립 미술관
19
Madonna and Child with the Infant St. John1516
20
The Virgin and Child1518 · Apsley House
21
Tarquin and Lucretia1536 · Palazzo Ducale
22
'The Horse ''Morel favorito'''1526
23
St. John the Baptist in the Wilderness1520
24
Nurture of Jupiter1533 · Blickling Hall
25
Group of three lictors1530 · 바르샤바 국립 박물관
26
Tapestry Cartoon: Two Heads from the Massacre of the Innocents1522 · 스코틀랜드 국립 미술관
27
Bacchus and Ariadne1530 · Statens Museum For Kunst
28
Vertumnus and Pomona1530 · Statens Museum For Kunst
29
Female nude, half figure1527
30
Vaulted ceiling (8)1526
31
Fresco on the east wall (detail)1532
32
View of the Sala di Psiche (west wall)1526
33
Fresco on the south wall (detail) (9)1532
34
Jupiter Seducing Olympias1526
35
Self-portrait1540
36
Tomb of Pietro Strozzi1529 · Sant'Andrea
37
Virgin and Child with the Infant St John1523 · 갈레리아 보르게세
38
Façade1526 · 팔라초 델 테
39
The Madonna and Child with Saint John the Baptist1522 · Walters Art Museum
40
The Fall of the Gigants from Mount Olympus
41
Chariot of the Sun1526
42
Frieze (detail)1532
43
Hunting Scene1527
44
Hunting Scene1527
45
Polyphemus1526
46
Ceiling decoration (detail) (12)1527
47
View of the Sala di Psiche (north and east walls)1526
48
View of the Sala di Psiche (south wall)1526
49
Psyche's Second Task (River Deity)1526
50
Vaulted ceiling (detail) (10)1526
51
Vaulted ceiling (detail) (18)1526
52
Psyche Appealing in Vain to Juno1526
53
Portrait of a Woman (detail)1531 · 로열 컬렉션
54
View of the Sala dei Giganti (south and west walls)1532
55
View of the Sala dei Giganti (south wall)1532
56
The Prisoners1527
57
View of the Sala di Psiche (east wall)1526
58
Vault: The Assembly of Gods around Jupiter's Throne (detail)1532
59
Ceiling decoration (detail) (11)1527
60
Fresco on the north wall (detail)1532
61
Vaulted ceiling (detail) (17)1526
62
Vaulted ceiling (detail) (19)1526
63
Emperor Alexander1532
64
Coat-of-arms1532
65
View of the Sala dei Giganti (west wall)1532
66
River Landscape with Springs1526
67
View of the Salone dei Cavalli1526
68
Fresco on the south wall (detail)1532
69
Vaulted ceiling (detail) (16)1526
70
Tribute to Apollo1526
71
Vaulted ceiling1526
72
View of the Sala dei Giganti (north wall)1532
73
View of the Sala dei Giganti (east wall)1532
74
Ceiling decoration1527
75
Cupid and Psyche1526
76
Design for a Saltcellar1524
77
Fresco on the south wall (detail) (12)1532
78
Fresco on the north wall (detail)1532
79
Mars Chasing Adonis from Venus's Pavilion1526
80
Vault: The Assembly of Gods around Jupiter's Throne (detail)1532
81
Fresco on the south wall (detail) (10)1532
82
The Old Woman and Vulcan1526
83
Ceiling (detail)1526
84
Tribute to Apollo1526
85
Ajax Defends Patroclus's Corps1538 · Palazzo Ducale
86
View of the Sala di Troia (10)1536
87
View of the Sala di Troia (12)1538
88
Ajax Defends Patroclus's Corps1538
89
View of the Sala di Troia (11)1536
90
Façade and courtyard view1526 · 팔라초 델 테
91
Monteluce madonna
92
Venus and Vulcan
93
Satyr and Boy
94
Copy after Giulio Romano1536 · 클리블랜드 미술관
95
Virgin with the Child1520 · 우피치 미술관
96
Triumph of Titus and Vespasian1537 · 루브르 박물관
97
Study for the Holy Family1518 · 루브르 박물관
98
Banquet of Cupid and Psyche팔라초 델 테
99
Saint Mary Magdalene borne by Angels국립 미술관
100
The Circumcision루브르 박물관
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 줄리오 로마노의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 팔라초 델 테 |
만토바 | 6 | View of the Sala dei Giganti (vault and south wall), View of the Palazzo del Tè, Façade |
 루브르 박물관 |
파리 | 6 | Adoration of the Shepherds (detail), Flaying of Marsyas, Triumph of Titus and Vespasian |
 J. 폴 게티 미술관 |
로스앤젤레스 | 5 | Allegory of the Virtues of Federico II Gonzaga, The Birth of Bacchus, Victory, Janus, Chronos, and Gaea |
 Statens Museum For Kunst |
코펜하겐 | 3 | The Holy Family, St John with a small Bird in his Hand, Bacchus and Ariadne, Vertumnus and Pomona |
 우피치 미술관 |
피렌체 | 2 | Nude Child with Open Arms, Virgin with the Child |
 스코틀랜드 국립 미술관 |
에든버러 | 2 | The Holy Family with the Infant Saint John the Baptist, Tapestry Cartoon: Two Heads from the Massacre of the Innocents |
 Palazzo Ducale |
만투아 | 2 | Tarquin and Lucretia, Ajax Defends Patroclus's Corps |
 로열 컬렉션 |
런던 | 2 | Portrait of a Woman (detail) |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this intimate oil on panel, we find ourselves drawn into a private, shadowed space where the Madonna cradles her infant. The composition is centered on the tender connection between mother and child, while the young Infant St. John stands at her side, adding a sense of movement to the stillness. There is a profound sense of weight to the figures, achieved through a careful application of light that emerges…
To gaze upon this magnificent fresco, View of the Sala dei Giganti (vault and south wall), is to step directly into the vibrant heart of the High Renaissance. Painted in 1526 by the masterful hand of Giulio Romano, this work transcends mere decoration; it is a profound narrative tapestry woven from human drama, natural vitality, and divine symbolism. The scene explodes with life, drawing the viewer into a monumental gathering…
"천장화: 유피테르의 왕좌 주변에 모인 신들"은 줄리오 로마노가 남긴 매우 중요한 프레스코 작품입니다. 1532년에 제작된 이 걸작은 이탈리아 만투아에 위치한 팔라초 델 테(Palazzo del Tè) 내 살라 데이 지간티(Sala dei Giganti)의 천장을 화려하게 장식하고 있습니다. 이 기념비적인 장식화는 예술가가 성기 르네상스의 고전적 조화에서 벗어나, 매너리즘 특유의 표현적 긴장감으로 나아갔음을 보여주는 결정적인 증거이기도 합니다.
To gaze upon this depiction of a tapestry with playing putti is to step directly into an idealized moment plucked from the heart of the Italian Renaissance. It is more than just a painting; it is a captured breath of youthful exuberance, rendered with the masterful touch characteristic of Giulio Romano. The scene unfolds as a vibrant pastoral tableau, where several cherubic figures—the beloved putti—engage in playful revelry. Their presence…
천장화: 유피테르의 왕좌 주변에 모인 신들 (1532). 다음은 View of the Sala dei Giganti (vault and south wall) (1526)와(과) Tapestry with Playing Putti (1545)입니다.
33세: 천장화: 유피테르의 왕좌 주변에 모인 신들은(는) 1532년 작품이며, 줄리오 로마노은(는) 1499년에 태어났습니다.
천장화: 유피테르의 왕좌 주변에 모인 신들, View of the Sala dei Giganti (vault and south wall), Tapestry with Playing Putti, Allegory of the Virtues of Federico II Gonzaga, The Lovers, Adoration of the Shepherds (detail), The Birth of Bacchus, Flaying of Marsyas, Victory, Janus, Chronos, and Gaea 및 View of the Palazzo del Tè. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1516년부터 1545년 사이의 줄리오 로마노 작가의 작품 114점이 수록되어 있습니다.
대부분 팔라초 델 테 (만토바), 루브르 박물관 (파리) 및 J. 폴 게티 미술관 (로스앤젤레스)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1520s 동안: 이 페이지의 총 100점의 작품 중 50점이 해당 시기에 제작되었으며, 그중 View of the Sala dei Giganti (vault and south wall)점입니다.
이 페이지에서 가장 오래된 작품은 Madonna and Child with the Infant St. John (1516)이며, 가장 최근 작품은 Tapestry with Playing Putti (1545)입니다.
이 페이지의 100점의 작품에 걸쳐 있는 Figures (28), People (23) 및 Woman (21)
이 페이지의 총 100점의 작품 중 58점의 Fresco
이 페이지의 원작들을 기준으로 볼 때, 매너리즘
View of the Sala dei Giganti (vault and south wall), View of the Palazzo del Tè 및 Façade: 팔라초 델 테, 만토바은(는) 이 페이지에 있는 작품 중 5점을 소장하고 있습니다.
