10월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 29점의 Miguel Cabrera 작품 (당사 카탈로그 기준)
요약하자면
갤러리가 선정한 Miguel Cabrera의 가장 유명한 작품은 Saint Gertrude (1763)이며, 원작은 댈러스의 댈러스 미술관에 전시되어 있습니다. Don Juan Xavier Joachín Gutiérrez Altamirano Velasco (1752)와 From Spaniard and Morisca, Albino Girl (1763)가 더해져 누구나 한눈에 알아볼 수 있는 완벽한 트리오를 완성합니다. Miguel Cabrera의 작품 29점 중, 갤러리는 가장 유명한 29점을 아래와 같이 소개합니다. 각 작품은 제작 연도, 소장 미술관 및 작품의 특징을 포함한 독창적인 원작입니다.
The darkness of the background presses inward, a heavy, atmospheric void that forces the eye toward the center of the canvas. Within this gloom, Saint Gertrude emerges, her form defined by a soft, luminous glow. She wears a black and white habit, the heavy folds of her clothing catching a dim, unseen light. Her head is bowed in a quiet, inward gesture of prayer. At her chest, a miraculous presence…
The gaze of Don Juan Xavier Joachín Gutiérrez Altamirano Velasco, Count of Santiago de Calimaya, meets the viewer through this commanding portrait. Painted by Miguel Cabrera about 1752, the work captures a man of significant social standing and political weight. As a Creole, or American-born Spaniard, the subject occupies a unique position within the colonial hierarchy. His presence carries the gravity of his lifetime appointment as the governor of the…
In this 1763 oil on canvas, three figures are arranged in a tight triangular composition against a dark, muted background. On the left, a man is depicted in a leather military uniform, shown in profile while smoking. Beside him, a woman wears a white blouse, an elaborate rebozo shawl with metallic threads and lace cuffs, and a skirt featuring a floral chintz pattern. Between them, a young child is presented…
In this oval-shaped oil painting, we find ourselves witnessing a moment of profound stillness. The scene depicts the marriage of Mary and Joseph, a ritual overseen by a high priest, all occurring under the watchful, luminous presence of the Holy Spirit. A burst of light descends from above, manifesting as a dove, which casts a celestial glow upon the central figures. This light finds its focus on the joining of…
The Virgin of Guadalupe emerges from the canvas in this oil on canvas painting by Miguel Cabrera. Created about 1750, the work presents a serene figure enveloped in a celestial glow. She stands with hands clasped in prayer, her presence defined by a radiating golden mandorla that seems to pulse with light. A teal-blue mantle, decorated with gold stars, drapes over a pinkish-red gown, while the surrounding space holds small…
The air feels heavy with the weight of a quiet exodus. Under a sky of swirling, atmospheric clouds, the Holy Family moves through a landscape of rolling hills. Mary sits atop a donkey, her form a steady pyramid of grace amidst the movement. She cradles the Christ Child, whose presence seems to pull the light from the very air around him. Beside them, Joseph leads the animal, his silhouette a…
The warmth of a father's embrace is captured within the small, reflective surface of an oil on copper panel. Saint Joseph cradles the Christ Child against a dark, indeterminate void, pulling the viewer into a private moment of tenderness. The light falls softly upon the infant's translucent garment, catching the fine, lace-like details of the fabric. A cluster of white lilies rests to the side, their organic forms offering a…
Portrait of Sor Juana Inés de la Cruz by Miguel Cabrera, executed about 1750, presents the subject as a Catholic nun and sister of the Hieronymite order in New Spain. The work was commissioned by Sor Juana Inés de la Cruz herself, acting as its patron.
The canvas presents Don Manuel Jose Rubio y Salinas, Archbishop of Mexico. Painted by Miguel Cabrera in 1754, the work captures a man of significant ecclesiastical weight. The subject occupies the space with a quiet, heavy presence, framed by the symbols of his high office. He remains a central figure in the history of the viceroyalty, rendered here with the precision of a man who understood the gravity of his…
Casta Painting, 2. Of Spaniard and Mestiza, Castiza1763 · Museum of the Americas
12
Doña María de la Luz Padilla y (Gómez de) Cervantes1760 · 브루클린 미술관
13
The Holy Trinity1758 · Tucson Museum of Art
14
The Virgin of the Apocalypse1760 · 국립 미술관
15
Casta Painting, 4. From male Spaniard and Black female, Mulata1763
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Casta Painting, 9. From male Black and female Amerindian, china cambuja (Zamba)1763 · Museum of the Americas
17
Casta Painting, 1. From male Spaniard and female Amerindian, Mestiza1763
18
De Español y Torna atrás; tente en el ayre1763 · Museum of the Americas
19
The Divine Shepherdess (La divina pastora)로스앤젤레스 카운티 미술관
20
Virgen of Guadalupe (Our Lady of Guadalupe)National Museum of Mexican Art
21
Saint Ignatius Loyola국립 미술관
22
Altarpiece of the Virgin of Guadalupe with Saint John the Baptist, Fray Juan de Zumárraga and Juan Diego국립 미술관
23
The Divine Shepherdess국립 미술관
24
The Conversion of Saint Ignatius Loyola국립 미술관
25
Allegory of the Virgin Patroness of the Dominicans국립 미술관
26
Santa Rita de Casia국립 미술관
27
Saint Francis Xavier국립 미술관
28
The Holy Family during the Journey into EgyptPatrick and Beatrice Haggerty Museum of Art
29
The pontifical proclamation of the patronage of the Virgin of Guadalupe1756
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | Miguel Cabrera의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 국립 미술관 |
멕시코시티 | 8 | The Virgin of the Apocalypse, Saint Ignatius Loyola, Altarpiece of the Virgin of Guadalupe with Saint John the Baptist, Fray Juan de Zumárraga and Juan Diego |
 Museum of the Americas |
Madrid | 4 | 10. Of Chinese Cambujo and Indian, She-wolf., Casta Painting, 2. Of Spaniard and Mestiza, Castiza, Casta Painting, 9. From male Black and female Amerindian, china cambuja (Zamba) |
 브루클린 미술관 |
브루클린 | 2 | Don Juan Xavier Joachín Gutiérrez Altamirano Velasco, Doña María de la Luz Padilla y (Gómez de) Cervantes |
 로스앤젤레스 카운티 미술관 |
로스앤젤레스 | 2 | From Spaniard and Morisca, Albino Girl, The Divine Shepherdess (La divina pastora) |
 댈러스 미술관 |
댈러스 | 1 | Saint Gertrude |
 보스턴 미술관 |
보스턴 | 1 | Don Manuel Jose Rubio y Salinas, Archbishop of Mexico |
 Tucson Museum of Art |
Tucson | 1 | The Holy Trinity |
 National Museum of Mexican Art |
Chicago | 1 | Virgen of Guadalupe (Our Lady of Guadalupe) |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In this oval-shaped oil painting, we find ourselves witnessing a moment of profound stillness. The scene depicts the marriage of Mary and Joseph, a ritual overseen by a high priest, all occurring under the watchful, luminous presence of the Holy Spirit. A burst of light descends from above, manifesting as a dove, which casts a celestial glow upon the central figures. This light finds its focus on the joining of…
The gaze of Don Juan Xavier Joachín Gutiérrez Altamirano Velasco, Count of Santiago de Calimaya, meets the viewer through this commanding portrait. Painted by Miguel Cabrera about 1752, the work captures a man of significant social standing and political weight. As a Creole, or American-born Spaniard, the subject occupies a unique position within the colonial hierarchy. His presence carries the gravity of his lifetime appointment as the governor of the…
The darkness of the background presses inward, a heavy, atmospheric void that forces the eye toward the center of the canvas. Within this gloom, Saint Gertrude emerges, her form defined by a soft, luminous glow. She wears a black and white habit, the heavy folds of her clothing catching a dim, unseen light. Her head is bowed in a quiet, inward gesture of prayer. At her chest, a miraculous presence…
Saint Gertrude (1763), 댈러스 미술관, 댈러스. 다음은 Don Juan Xavier Joachín Gutiérrez Altamirano Velasco (1752)와 From Spaniard and Morisca, Albino Girl (1763)입니다.
68세: Saint Gertrude은(는) 1763년 작품이며, Miguel Cabrera은(는) 1695년에 태어났습니다.
Saint Gertrude, Don Juan Xavier Joachín Gutiérrez Altamirano Velasco, From Spaniard and Morisca, Albino Girl, The Marriage of the Virgin, Virgin of Guadalupe, The Flight into Egypt, Saint Joseph and the Child Jesus, Portrait of Sor Juana Inés de la Cruz, Don Manuel Jose Rubio y Salinas, Archbishop of Mexico 및 10. Of Chinese Cambujo and Indian, She-wolf.. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1737년부터 1763년 사이의 Miguel Cabrera 작가의 작품 29점이 수록되어 있습니다.
대부분 국립 미술관 (멕시코시티), Museum of the Americas (Madrid) 및 브루클린 미술관 (브루클린)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1760s 동안: 이 페이지의 총 29점의 작품 중 10점이 해당 시기에 제작되었으며, 그중 Saint Gertrude점입니다.
이 페이지에서 가장 오래된 작품은 The Marriage of the Virgin (1737)이며, 가장 최근 작품은 Saint Gertrude (1763)입니다.
이 페이지의 29점의 작품에 걸쳐 있는 Woman (6), Man (6) 및 Child (4)
이 페이지의 총 29점의 작품 중 8점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Baroque
The Virgin of the Apocalypse, Saint Ignatius Loyola 및 Altarpiece of the Virgin of Guadalupe with Saint John the Baptist, Fray Juan de Zumárraga and Juan Diego: 국립 미술관, 멕시코시티은(는) 이 페이지에 있는 작품 중 8점을 소장하고 있습니다.
Miguel Cabrera lived during a period when the Mexican Baroque shaped the visual identity of a colonial society. Born in 1695, he became a figure of great importance to both the religious orders and the wealthy elite of his time. His hands were busy with more than just paint; he was also a designer who understood how to decorate the spaces where people gathered for prayer and social prestige.
His work reflected the needs of a changing landscape. He moved between the quiet, solemn requirements of the church and the more personal, grander tastes of the colonial upper class. This duality allowed him to become one of the most sought-after artists in his region.
Cabrera's influence was felt through the many commissions he accepted throughout his career. He did not work in isolation but rather as a central part of the artistic fabric of his era. His ability to satisfy different patrons meant that his style touched both sacred and secular environments.
By the time he passed away in 1768, he had left behind a legacy that helped define the Mexican Baroque. His career was built on a steady demand for his specific skill set, making him a cornerstone of the local art scene during the mid-eighteenth century.
