11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 86점의 얀 바프티스트 위닉스 작품 (당사 카탈로그 기준)
요약하자면
얀 바프티스트 위닉스가 남긴 모든 원작 중 가장 유명한 작품은 로테르담의 Museum Boijmans Van Beuningen에 소장된 Tobit, asleep under a vine, is blinded (1642)입니다. 그 뒤를 이어 Italian landscape with shelter and antiques ruins (1658)와 Still Life with a Dead Swan (1651)가 뒤를 잇습니다. 얀 바프티스트 위닉스의 작품 86점을 보유하고 있습니다. 갤러리는 세계가 가장 찬사하는 78점을 엄선하여 각 작품의 제작 연도, 소장 미술관 및 작품에 담긴 이야기를 함께 소개합니다.
A single man reclines in the heavy shade of a vine. He is Tobit, lost to a deep, unsuspecting sleep. The air around him feels thick, weighted by the muted tones of ochre and forest green. Sunlight does not flood this scene; instead, it pierces through the foliage in sharp, controlled beams, illuminating the textures of his slumped posture and the coarse fabric of his clothing. He rests amidst a…
The oil on panel painting titled Italian landscape with shelter and antiques ruins was executed by the artist Jan Baptist Weenix in 1658. This landscape painting depicts a specific pastoral setting within an Italianate environment. The scene is populated by a group of peasants and various livestock, including sheep and goats. These figures are situated near a rustic cottage and several ancient architectural ruins that occupy the landscape.
The painting Still Life with a Dead Swan by Jan Baptist Weenix captures a heavy, silent moment of the hunt. Created about 1651, the work presents a collection of fallen game as a trophy of the chase. A white swan rests at the center, its pale plumage a stark contrast to the darker forms surrounding it. This central figure is accompanied by a turkey, two partridges, and a small finch,…
In this work, titled Tobit Sleeping Under the Vine, we encounter a significant piece by the Dutch Golden Age painter Jan Baptist Weenix. Created around 1642, the painting belongs to the Baroque period, a time when the interplay of light and shadow began to define the dramatic tension of Northern European art. Weenix, born in Amsterdam, Netherlands, brought a disciplined approach to his subjects, often blending meticulous observation with a…
The air feels heavy with the scent of damp stone and the rhythmic, metallic scrape of steel against stone. Under a vast, expansive sky, a group of figures gathers within the skeletal remains of a classical ruin. A man leans into his work, operating a grinding wheel that cuts through the quietude of the scene. Beside him, a woman sits in repose, while a small child stands close by, watching…
Hunters Near Ruins is an oil on canvas painting by Jan Baptist Weenix. The work is dated 1648. This piece belongs to the Dutch Golden Age, a period during which the artist developed a specific approach to landscape and human figures.
In this 1647 oil painting, Jan Baptist Weenix captures the French philosopher René Descartes. The subject appears in a medium close-up, his presence defined by a heavy, somber stillness. He is an elderly man, his face marked by the weight of thought and the passage of years. A bright white collar cuts through the darkness of his attire, framing a pale countenance that emerges from a deep, umber shadow.
The composition relies on strong vertical elements, primarily through imposing columns and a central, highly ornate pedestal topped with a large urn. These structures anchor the scene, providing a sense of scale against the scattered human figures in the foreground and middle ground. Through a use of deep recession, the perspective draws the eye past a colonnade toward a distant, hazy horizon where the masts of ships are visible.
The scene unfolds in 1648, a moment captured in the oil on canvas known as Harbour with Antique Ruins. This work belongs to the hand of Jan Baptist Weenix, an artist who brings the weight of history into a living, breathing maritime setting. The painting presents a world where the weathered stone of classical antiquity meets the constant, rhythmic movement of a working harbor. It is a vision of a…
In "The Angel Raphael Leaving Tobias's Family" by Jan Baptist Weenix, a divine departure unfolds with sudden, celestial energy. The scene captures the exact moment the Angel Raphael ascends toward the heavens, leaving the family below in a state of profound awe and reverence. A powerful diagonal movement pulls the eye from the lower left foreground upward toward the upper left, where the angelic figure climbs into a swirling formation…
vegetable-sellers at the house-door, 5 figures1646
12
caravane near the shore1646
13
Mother and Child1647
14
Circumcision of Moses' son1640 · 바르샤바 국립 박물관
15
Still Life with Game, Hunter and Two Dogs1652 · 바이에른 주립 회화 컬렉션
16
Butterfly Dog and Dead Bird1649 · Museum Mayer van den Bergh
17
Pleasure boating1650
18
The Sleeping Shepherdess1658 · 아일랜드 국립 미술관
19
Roman Tinker1656 · 슈테델 미술관
20
The love letter1650 · National Museum of Art, Architecture and Design
21
Italian Harbour1651 · 에르미타주 박물관
22
Italian Peasants among Ruins1650 · 디트로이트 미술관
23
Sleeping girl1656 · 바이에른 주립 회화 컬렉션
24
Rest on the Flight into Egypt1657 · Museum Boijmans Van Beuningen
25
Merry Company on a Ferry1649 · Museum Gouda
26
Battle at the foot of the mountain.1650 · 바르샤바 국립 박물관
27
Christina Lepper de Kempenaer and Her Children1653
28
Italian port scene, 16491649 · Centraal Museum
29
Italian Landscape with Horsemen by a Spring1657 · Centraal Museum
30
Before the walls of Rome1650 · National Museum in Wrocław
31
Portrait of a man with a letter1650 · Agnes Etherington Art Center
32
A Landscape with a Ford1660 · Regional Gallery in Liberec
33
In the Campagna1669 · 아일랜드 국립 미술관
34
Dead Fowl Being Eaten by a Cat1653 · 슈테델 미술관
35
Departure of an Oriental Entourage1647 · 루브르 박물관
36
Display of Dead Game1641 · Petit Palais
37
Dead Game1641
38
River Landscape with a Ferry1650 · 몬트리올 미술관
39
Still Life with Dead Game and Poultry1656 · Centraal Museum
40
Still Life with Fowl1650 · Museum of Fine Arts Ghent (MSK)
41
Marine with a Venetian Bucintoro1650 · Staatliche Kunsthalle Karlsruhe
42
The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 16591659 · 국립 미술관
43
After the Hunt, Jan Baptist Weenix, c. 16561656 · 국립 미술관
44
Still Life with White Mouse1680 · Ernest Zmeták Art Gallery
45
Still Life with Game하버드 미술관
46
The Ford in the River1647 · 에르미타주 박물관
47
Harbor View with Rider in Oriental Dress,Groninger Museum
48
The Holy Women at the Tomb아일랜드 국립 미술관
49
An Italian Seaport안트베르펜 왕립 미술관
50
Architectural interior with foreign shippers, ruins and a shipyard beyond
51
Study of a sheep
52
A pig's carcase
53
The Tinker and His Dog
54
Landscape with Peasants and Animals
55
Dead Partridge1650 · Mauritshuis
56
Goat Lying Down, Jan Baptist Weenix, 1645 - 16601660 · 국립 미술관
57
A Dog and a Cat near a partially disembowelled Deer, Jan Baptist Weenix, 1645 - 16601660 · 국립 미술관
58
Still Life with Dead Poultry, Lidded Pitcher and Passglas바이에른 주립 회화 컬렉션
59
Game-piece아일랜드 국립 미술관
60
Dead game and hunting tackle in landscape
61
Hound with a Joint of Meat and a Cat Looking on
62
Bouquet of flowersGemäldegalerie
63
Shipping in Harbour
64
Herons and Lapwings
65
Still Life of Dead Game in a Landscape with a Huntsman
66
An italian port scene
67
Shepherds and Flocks among Classical Ruins
68
A Coast Scene with Classical Ruins월리스 컬렉션
69
Still Life with Dead Game
70
Hounds and an Owl with Dead Birds and Sculptures in a Landscape
71
Still Life with Dead Birds
72
Family in a Mediterranean Seaport
73
Figures near a Seaport스코틀랜드 국립 미술관
74
A Huntsman cutting up a Dead Deer, with Two Deerhounds국립 미술관
75
Ancient Ruins부다페스트 미술관
76
Figures among ruinsThe Kremer Collection
77
Ancient Ruins (detail)부다페스트 미술관
78
Girl as Shepherdess1650 · Musée de Picardie
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 얀 바프티스트 위닉스의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 바이에른 주립 회화 컬렉션 |
뮌헨 | 4 | The Scissors Grinder, Still Life with Game, Hunter and Two Dogs, Sleeping girl |
 Centraal Museum |
위트레흐트 | 4 | Portrait of René Descartes, Italian port scene, 1649, Italian Landscape with Horsemen by a Spring |
 아일랜드 국립 미술관 |
더블린 | 4 | The Sleeping Shepherdess, In the Campagna, The Holy Women at the Tomb |
 국립 미술관 |
암스테르담 | 4 | The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659, After the Hunt, Jan Baptist Weenix, c. 1656, Goat Lying Down, Jan Baptist Weenix, 1645 - 1660 |
 Museum Boijmans Van Beuningen |
로테르담 | 2 | Tobit, asleep under a vine, is blinded, Rest on the Flight into Egypt |
 Mauritshuis |
헤이그 | 2 | Italian landscape with shelter and antiques ruins, Dead Partridge |
 디트로이트 미술관 |
디트로이트 | 2 | Still Life with a Dead Swan, Italian Peasants among Ruins |
 국립 미술관 |
스톡홀름 | 2 | Harbour with Antique Ruins, The Angel Raphael Leaving Tobias's Family |
1640년부터 1659년까지, 얀 바프티스트 위닉스 작가는 20년 동안 활동했습니다. 이 컬렉션은 작가의 긴 여정을 따라 가장 뛰어난 원작들을 연도별로 엄선한 것입니다.
연도를 선택하여 원작을 확인해 보세요.
The composition is defined by a sharp diagonal movement, tracing a path from the upper left toward a figure positioned on the ground. A descending figure, draped in billowing white and cream fabric, moves through a dark, receding background. Below, a man dressed in red reaches upward with outstretched arms. The scene is rendered in oil on canvas, utilizing a palette of deep browns, ochres, and umbers. Light emanates from…
In this work, titled Tobit Sleeping Under the Vine, we encounter a significant piece by the Dutch Golden Age painter Jan Baptist Weenix. Created around 1642, the painting belongs to the Baroque period, a time when the interplay of light and shadow began to define the dramatic tension of Northern European art. Weenix, born in Amsterdam, Netherlands, brought a disciplined approach to his subjects, often blending meticulous observation with a…
1641의 더 많은 작품
A single man reclines in the heavy shade of a vine. He is Tobit, lost to a deep, unsuspecting sleep. The air around him feels thick, weighted by the muted tones of ochre and forest green. Sunlight does not flood this scene; instead, it pierces through the foliage in sharp, controlled beams, illuminating the textures of his slumped posture and the coarse fabric of his clothing. He rests amidst a…
The oil on canvas titled vegetable-sellers at the house-door, 5 figures was painted by Jan Baptist Weenix. This work dates to about 1646. It captures a quiet moment of human gathering near a stone threshold.
1646의 더 많은 작품
In this 1647 oil painting, Jan Baptist Weenix captures the French philosopher René Descartes. The subject appears in a medium close-up, his presence defined by a heavy, somber stillness. He is an elderly man, his face marked by the weight of thought and the passage of years. A bright white collar cuts through the darkness of his attire, framing a pale countenance that emerges from a deep, umber shadow.
1647의 더 많은 작품
Hunters Near Ruins is an oil on canvas painting by Jan Baptist Weenix. The work is dated 1648. This piece belongs to the Dutch Golden Age, a period during which the artist developed a specific approach to landscape and human figures.
1648의 더 많은 작품
Butterfly Dog and Dead Bird is a painting by Jan Baptist Weenix. Created about 1649, the work captures a quiet moment of mortality. The artist, Jan Baptist Weenix, was born in 1621 near the harbor of Amsterdam. He was the son of an architect, a lineage that perhaps informed his sense of structure and form.
1649의 더 많은 작품
The scene unfolds in Pleasure boating, a work by the Dutch Golden Age painter Jan Baptist Weenix. Born in 1621, the artist brings a sense of life to this maritime setting. The composition captures a moment of leisure near a shoreline, where figures gather around a small boat. In the distance, a large tower and architectural ruins rise against the horizon, grounding the activity in a landscape that feels both…
1650의 더 많은 작품
The painting Still Life with a Dead Swan by Jan Baptist Weenix captures a heavy, silent moment of the hunt. Created about 1651, the work presents a collection of fallen game as a trophy of the chase. A white swan rests at the center, its pale plumage a stark contrast to the darker forms surrounding it. This central figure is accompanied by a turkey, two partridges, and a small finch,…
1651의 더 많은 작품
The air feels heavy with the scent of damp earth and the metallic tang of the hunt. In this somber, Baroque-style scene, a sudden stillness has fallen over the landscape, leaving only the echoes of a recent chase. A large white bird, perhaps a swan or a goose, lies at the center of the composition, its wings spread wide in a final, frozen gesture of flight. The pale plumage catches…
The scene unfolds through the oil on canvas of Christina Lepper de Kempenaer and Her Children, a work that captures a quiet moment of familial presence. Jan Baptist Weenix brings this group to life, anchoring the figures within a structured space that feels both intimate and grand. The painting measures 93.4 x 121.3 cm, a scale that allows the viewer to feel the proximity of the subjects and the weight…
In "Roman Tinker" by Jan Baptist Weenix, a solitary figure occupies a rustic, outdoor setting that feels suspended in a quiet moment. The composition follows an asymmetrical arrangement, drawing the eye away from the immediate foreground toward a sprawling landscape. A young man, identified as a tinker, sits in the lower right foreground, his presence anchoring the scene. Near him, various pots rest upon the uneven ground, suggesting a life…
1656의 더 많은 작품
A serene and pastoral scene unfolds within a Baroque landscape, capturing a moment of respite during a period of travel. A woman sits amidst the undulating hills, cradling an infant in her arms, while a man mounted on a donkey waits nearby. The composition is anchored by a large, dark, textured tree on the left, which frames the central figures and directs the eye toward the receding landscape. Sheep and…
1657의 더 많은 작품
The oil on panel painting titled Italian landscape with shelter and antiques ruins was executed by the artist Jan Baptist Weenix in 1658. This landscape painting depicts a specific pastoral setting within an Italianate environment. The scene is populated by a group of peasants and various livestock, including sheep and goats. These figures are situated near a rustic cottage and several ancient architectural ruins that occupy the landscape.
1658의 더 많은 작품
In The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659, the artist Jan Baptist Weenix captures a moment of diplomatic transit. The scene focuses on Ambassador Joan Cunaeus and his secretary Cornelis Speelman. They move through a courtyard, part of a larger mission to stimulate trade in silk and horses within Persia. The air of the meeting feels heavy with the weight of commerce and…
Tobit, asleep under a vine, is blinded (1642), Museum Boijmans Van Beuningen, 로테르담. 다음은 Italian landscape with shelter and antiques ruins (1658)와 Still Life with a Dead Swan (1651)입니다.
21세: Tobit, asleep under a vine, is blinded은(는) 1642년 작품이며, 얀 바프티스트 위닉스은(는) 1621년에 태어났습니다.
Tobit, asleep under a vine, is blinded, Italian landscape with shelter and antiques ruins, Still Life with a Dead Swan, Tobit Sleeping Under the Vine, The Scissors Grinder, Hunters Near Ruins, Portrait of René Descartes, Monument at a Harbour, Harbour with Antique Ruins 및 The Angel Raphael Leaving Tobias's Family. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1640년부터 1659년 사이의 얀 바프티스트 위닉스 작가의 작품 86점이 수록되어 있습니다.
대부분 바이에른 주립 회화 컬렉션 (뮌헨), Centraal Museum (위트레흐트) 및 아일랜드 국립 미술관 (더블린)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1650 동안: 이 페이지의 총 78점의 작품 중 11점이 해당 시기에 제작되었으며, 그중 Pleasure boating점입니다.
이 페이지에서 가장 오래된 작품은 Circumcision of Moses' son (1640)이며, 가장 최근 작품은 The Dutch Ambassador on his Way to Isfahan, Jan Baptist Weenix, 1653 - 1659 (1659)입니다.
이 페이지의 78점의 작품에 걸쳐 있는 Landscape (18), Ruins (17) 및 Sky (13)
이 페이지의 총 78점의 작품 중 30점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Dutch golden age 및 Baroque
The Scissors Grinder, Still Life with Game, Hunter and Two Dogs 및 Sleeping girl: 바이에른 주립 회화 컬렉션, 뮌헨은(는) 이 페이지에 있는 작품 중 4점을 소장하고 있습니다.
얀 바프티스트 위닉스는 세밀한 관찰력과 상상력 넘치는 비전이 결합된 독보적인 화풍으로 네덜란드 황금기 내에서 매우 특별한 위치를 차지하고 있습니다. 렘브란트나 베르메르와 같은 당대의 거장들과 비교했을 때 그의 예술적 결과물이 상대적으로 방대하지는 않았을지라도, 네덜란드 미술사에 남긴 위업은 부정할 수 없습니다. 특히 인물이 어우러진 이탈리아 풍경에 대한 그의 혁신적인 탐구는 후대에 깊은 울림을 주는 양식적 선례를 남겼습니다. 1621년 활기 넘치는 항구가 있던 암스테르담 근처에서 태어난 위닉스는 건축가 가문의 혈통을 이어받았는데, 이러한 배경은 지적·구조적 변화가 역동적이던 당시 시대상 속에서 그의 예술적 형성기에 중요한 밑거름이 되었을 것입니다.
의학적 질환으로 인해 언어 장애를 겪는 등 개인적인 시련이 있었음에도 불구하고, 위닉스는 문학과 예술에 대한 뜨거운 열정을 간직하고 있었습니다. 그의 어머니는 아들이 렘브란트의 처남인 얀 미커 밑에서 도제로 일할 수 있도록 적극적으로 뒷받침해 주었습니다. 이러한 초기 교육은 그의 작품 세계를 상징하는 특징인 정교한 드로잉과 관찰에 대한 절제된 접근 방식을 심어주었습니다. 이후 그는 위트레에서 아브라함 블로마르트의 지도 아래 기량을 더욱 연마하였고, 암스테르담으로 돌아와 클라스 코르넬리스존 모예르트에게 수학하며 네덜란드 예술계의 주류 흐름 속에 자신의 뿌리를 단단히 내렸습니다.
위닉스의 예술적 궤적은 그의 여행을 통해 근본적으로 변화하였는데, 가장 결정적인 순간은 1643년 니콜라스 피테르스존 베르헴과 함께 떠난 로마 여정이었습니다. 이 여정을 통해 그는 벤뷰헬스(Bentvueghels) 길드의 활기찬 지적·예술적 환경을 접하게 되었고, 이는 그의 예술적 스펙트럼을 더욱 확장하는 계기가 되었습니다. 로마에서 그는 따뜻하고 황금빛이 감도는 빛과 고전적인 풍경을 특징으로 하는 이탈리아 양식을 받아들였습니다. 이는 기존 네덜란드 회화의 차갑고 침울한 톤과는 아름다운 대조를 이루었습니다. 이러한 로마에서의 경험은 남유럽의 거친 아름다움을 북유럽의 시선으로 재해석한 '이탈리아풍 풍경화'의 거장으로 거듭나게 해주었습니다.
이 시기 그의 작품은 고전적 배경의 웅장함과 인간적인 친밀함을 조화롭게 결합했습니다. 해상 무역의 숨결이 느껴지는 항구 장면부터 영원성을 불러일으키는 광활한 전망에 이르기까지, 위닉스는 장소의 분위기를 포착하는 독보적인 능력을 보여주었습니다. 그의 숙련된 솜씨는 단순히 넓은 지평선에만 머물지 않았습니다. 그는 정물화를 통해 삶의 고요하면서도 때로는 본능적인 현실을 포착하는 데에도 탁월했습니다. 사냥한 동물이나 야생 동물을 묘사할 때 보여준 놀라운 사실주의는, 사냥개의 거친 털부터 깃털의 섬세한 광택에 이르기까지 모든 질감을 숨 막힐 듯 정교하게 구현해냈습니다.
얀 바프티스트 위닉스의 진정한 가치는 네덜란드 전통의 거친 사실주의와 이탈리아풍 운동의 이상적인 아름다움 사이의 간극을 메운 능력에 있습니다. 그는 사냥이 끝난 후와 같은 작품에서 발견되는 극적인 긴장감부터 동물 연구에서 느껴지는 고요하고 엄숙한 강렬함에 이르기까지, 매우 다양한 주제를 자유자로 넘나들었습니다. 그의 붓끝을 통해 관람객은 관찰된 자연 세계와 상상된 고전적 과거 사이의 경계가 아름답게 흐려지는 환상적인 세계로 초대받습니다.
그의 삶과 작품을 되돌아볼 때, 그의 영속적인 중요성을 정의하는 몇 가지 핵심 요소는 다음과 같습니다:
비록 1661년, 그의 삶은 비교적 짧게 마감되었지만, 얀 바프티스트 위닉스가 남긴 흔적은 풍경화의 진화 과정 속에 여전히 선명하게 남아 있습니다. 그는 후대의 예술가들에게 지평선이란 단순히 경계선이 아니라, 빛과 역사, 그리고 인간의 감정이 펼쳐지는 하나의 캔버스임을 가르쳐 주었습니다.
