11월 2026 업데이트 · 인기 점수 기준 순위 (각 작품의 검색, 방문 및 주문 수) · 33점의 아미코 아스페르티니 작품 (당사 카탈로그 기준)
요약하자면
Female Portrait (1502)은(는) 아미코 아스페르티니의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 빈에 위치한 빈 미술사 박물관에 소장되어 있습니다. 그다음 시선은 Portrait of a Man (1505)와 View of the Oratory (1504)로 향합니다. 우리 카탈로그에 수록된 아미코 아스페르티니의 작품 33점 중, 가장 유명한 32점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
The Portrait of a Man by Amico Aspertini presents a quiet encounter with a young man. Created around 1505, the work captures a singular moment of stillness. The subject is framed in a medium close-up, a view that begins at the chest and rises to the head. He sits centrally, a steady presence against the distant world behind him.
The creation of View of the Oratory by Amico Aspertini marks a significant moment in the artistic development of Bologna. Around 1504, the artist joined Francesco Francia and Lorenzo Costa to undertake the decoration of the Oratory of Santa Cecilia. This collaborative effort was commissioned by Giovanni II Bentivoglio, the ruler of Bologna at the time. The project brought together several prominent figures of the Bolognese School to transform the…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
In the painting Heroic Head by Amico Aspertini, the subject is a man depicted from the chest up. He possesses curly hair and wears a hat. A beard and a mustache cover his lower face. The man's gaze is directed toward the viewer, and his expression is serious and contemplative. This portrait is executed in tempera on canvas, a technique that provides the surface with an old-fashioned appearance.
In this 1505 portrait, we encounter a figure of profound vulnerability. A woman sits upon a ledge, her hands bound behind her back with heavy rope, a detail that immediately establishes a sense of unease. The composition is defined by a stark, dark background that pushes the subject toward the viewer, forcing an intimate encounter with her distress. There is a palpable tension in her posture, a quiet suffering that…
The fresco titled Legend of Sts Cecilia and Valerian, Scene 6 is a work by the Bolognese painter Amico Aspertini. Created about 1504, this piece belongs to a larger cycle of frescoes. These paintings occupy the walls of the Oratorio di Santa Cecilia in Bologna. The series traces the life of Saint Cecilia and her husband, Valerian.
Legend of Sts Cecilia and Valerian, Scene 5 is a fresco painting by Amico Aspertini. Created in 1504, this work occupies a specific place within a larger decorative cycle. The artist joined Francesco Francia and Lorenzo Costa to execute these frescoes for the Oratory of Santa Cecilia. This sacred space in Bologna, Italy, received its commission from Giovanni II Bentivoglio.
In the Portrait of Albertus Magnus and Duns Scotus by Amico Aspertini, two figures emerge from the shadows, locked in a moment of intense intellectual or spiritual exchange. Created about 1545, the work presents these two men in heavy religious garb, their presence commanding the space. On the left, one man leans forward, his mouth open as if caught mid-sentence or perhaps in the heat of a sudden, profound realization.…
Portrait of Tommaso Raimondi1500 · 테시엔-본헤르메스 미술관
12
Ercole e il cinghiale di Erimanto우피치 미술관
13
Venere con Amore nella fucina di Vulcano우피치 미술관
14
Statua di Pan/Leone che azzanna un cavallo우피치 미술관
15
Nereidi, Tritoni e putti alati sopra delfini우피치 미술관
16
San Cristoforo con Gesù Bambino우피치 미술관
17
the flight to Egypt
18
The Beheading of Saint John the BaptistFitzwilliam Museum
19
The Adoration of the Shepherds
20
Female Saint Holding a BookWalters Art Museum
21
Virgin and Child between Saint Helena and Saint FrancisNational Museum Cardiff
22
The Adoration of the ShepherdsGemäldegalerie
23
A baptismal ceremonyVanderbilt Museum of Art
24
Trionfo militare all우피치 미술관
25
Fregio con tritoni, cicogne e due coppie di animali mostruosi우피치 미술관
26
Centauromachia우피치 미술관
27
Tre guerrieri che si mettono in salvo, raggiungendo la riva di un fiume우피치 미술관
28
Euridice uccisa dal serpente alla presenza di Aristeo우피치 미술관
29
Busto di giovane uomo (Ritratto di Giovanni Achillini detto il Filotèo )우피치 미술관
30
Figura maschile nuda우피치 미술관
31
Incredulità di San Tommaso우피치 미술관
32
St Cassiano브레라 미술관
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 아미코 아스페르티니의 작품 | 이 목록의 작품들 |
|---|---|---|---|
 우피치 미술관 |
피렌체 | 14 | Adoration of the Shepherds, Ercole e il cinghiale di Erimanto, Venere con Amore nella fucina di Vulcano |
 빈 미술사 박물관 |
빈 | 1 | Female Portrait |
 슈테델 미술관 |
프랑크푸르트 | 1 | Portrait of a Man |
 Christian Museum |
Eger | 1 | Heroic Head |
 국립 미술관 |
워싱턴 | 1 | Saint Sebastian |
 Pinacoteca Civica di Palazzo Volpi |
Comasco | 1 | Portrait of Albertus Magnus and Duns Scotus |
 테시엔-본헤르메스 미술관 |
마드리드 | 1 | Portrait of Tommaso Raimondi |
 Fitzwilliam Museum |
1 | The Beheading of Saint John the Baptist |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
In the painting Heroic Head by Amico Aspertini, the subject is a man depicted from the chest up. He possesses curly hair and wears a hat. A beard and a mustache cover his lower face. The man's gaze is directed toward the viewer, and his expression is serious and contemplative. This portrait is executed in tempera on canvas, a technique that provides the surface with an old-fashioned appearance.
A single woman faces left, her silhouette carved against a soft, atmospheric landscape. She is a study in profile, a quiet geometry of chin, nose, and brow. Her head is draped in a white veil that falls in precise, delicate folds, contrasting with the patterned bodice of her garment. The light arrives from the front left, casting gentle shadows across the curve of her neck and the smooth plane of…
Amico Aspertini’s “Adoration of the Shepherds,” painted in 1515, isn't merely a depiction of a biblical scene; it’s a vibrant, emotionally charged window into the heart of early Mannerism – a period poised between the High Renaissance and the radical innovations to come. This oil on wood panel, now residing within the Uffizi Gallery in Florence, immediately captivates with its dramatic use of light and shadow, a hallmark of Aspertini’s…
In the Portrait of Albertus Magnus and Duns Scotus by Amico Aspertini, two figures emerge from the shadows, locked in a moment of intense intellectual or spiritual exchange. Created about 1545, the work presents these two men in heavy religious garb, their presence commanding the space. On the left, one man leans forward, his mouth open as if caught mid-sentence or perhaps in the heat of a sudden, profound realization.…
Female Portrait (1502), 빈 미술사 박물관, 빈. 다음은 Portrait of a Man (1505)와 View of the Oratory (1504)입니다.
27세: Female Portrait은(는) 1502년 작품이며, 아미코 아스페르티니은(는) 1475년에 태어났습니다.
Female Portrait, Portrait of a Man, View of the Oratory, Adoration of the Shepherds, Heroic Head, Saint Sebastian, Legend of Sts Cecilia and Valerian, Scene 6, Legend of Sts Cecilia and Valerian, Scene 5, Portrait of Albertus Magnus and Duns Scotus 및 Adoration. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1496년부터 1545년 사이의 아미코 아스페르티니 작가의 작품 33점이 수록되어 있습니다.
대부분 우피치 미술관 (피렌체), 빈 미술사 박물관 (빈) 및 슈테델 미술관 (프랑크푸르트)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1500s 동안: 이 페이지의 총 32점의 작품 중 7점이 해당 시기에 제작되었으며, 그중 Female Portrait점입니다.
이 페이지에서 가장 오래된 작품은 Heroic Head (1496)이며, 가장 최근 작품은 Portrait of Albertus Magnus and Duns Scotus (1545)입니다.
이 페이지의 32점의 작품에 걸쳐 있는 Religious (6), Man (4) 및 People (3)
이 페이지의 총 32점의 작품 중 4점의 Acrylic On Canvas
이 페이지의 원작들을 기준으로 볼 때, Mannerism 및 Renaissance
Adoration of the Shepherds, Ercole e il cinghiale di Erimanto 및 Venere con Amore nella fucina di Vulcano: 우피치 미술관, 피렌체은(는) 이 페이지에 있는 작품 중 14점을 소장하고 있습니다.
