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통계 정보Old Tale Retold
- 164.0 x 274.0 cm
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이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 수준의 지클레이 및 캔버스 프린트. (
수작업 채색 복제본 주문하기 디지털 이미지로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Old Tale Retold
지클레 / 아트 프린트
복제본 크기
-
최종 결제 금액
₩ 108677
질의응답
Wong Hoy Cheong의 "Old Tale Retold"에서 어떤 색상이 주를 이루나요?
Wong Hoy Cheong의 "Old Tale Retold"의 색채 정체성: Yellow Green (#b6b028)이(가) 주를 이루는 Dark 팔레트.
"Old Tale Retold" 작품은 명암 대비가 강한 편인가요?
"Old Tale Retold"의 명암 대비는 Bold로 기록되었습니다. 대비는 밝은 부분과 어두운 부분의 차이가 얼마나 강한지를 나타냅니다.
Wong Hoy Cheong의 "Old Tale Retold"의 색감은 선명한가요, 아니면 차분한가요?
Wong Hoy Cheong의 "Old Tale Retold"의 색채는 Clear Color Presence의 채도와 Balanced의 강도를 보여줍니다.
작가 정보
A Cartography of Identity: The World of Wong Hoy Cheong
Wong Hoy Cheong, born in George Town, Malaysia in 1960, is an artist whose work doesn’t simply reflect the complexities of a multicultural world—it actively excavates them. His journey began with a formal education spanning continents – a BA from Brandeis University, an MA in Education from Harvard, and an MFA from the University of Massachusetts, Amherst – but his true schooling came through a deep engagement with the currents of global migration, trade, colonialism, and their enduring postcolonial echoes. He isn’t merely *about* these forces; he operates within them, using art as a means to critique their impact on contemporary life both within and beyond South Asia.
Wong's artistic practice is remarkably fluid, refusing categorization. He moves seamlessly between drawing, painting, performance, installation, video, and online projects, each medium chosen for its unique capacity to dissect the layers of history and experience. This refusal of a singular approach speaks to his core belief in the multiplicity of narratives; there isn’t one truth to be found, but rather a constellation of perspectives shaped by power dynamics and individual encounters. His early work often grappled with personal memory as a starting point for broader explorations of national identity, questioning the very foundations upon which it is built.
The Oscillations of Reality and Fiction
A defining characteristic of Wong’s recent output is its deliberate oscillation between reality and fiction. This isn't about creating escapist fantasies but rather a strategic blurring of boundaries to expose the constructed nature of truth itself. He employs irony and transgression not as ends in themselves, but as tools for unsettling conventional understandings. The project Re:Looking* (2002-03), born from a commission in Austria, exemplifies this approach. Initially conceived around Marco Polo’s travels, it evolved into a mock documentary imagining an explorer traveling *from* East to West and colonizing Europe – a powerful reversal that forces viewers to confront their own ingrained biases and assumptions about historical power structures.
This exploration of “reversed colonization” was deeply influenced by the post-9/11 climate, a period marked by manipulated information and the erosion of trust in authoritative sources. Wong recognized the ease with which narratives could be fabricated and sought to create a similar slipperiness within his own work, challenging viewers to question what they see and hear. The accompanying “living room” installation and TV station website further amplified this effect, immersing audiences in a world where fact and fiction were indistinguishable.
Sites of Power: Uncovering Hidden Histories
Wong’s engagement with specific locations is another crucial aspect of his practice. His series UNcover* (2015), created for the Ural Industrial Biennial in Yekaterinburg, Russia, demonstrates this beautifully. He photographed and created wax rubbings of manholes situated at politically significant sites – the President’s Residence, a church built on the site of the Romanov family's execution, military headquarters. These seemingly mundane features of the urban landscape become gateways to hidden histories, material imprints of power structures and the unseen networks that support them.
The choice of wax rubbings is particularly significant; it’s a deliberately physical process that demands direct engagement with the site, creating a tactile connection to the past. The photographs, viewed from above and below, offer alternative perspectives on these locations, free from personal or political bias. Wong sees history not as a fixed narrative but as contingent upon who holds power and whose stories are told – or suppressed. He strives to acknowledge all histories, even those that have been marginalized or forgotten.
A Global Perspective: Influence and Legacy
Wong Hoy Cheong’s work resonates with a broad range of artistic and intellectual traditions. His critique of colonialism echoes the postcolonial theories of Edward Said and Gayatri Chakravorty Spivak, while his exploration of identity draws inspiration from artists like Stuart Hall and Homi Bhabha. However, he isn't simply applying these ideas; he’s translating them into a uniquely visual language that is both intellectually rigorous and emotionally compelling.
His inclusion in major exhibitions such as the Biennale of Sydney and his representation within the collections of institutions like The Guggenheim Museums and Foundation attest to his growing international recognition. Wong Hoy Cheong isn't just an artist; he’s a cartographer of identity, meticulously mapping the complex terrain of history, migration, and power, inviting us to question our own assumptions and reimagine the world around us.
Wong Hoy Cheong
1960 - , Malaysia
작가 정보 요약
- Full Name: Wong Hoy Cheong
- Nationality: Malaysian
- Date Of Birth: 1960
- Place Of Birth: George Town, Malaysia
- Artistic Movement Or Style: Multimedia art