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상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 통계 정보

Pigs at a Trough

Thomas Rowlandson's 'Pigs at a Trough' (1790) is a witty satirical print depicting a lively scene of pigs in a trough, showcasing the artist’s signature humor and social commentary.

토마스 로울프슨은 영국 조지아 시대의 카리카튜라 마스터로, 드. 사이트스 시리즈와 같은 상징적인 그림으로 유명합니다. 그의 작품은 사회 비판적 시각과 뛰어난 기술력으로 기억되며 예술가들의 영감을 불어넣습니다.

핸드메이드 유화 복제화

작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118B ₩10
Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118H ₩10
Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118W ₩10
Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
P438Z ₩10
Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508JH ₩12
Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508YH ₩12
Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805H ₩10
Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805Z ₩10
Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919BZ ₩10
Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919G ₩10
Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919XJ ₩10
Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P959ZH ₩10
Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
P968JZ ₩12
Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
W106C ₩8
Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
W218G ₩10
Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
W218JH ₩8
Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
W218Y ₩10
Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
W307PJ ₩10
Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
W316G ₩10
Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
W316PJ ₩8
Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
W316Y ₩10
Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
W398PJ ₩8
Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
W4111J ₩10
Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
W500HY ₩15
Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
W500JH ₩15
Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
W692G ₩12
Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
W849H ₩8
Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
W940BG ₩15
Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
W953PJ ₩8

표준 규격
맞춤 제작
CM
INCH

작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

가로 너비
높이

액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 본 작품은 수작업으로 제작되므로, 요청하신 비율에 따라 작가가 그림의 가장자리를 조금 더 넓게 그리거나 일부를 조정하여 작업할 수 있습니다. 작업 시작 전, 최종 확인을 위해 디지털 목업 이미지를 보내드립니다. 이 페이지에 표시된 이미지는 실제 결과물과 다를 수 있으며, 오직 목업 이미지만이 정확한 결과물을 보여줍니다.

변경 가능한 예시: 얼굴을 고객님의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경 등
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전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (25 10월). 품질에는 어떠한 타협도 하지 않습니다.

전 세계 무료 특급 배송
고품질 린넨 캔버스
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총 결제 금액

₩ 407249

Pigs at a Trough

재현 매체

복제본 규격

-

총 결제 금액

₩ 407249

주요 정보

  • Dimensions: 9 x 15 cm
  • Year: 1790
  • Notable elements: Satirical scene
  • Influences:
    • Gillray
    • Bunbury
  • Subject or theme: Farm animals, humor

아트 퀴즈

각 질문의 정답은 하나뿐입니다.

문항 1:
What is the primary subject depicted in Thomas Rowlandson’s ‘Pigs at a Trough’?
문항 2:
In what year was ‘Pigs at a Trough’ likely created, based on the provided information?
문항 3:
Thomas Rowlandson was primarily known for his work as a:
문항 4:
The image ‘Pigs at a Trough’ is part of a collection held by:
문항 5:
What artistic technique is prominently used in ‘Pigs at a Trough’?

A Rustic Revelry: Thomas Rowlandson’s “Pigs at a Trough”

Thomas Rowlandson's "Pigs at a Trough," painted circa 1790, isn’t merely a depiction of farmyard animals; it’s a vibrant snapshot of Georgian England brimming with social commentary and delightfully mischievous humor. This small yet powerfully evocative work, now housed within the Yale Center for British Art, offers a glimpse into a world where satire and observation intertwined seamlessly, revealing both the pleasures and absurdities of everyday life.

Rowlandson, a master caricaturist renowned for his biting political illustrations and intimate portrayals of human folly, employed a remarkably direct technique here. The scene unfolds with an almost palpable immediacy – we’re not observing from a distance but rather immersed within the muddy chaos of the trough. His pen and ink lines are bold and confident, capturing the physicality of the pigs with remarkable accuracy; their plump bodies, bristly coats, and greedy postures practically leap off the cream-laid paper. The brown wash adds depth and texture, emphasizing the damp earth and the glistening sheen of the water. Notice how Rowlandson skillfully uses light and shadow to define each animal, creating a sense of three-dimensionality that belies the painting’s diminutive size.

A Scene Steeped in Social Observation

“Pigs at a Trough” is more than just a charming pastoral scene; it's a subtle critique of societal values. Rowlandson was known for his sharp wit and willingness to expose hypocrisy, and this painting is no exception. The image subtly alludes to the extravagance and excess prevalent in Georgian society – a stark contrast to the simple, almost primal act of foraging for food. The abundance of pigs suggests a commentary on resourcefulness and perhaps even a gentle mockery of those who indulged in unnecessary displays of wealth. It’s a reminder that beneath the veneer of refinement, there often lay a deeper current of practicality and, occasionally, a touch of desperation.

Echoes of Folklore and Myth

The image resonates with elements of folklore and myth, particularly the enduring legend of “pig-faced women.” While not explicitly depicted here, the scene evokes the story of a noblewoman cursed to appear as a pig after rejecting a beggar. This tale, popular in England and Ireland during the 18th century, speaks to anxieties about social status, beauty standards, and the consequences of arrogance. Rowlandson’s painting subtly taps into this cultural memory, suggesting a connection between earthly abundance and potential misfortune – a reminder that even the most seemingly prosperous life can be fraught with unexpected challenges.

A Timeless Appeal

“Pigs at a Trough” endures as a testament to Rowlandson’s artistic genius and his keen understanding of human nature. Its playful composition, vibrant colors, and subtle social commentary combine to create an image that is both entertaining and thought-provoking. It's a painting that invites us to pause, observe, and perhaps even question the values we hold dear. Reproductions of this delightful work continue to captivate audiences today, offering a window into a bygone era and reminding us of the enduring power of humor and satire.

질의응답

토마스 로울프슨의 "Pigs at a Trough"은(는) Satirical Caricature 사조에서 많은 이들이 찾는 작품인가요?

카탈로그 내 Satirical Caricature 작품들 중 "Pigs at a Trough"은(는) Recognized로 기록되어 있습니다.

토마스 로울프슨의 "Pigs at a Trough"의 채도는 어느 정도인가요?

토마스 로울프슨의 "Pigs at a Trough"의 색상은 Subtle Color 정도의 채도를 띱니다. 채도는 색상이 얼마나 선명하거나 차분한지를 나타냅니다.

"Pigs at a Trough"과(와) 유사한 작품이 더 있을까요?

"Pigs at a Trough"와 유사한 작품들은 해당 작품의 유사한 작품 페이지에서 확인하실 수 있습니다.


작가 소개

A Life Etched in Satire: The World of Thomas Rowlandson

Born amidst the bustling streets of Old Jewry, London, on July 13th, 1756 (baptized July 23rd, 1757), Thomas Rowlandson emerged as a defining voice – and pen – of Georgian England. His life, initially shadowed by his father’s financial struggles that necessitated a move to Richmond, North Yorkshire in 1759, would ultimately blossom into an artistic career marked by unparalleled wit and incisive social commentary. Rowlandson wasn't merely documenting his era; he was holding a mirror to its follies, exaggerating its vanities, and immortalizing its characters with a uniquely satirical eye. From humble beginnings, nurtured by an uncle’s support that allowed him access to education at Dr. Barwis’ school in Soho Square, Rowlandson embarked on a path that would see him become one of the most celebrated – and controversial – caricaturists of his time. Even as a schoolboy, his innate talent manifested itself in playful sketches adorning the margins of his books, foreshadowing a career dedicated to visual storytelling with a mischievous edge.

Early Life and Artistic Training

Thomas Rowlandson’s father was a weaver who worked in the textile trade, shaping his formative years. He studied at the Royal Academy in 1772, where he honed his skills for six years, including a period of study in Paris under Jean-Baptiste Pigalle. This exposure to continental techniques proved invaluable, laying the foundation for his distinctive style – a blend of delicate draughtsmanship and bold exaggeration. Rowlandson’s early works were characterized by a remarkable facility for line and a keen understanding of human expression, qualities that would become hallmarks of his mature style.

The Rise of Caricature and Collaboration

Rowlandson quickly recognized the potential of caricature as a means of supplementing his income, and this soon became his major interest. He began to dissect the social landscape with ruthless accuracy, targeting politicians, aristocrats, and everyday citizens alike. The financial pressures following his aunt’s death further propelled him towards caricature as a method of livelihood, yet this shift wasn't merely pragmatic; it was an artistic awakening. His collaboration with publisher Rudolph Ackermann yielded some of his most enduring works, including *The Schoolmaster’s Tour* (1809), a series of plates accompanied by verses from Dr. William Combe, and the iconic *Tour of Dr. Syntax in Search of the Picturesque* (1812). These works weren't simply visual accompaniments to text; they were integral to the storytelling, enhancing the humor and social commentary through dynamic compositions and expressive characterizations.

Notable Works and Artistic Style

Rowlandson’s artistic style—a blend of delicate draughtsmanship and bold exaggeration—became synonymous with his era. His ability to capture both the grandeur of landscapes and the absurdity of human behavior cemented his reputation as a leading artist of the Georgian period. Pieces like *Hengar House the Seat of Matthew Mitchell Esq., Cornwall* (1812) and *Glorious Defeat of the Dutch Navy* (1797) stand as testaments to his artistic skill and historical significance. Rowlandson’s influence can be seen in subsequent generations of cartoonists and illustrators who embraced satire as a means of social commentary.

Legacy and Influence

Thomas Rowlandson left behind an extensive body of art – over 381 artworks are cataloged at OriginalUniqueArt.com alone – that provides a vivid and often unflattering portrait of Georgian society. His caricatures weren’t merely about ridicule; they were astute observations on the political climate, social customs, and human foibles of his time. He fearlessly lampooned figures like the Duchess of Devonshire, William Pitt the Younger, and Napoleon Bonaparte, exposing their vulnerabilities and challenging established power structures. Rowlandson's enduring appeal lies in its timeless relevance – the human tendencies towards vanity, hypocrisy, and absurdity that he so brilliantly captured remain remarkably consistent across centuries.

토마스 로울프슨

토마스 로울프슨

1756 - 1827 , 영국

작가 정보 요약

  • Artistic Movement Or Style: 풍자 미술
  • Artists Who Influenced This Artist:
    • 페터 폴 루베르스
    • 토마스 게인즈버러
  • Date Of Birth: 1756년 7월 13일
  • Date Of Death: 1827년 4월 21일
  • Full Name: Thomas Rowlandson
  • Nationality: 영국인
  • Notable Artworks:
    • 학교 교사 투어
    • 닥터 신테스 시리즈
    • 눈물짓는 모습
  • Place Of Birth: 런던 영국