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Garden Stone

Takehisa Yumeji (1884-1934) was a celebrated Japanese poet & painter of the Taisho period, renowned for his Nihonga bijin illustrations – beautiful women and girls. Explore his romantic style, book covers, postcards & influence on modern Japanese art

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작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

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액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 본 작품은 수작업으로 제작되므로, 요청하신 비율에 따라 작가가 그림의 가장자리를 조금 더 넓게 그리거나 일부를 조정하여 작업할 수 있습니다. 작업 시작 전, 최종 확인을 위해 디지털 목업 이미지를 보내드립니다. 이 페이지에 표시된 이미지는 실제 결과물과 다를 수 있으며, 오직 목업 이미지만이 정확한 결과물을 보여줍니다.

변경 가능한 예시: 얼굴을 고객님의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경 등
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Garden Stone

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총 결제 금액

₩ 407789

Skillful calligraphy of Yumeji’s famous haiku “Niwaishi ni nuretechiru hiya hoshi matsuri” is scattered across the screen. The “hoshi matsuri” (star festival) denotes the Tanabata festival. The court ceremony associated with a Chinese folklore where the stars Vega and Altair, representing Orihime and Hikoboshi, cross the Milky Way to meet once a year became popular among general public in the Edo Period. This eventually developed into a custom to decorate bamboo grass with strips of fancy papers to wish for improvement of calligraphy and sewing skills. The haiku describes how garden rocks that have been splashed with water to cool down the atmosphere are glowing in the lamplight. This romantic scene also reminds us of a starry night sky. A young woman with a paper lantern walks up to the eaves to light up the decorated bamboo as dusk is falling. Although her figure is depicted unrealistically out of proportion, she is undeniably immensely beautiful. She is standing in a single layered kimono which is so thin that the red undergarment is showing through, and her kimono sleeves are pulled back. Yumeji disclosed his particularity in drawing hands and feet by saying, “Painters such as Utamaro and Shunsho draw women’s hands and feet terribly small to hide them. They did not know how much hands and feet express the person’s emotion.” (‘Kihen dansho’ “Bijutsu to Bungei 10” November 1917). Indeed the woman’s hands that lift the paper lantern and her bare plump feet are drawn lively and relatively large for her slender figure in this work.

질의응답

Takehisa Yumeji의 "Garden Stone"의 작품 방향(가로/세로)은 어떻게 되나요?

Takehisa Yumeji의 "Garden Stone"은(는) Tall 형식입니다. 이 형식은 작품 구성의 비율을 나타냅니다.

증강 현실(AR)을 사용하여 제 방에 Takehisa Yumeji의 "Garden Stone"를 배치해 볼 수 있나요?

호환 가능한 기기에서 증강 현실(AR) 기능을 사용하면, 작품의 AR 미리보기 페이지를 통해 Takehisa Yumeji의 "Garden Stone"을(를) 고객님의 벽에 미리 배치해 볼 수 있습니다.

Takehisa Yumeji의 "Garden Stone"은(는) 어떤 색채 조화를 보여주나요?

"Garden Stone"의 색채 조화는 Strong Color Unity로 기록되어 있습니다.


작가 소개

The Ethereal Spirit of Taisho Romanticism

Born amidst the tranquil and scenic landscapes of the Seto Inland Sea in 1884, Takehisa Yumeji emerged as a profound architect of the Japanese soul during the transformative Taisho period. His life and work were inextricably linked to the romanticism of his era, a time characterized by a delicate tension between traditional Japanese values and the burgeoning influences of Western modernity. As both a poet and a painter, Yumeji possessed an uncanny ability to capture the ephemeral—the fleeting glance of a maiden, the soft light of dusk, and the quiet melancholy that resides in the heart of beauty. His artistry was not merely a visual pursuit but a lyrical expression of a nation in transition, weaving together the classical elegance of Nihonga with a modern, emotive sensibility that resonated deeply with the public consciousness.

The Grace of the Bijin-ga

Central to Yumeji’s enduring legacy is his mastery of bijin-ga, the art of depicting beautiful women and girls. His illustrations are celebrated for their soft, flowing lines and a certain dreamy, almost nostalgic quality that has become synonymous with his name. These figures often possess an air of wistful longing, their eyes reflecting a depth of emotion that transcends simple portraiture. Through his use of Nihonga techniques, he achieved a delicate balance of color and form, creating characters that felt both timeless and intimately connected to the contemporary spirit of his day. His creative vision was remarkably versatile, allowing his aesthetic to permeate various mediums, including:
  • Exquisite book covers that transformed literature into visual poetry.
  • Serial newspaper illustrations that brought storytelling to the masses.
  • Delicate postcards and furoshiki patterns that turned everyday objects into canvases of beauty.
  • Intricate designs on patterned washi paper.


A Lasting Impression on Japanese Modernity

The significance of Takehisa Yumeji lies in his ability to democratize art, making it an accessible and cherished part of the cultural fabric. By applying his unique aesthetic to mass-produced items and popular media, he bridged the gap between high art and everyday life. His influence can be felt in the way modern Japanese design continues to embrace a blend of nostalgia and contemporary flair. Though his life was cut short in 1934, the visual language he created—marked by its romanticism, its gentle melancholy, and its profound respect for the beauty found in the subtle details of existence—continues to inspire artists and collectors alike, ensuring that the spirit of Yumeji remains eternally vibrant within the annals of Japanese art history.
Takehisa Yumeji

Takehisa Yumeji

1884 - 1934 , Japan

작가 정보 요약

  • Artistic Movement Or Style: Nihonga, Taisho Romanticism
  • Artists Or Movements Influenced By This Artist: Modern Japanese art
  • Date Of Birth: 1884
  • Date Of Death: 1934
  • Full Name: Takehisa Yumeji
  • Nationality: Japanese
  • Place Of Birth: Seto Inland Sea, Japan