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A painting made for you, by hand

Martial Attire

핸드메이드 유화 복제화

작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. ( 프린트 판매로 전환 디지털 이미지 판매 채널로 전환)

컬렉션 상세 정보

Witness Sun Pengzu’s ‘Martial Attire,’ a dramatic grayscale portrait of a horse rendered in meticulous pencil shading & hatching. Explore its mythical quality & powerful symbolism.

작가 소개

Explore the dramatic art of Sun Pengzu, a pivotal figure in Three Kingdoms history! Discover his iconic 'Hero Song' & 'Martial Attire' paintings.

from ·

Chapter 1

How large should it be?

Slide to change the size; the picture on the left shows the frame at its real width. The proportions of the original are kept.

표준 규격
맞춤 제작
CM
INCH

작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.

가로 너비
높이

액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 본 작품은 수작업으로 제작되므로, 요청하신 비율에 따라 작가가 그림의 가장자리를 조금 더 넓게 그리거나 일부를 조정하여 작업할 수 있습니다. 작업 시작 전, 최종 확인을 위해 디지털 목업 이미지를 보내드립니다. 이 페이지에 표시된 이미지는 실제 결과물과 다를 수 있으며, 오직 목업 이미지만이 정확한 결과물을 보여줍니다.

Chapter 2

How should it arrive?

Choose the edges of the stretched canvas

Choose your frame

Corner sample of the WhiteWrap canvas edge finish, stretched on 원목 bars
White ₩1
Corner sample of the BlurSideWrap canvas edge finish, stretched on 원목 bars
Blurside ₩1
Corner sample of the ExtendedWrap canvas edge finish, stretched on 원목 bars
Extended ₩1
Corner sample of the P118B picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118B ₩10
Corner sample of the P118H picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118H ₩10
Corner sample of the P118W picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P118W ₩10
Corner sample of the P438Z picture frame: 성형 폴리스티렌, 5.5 cm wide and 3.5 cm thick
P438Z ₩10
Corner sample of the P508JH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508JH ₩12
Corner sample of the P508YH picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P508YH ₩12
Corner sample of the P805H picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805H ₩10
Corner sample of the P805Z picture frame: 성형 폴리스티렌, 5 cm wide and 3.5 cm thick
P805Z ₩10
Corner sample of the P919BZ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919BZ ₩10
Corner sample of the P919G picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919G ₩10
Corner sample of the P919XJ picture frame: 성형 폴리스티렌, 7 cm wide and 3.5 cm thick
P919XJ ₩10
Corner sample of the P959ZH picture frame: 성형 폴리스티렌, 5 cm wide and 3 cm thick
P959ZH ₩10
Corner sample of the P968JZ picture frame: 성형 폴리스티렌, 6 cm wide and 4 cm thick
P968JZ ₩12
Corner sample of the W106C picture frame: 원목, 5 cm wide and 3 cm thick
W106C ₩8
Corner sample of the W218G picture frame: 원목, 5 cm wide and 3 cm thick
W218G ₩10
Corner sample of the W218JH picture frame: 원목, 5 cm wide and 3 cm thick
W218JH ₩8
Corner sample of the W218Y picture frame: 원목, 5 cm wide and 3 cm thick
W218Y ₩10
Corner sample of the W307PJ picture frame: 원목, 6 cm wide and 3 cm thick
W307PJ ₩10
Corner sample of the W316G picture frame: 원목, 6 cm wide and 3 cm thick
W316G ₩10
Corner sample of the W316PJ picture frame: 원목, 6 cm wide and 3 cm thick
W316PJ ₩8
Corner sample of the W316Y picture frame: 원목, 6 cm wide and 3 cm thick
W316Y ₩10
Corner sample of the W398PJ picture frame: 원목, 5 cm wide and 3 cm thick
W398PJ ₩8
Corner sample of the W4111J picture frame: 원목, 6.5 cm wide and 3.5 cm thick
W4111J ₩10
Corner sample of the W500HY picture frame: 원목, 7 cm wide and 5 cm thick
W500HY ₩15
Corner sample of the W500JH picture frame: 원목, 7 cm wide and 5 cm thick
W500JH ₩15
Corner sample of the W692G picture frame: 원목, 8 cm wide and 4 cm thick
W692G ₩12
Corner sample of the W849H picture frame: 원목, 5 cm wide and 3 cm thick
W849H ₩8
Corner sample of the W940BG picture frame: 원목, 7.5 cm wide and 4.5 cm thick
W940BG ₩15
Corner sample of the W953PJ picture frame: 원목, 6 cm wide and 3.5 cm thick
W953PJ ₩8
Corner sample of the H24-GOLD picture frame: 젯소 처리를 한 조각 목재, 10 cm wide and 6 cm thick
H24-GOLD ₩30
Corner sample of the H24-SILVER picture frame: 젯소 처리를 한 조각 목재, 10 cm wide and 6 cm thick
H24-SILVER ₩30
Corner sample of the H36-GOLD picture frame: 젯소 처리를 한 조각 목재, 15 cm wide and 6.5 cm thick
H36-GOLD ₩45
Corner sample of the H36-SILVER picture frame: 젯소 처리를 한 조각 목재, 15 cm wide and 6.5 cm thick
H36-SILVER ₩45
액자 미리보기 이미지
액자형

Moulding: . Overall size with the frame: .

Chapter 3

Who paints it, and should anything change?

Examples of what can be changed: Replace face with customer photo; Add pet (e.g., replace cat with dog); Include hidden message in background; Change background landscape or elements.
After order, OriginalUniqueArt.com team will email client for instructions and provide a mockup preview

전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (2 11월). 품질에는 어떠한 타협도 하지 않습니다.

Chapter 4

The finishing touches

A nameplate, as in a museum?

동판 각인 상세 정보

This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

투명 아크릴 명판 상세 정보

The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

블랙 아크릴 명판 상세 정보

This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

A protective varnish?

When do you need it?

Chapter 5

Your painting, as you ordered it

Martial Attire

재현 매체

복제본 규격

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최정상급 시니어 아티스트

더욱 세밀한 묘사와 정교함, 그리고 충분한 제작 시간

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복제화 액자 옵션

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가로 또는 세로 중 어느 한 면이라도 105cm(약 41인치)를 초과하는 작품이나 복제화의 경우, 프레임은 분해된 키트 형태로 배송됩니다. 이는 안전한 배송을 보장하고 운송 중 발생할 수 있는 손상을 방지하기 위함입니다.

전문가 조립 권장 - 본 제품은 DIY용이 아닙니다.
해당 키트는 숙련된 전문 프레임 제작자가 목공용 풀(별도 구매), 캔버스 스트레칭 플라이어 및 풀이 마르는 동안 나무 틀의 수평을 유지할 클램프를 사용하여 캔버스를 팽팽하게 고정하고 조립해야 합니다. 잘못된 조립이나 불균형한 캔버스 장력은 작품에 영구적인 손상을 입힐 수 있으며, 이로 인한 손상은 보증 범위에 포함되지 않습니다.

  • 모든 고형목재 부재가 포함되어 있으며, 정확한 크기로 정밀하게 재단되었습니다.

  • 제공된 나사를 사용하여 조립하며, 모서리 접합부용 목공용 풀은 포함되어 있지 않으므로 제작자께서 별도로 준비해 주셔야 합니다.

  • 전문가용 도구가 필요하며 키트에 포함되어 있지 않습니다: 캔버스 스트레칭 플라이어(텐셔너)와 접착제가 마르는 동안 나무 틀의 수평을 유지하기 위한 클램프가 필요합니다.

주의사항:
모서리 접합부에는 목공용 풀이 필요하며, 풀이 완전히 마를 때까지 클램프로 바(bar)를 고정해야 합니다. 또한 조립된 프레임에 캔버스를 팽팽하게 당기려면 캔버스 스트레칭 플라이어가 필요합니다. 이 제품들 중 어느 것도 키트에 포함되어 있지 않습니다. 이 사이즈를 주문하시기 전에 숙련된 전문 액자 제작업체를 미리 섭외하시기 바랍니다.

캡션

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보호용 바니시

유광 바니시(색감을 선명하게 하며 빛과 습기로부터 보호함)

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내 작품 맞춤 설정

변경 가능한 예시: 얼굴을 고객의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경.

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긴급 배송

전 세계 배송()은 기존 5주의 표준 기간 대신 3~4주 내에 완료됩니다. (2 11월). 품질에는 어떠한 타협도 하지 않습니다.

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빠른 배송

지역 일반 배송: 약 5주 소요 (9 11월).

기본 배송비 포함

총 결제 금액

₩ 403450

총 결제 금액 ₩ 403450

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.

Included with every order

  • 전 세계 무료 특급 배송
  • 고품질 린넨 캔버스
  • 배송 전 과정 보험 적용
  • 관세 환급 보장 서비스
  • 원본 색상 일치 보장
  • 제조 결함 발견 시 100일 이내 반품 가능
  • 100% 환불 보장
  • 다량 구매 할인 혜택
Sun Hao1980 Born in Shandong Province2005 Graduated from the Chinese Painting Department of Central Academy of Fine Arts as a master, majoring in materials and expressionNow working for the Beijing Institute of Graphic Design Art InstituteThe integration between ink art and modeling originated in the “renovation of traditional Chinese painting” in the 20th century, and later acquired an important position in the educational system of the Chinese painting after the founding of the New China. Sun Hao, who graduated from Luxun Academy of Fine Arts with a Bachelor Degree and later pursued further education in the Studio of Materials and Expression at China Central Academy of Fine Arts, is the one that makes better combination between the form and structure of sketching and the spirituality of ink painting. The most known works of Sun Hao in recent years are his series of horse portraits. In addition to eyes, noses and ears of horses, Sun also carefully illustrated the blood vessels on the face, which is the part other horse painters have ignored. Sun believes that there is a hidden horse in the heart of everybody. He therefore has endowed the horses in his work with strong spirits, either tranquil or elated, making them fairies waiting for brightness in the dark night. Sun loves things that are related to darkness as he believes that brightness and darkness are of equal importance, none of which is dispensable. The line “the dark night gave me dark eyes, with which I pursue brightness” from Chinese poet Gu Cheng is his favorite. Seeking the bright heroism in darkness is a commonly seen theme in Sun’s creation. And compared to lines, Sun prefers to use light and shadows to outline the form, and usually starts from the dark part and then moves to the light area. Ink painting has boundless possibilities i f we want to innovate the traditional Chinese painting. This is what has been motivating Sun Hao to explore in this field. Having noticed the advantage of ink that can be used to create both volume and abstraction, Sun has been trying ink to paint the marble statues of ancient Greece and Rome, and the Buddhist statues of ancient China and India. Gandhara with both oriental and western features and the Buddhist statues of the Northern Qi Dynasty unearthed in Qingzhou of Shandong Province in East China are his favorite subjects. The freely flowing ink can best illustrate the corrosion of stone. In the bustling discussion of ink art in the past year, the key word for Sun is “tranquility”, which can be seen in his recent series “None”. These works have a soothing effect to the viewers, as it occurred to them that everything is silent, mysterious, spiritual and beautiful. —Ruan Jingjing

질의응답

"Martial Attire"의 원작은 어느 박물관에 소장되어 있나요?

Sun Pengzu의 "Martial Attire"의 원작은 China Modern and Contemporary Art Document Research Center, 베이징, 중화인민공화국에 소장되어 있습니다. 복제화(reproduction)를 통해 이 작품을 집에서도 감상하실 수 있습니다.

Sun Pengzu의 "Martial Attire"의 디지털 파일을 어떻게 구할 수 있나요?

"Martial Attire"은(는) 디지털 이미지 페이지에서 직접 구매 가능한 고해상도 디지털 이미지 다운로드 형태로 제공됩니다.

Sun Pengzu의 "Martial Attire"의 이미지는 어떻게 다운로드하나요?

Sun Pengzu의 "Martial Attire"은(는) 디지털 이미지로 고해상도 디지털 이미지 다운로드할 수 있으며, 작품의 다운로드 페이지에서 다운로드 가능합니다.

More about this painting

실제 크기로 보기 AR로 미리보기 프린트 판매로 전환 디지털 이미지 판매 채널로 전환 보내기
상세 보기 가이드 보기 즐겨찾기에 추가 이미지 다운로드 유사 작품 더 보기 X-레이 슬라이드 쇼 보기 Q&A 통계 정보

In numbers

  • 29frames to choose from
  • standard sizes, in its own proportions
  • 5weeks to paint and deliver it

About the original

Quick facts about Sun Pengzu

  • Full Name: Sun Pengzu (243 – January/February 284)
  • Nationality: Chinese
  • Date Of Birth: N/A, China
  • Place Of Birth: N/A, China
  • Notable Artworks:
    • Hero Song
    • Martial Attire
  • Artistic Movement Or Style: Three Kingdoms Art

작가 소개

Sun Pengzu: The Tragic Emperor and Master of Brush

Sun Pengzu, more commonly known as Sun Hao (243 – January or February 284), was a figure inextricably linked to the twilight years of the Eastern Wu dynasty during the Three Kingdoms period. Born into a lineage steeped in imperial ambition, he ascended to the throne amidst a yearning for stability and experience—a desire tragically unmet by his own capabilities. His reign, though brief, became a symbol of decline, ultimately contributing to the empire’s swift fall. Yet, beyond the political turmoil, Sun Hao was also a skilled artist, leaving behind a small but significant body of work that offers glimpses into his personality and artistic sensibilities.

Initially named Sun Pengzu (彭祖), he was born into a family with imperial connections, the son of Sun He, a prince who had been sidelined by court politics. This early experience of marginalization profoundly shaped his worldview. Following the death of Emperor Jing in 264, driven by popular sentiment and a perceived need for an older ruler to guide Wu through turbulent times, he was thrust onto the throne. However, this elevation proved disastrous. Sun Hao lacked the strategic acumen, political finesse, and administrative skills necessary to govern effectively. He indulged in extravagant displays of wealth, prioritized personal pleasures over state affairs, and surrounded himself with sycophants who shielded him from reality.

Sun Hao’s artistic talent was evident early on. He received a thorough education, mastering the traditional arts of calligraphy, painting, and poetry. His most famous works are believed to be “Hero Song” (英雄歌) and “Martial Attire” (武衣), both rendered in meticulous pencil shading and hatching—a technique that emphasized texture and detail. "Martial Attire," depicting a horse with remarkable realism and symbolic weight, is particularly noteworthy for its use of grayscale tones to evoke a sense of mythic grandeur and the power of nature. The painting’s composition suggests a connection to Daoist philosophy, emphasizing harmony and balance—a stark contrast to the chaos that characterized his reign.

A Reign of Excess and Decline

Sun Hao's rule was marked by a series of disastrous decisions. He ignored the counsel of experienced officials, continued military campaigns against weakened enemies without strategic planning, and squandered the empire’s resources on lavish projects like the Zhaoming Palace. The constant drain on the treasury exacerbated Wu’s economic woes, while his cruelty and arbitrary justice alienated potential allies and fueled resentment among the populace. The fall of Shu Han in 263 further destabilized the situation, creating a power vacuum that Sun Hao was ill-equipped to fill. His inability to effectively respond to these challenges ultimately sealed Wu's fate.

Legacy and Historical Context

Following the Jin dynasty’s conquest of Wu in 280, Sun Hao surrendered and was given the title Marquis of Wucheng (烏程侯), a recognition of his former status. After the Jin forces captured him, he was further demoted to Marquis Guiming (歸命侯) – literally “the marquis who resigns to his fate” – a poignant reflection of his downfall. Later, he became known as the Later Lord of Wu (吳後主) and the Last Emperor of Wu (吳末帝), titles used by historians to underscore his role as the final representative of a once-proud dynasty.

Sun Hao’s story serves as a cautionary tale about the dangers of incompetence, vanity, and a disconnect from reality. While he is remembered primarily for his disastrous reign, his artistic legacy offers a glimpse into the man behind the emperor—a skilled artist who, despite his flaws, possessed a keen eye for detail and an appreciation for beauty. His “Martial Attire” remains a testament to his talent, a poignant reminder of a lost empire, and a window into the complex world of Three Kingdoms art.

Artistic Influences and Techniques

Sun Hao’s artistic style reflects a blend of traditional Wu styles with elements of Daoist aesthetics. The meticulous pencil shading and hatching techniques employed in works like “Martial Attire” are reminiscent of the Northern Song dynasty, particularly the work of artists who emphasized realism and texture. The use of grayscale tones also suggests an influence from Buddhist art, where monochrome palettes were often used to convey a sense of solemnity and spiritual depth. Furthermore, his artistic output demonstrates a deep understanding of symbolism—particularly in “Martial Attire,” where the horse represents strength, power, and the connection between humanity and nature.