- 홈
- 캔버스 프린트
- Loren MacIver
- March
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유사 작품
X-레이
슬라이드 쇼March
1960
90.0 x 145.0 cm
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작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
March
지클레 / 아트 프린트
복제본 크기
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최종 결제 금액
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작가 약력
Loren MacIver: Illuminating Everyday Life Through Impressionistic Vision
Loren MacIver (1909-1998) stands as a singular figure in American art history—the first woman recognized by the Museum of Modern Art’s permanent collection. Born in New York City, her artistic journey began unexpectedly at just ten years old when she enrolled in Saturday art classes at the Art Students League, marking her only formal academic experience. This formative influence shaped her lifelong dedication to observation and capturing the subtleties of visual perception. Her marriage to poet Lloyd Frankenberg in 1929 cemented her connection to Greenwich Village’s bohemian artistic milieu, fostering an environment conducive to experimentation and creative exploration. MacIver's distinctive style evolved from early naturalistic landscapes to increasingly abstract compositions, consistently prioritizing the masterful depiction of light—a preoccupation that would define her oeuvre. She gained initial exposure through group exhibitions in select galleries between 1933 and 1937, demonstrating a commitment to sharing her work with the broader artistic community. Notably, she participated in the Federal Art Project/Works Progress Administration (FAP/WPA), where her paintings were lauded by director Holger Cahill for their “fusion of the interests of the world of fact and the world of feeling,” highlighting their imaginative quality and personalized expression. Throughout her career, MacIver diligently honed her technique—a method she eloquently described in 1946: "Quite simple things can lead to discovery. This is what I would like to do with painting: starting with simple things to lead the eye by various manipulations of colors, objects and tensions toward a transformation and a reward.” Her artistic endeavors extended beyond studio practice; she graced the pages of influential magazines such as Fortune (1944) and Town & Country (1947), showcasing her ability to engage audiences through visual storytelling. A monumental commission to decorate the first-class lounge of the S.S. Argentina luxury liner and the dining rooms of American Export Lines ships solidified her reputation as a skilled muralist, reflecting her ambition and artistic prowess. Despite facing challenges in later years—particularly the decline of interest in her work by critics like Pierre Matisse Gallery in the 1970s—MacIver persevered, revisiting themes from her past and continuing to exhibit select pieces. Following Frankenberg’s passing in 1975, she reduced her artistic output but remained steadfast in her passion for painting. Her legacy resides not only in her groundbreaking inclusion within MoMA's collection but also in her pioneering role as a woman artist during the mid-20th century—a testament to her unwavering dedication and enduring contribution to American art.
Loren MacIver
1909 - 1998
주요 정보
- Artistic Movement Or Style: Abstract Expressionism
- Artists Or Movements Influenced By This Artist: ['Pierre Matisse']
- Artists Who Influenced This Artist: ['Lloyd Frankenburg']
- Date Of Birth: 1909
- Date Of Death: 1998
- Full Name: Loren MacIver
- Nationality: American
- Notable Artworks:
- Key West Arrangement
- Rue de la Tombe Issoire
- Pushcart
- Place Of Birth: New York City, USA
