Welsh Wedding
151.0 x 150.0 cm
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
Welsh Wedding
지클레 / 아트 프린트
복제본 크기
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최종 결제 금액
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작가 약력
John Uzzell Edwards: The Poet of Graffiti
John Uzzell Edwards, born October 10, 1934, in Wales, stands as a singular figure in contemporary art – a painter who simultaneously embraced the rebellious spirit of graffiti and explored profound philosophical themes rooted in Shakespearean literature. His artistic journey began with formal training in painting, nurtured by his father, fellow Welsh artist John Uzzell Edwards, establishing him within a lineage dedicated to visual storytelling. This formative influence would prove pivotal in shaping his distinctive style and worldview. Edwards’s artistic exploration extended beyond traditional canvases. Recognizing the transformative potential of urban spaces, he transitioned into graffiti art under the moniker “Pure Evil,” collaborating with Alan Brown and Nick Philip on the anarchic project Anarchic Adjustment in the early 1990s. This venture simultaneously showcased his creative versatility and aligned him with a burgeoning countercultural movement. Simultaneously, Edwards delved into electronic ambient music, releasing albums like "Octopus" 1, 2 & 3 and “Dada” (under Drum Machine Circle) solo, alongside Pete Namlook, furthering his artistic interests beyond visual mediums. His collaborations with Thomas Bullock (“Supergroup”) and Tetsu Inoue ("Audio") solidified his reputation as a multidisciplinary artist pushing boundaries of sonic expression. The Pure Evil Gallery, established by Edwards himself in Shoreditch, London, serves as both studio and testament to his unwavering dedication to his craft. Notably, in 2011, he initiated a fundraising campaign utilizing limited edition prints to aid victims of the Tohoku earthquake and tsunami – demonstrating compassion alongside artistic ambition. His residency at Quin Arts Hotel in New York City in 2016 provided inspiration for “Andy Warhol,” resulting in a body of work characterized by repetition art and exploring the visual language of iconic imagery. The exhibit, curated by DK Johnston, highlighted Edwards’s signature eye drips technique on paper and canvas, accompanied by a video installation directed by Bill Mack. Edwards's artistic vision is deeply informed by Shakespearean literature. Recurring motifs of “Once More Unto The Breach” and “When I Was Born,” drawn from Henry V and Pericles respectively, exemplify his preoccupation with themes of courage, resilience, and existential contemplation—concepts he translates into striking visual compositions. His distinctive eye drip technique, a method developed over years of experimentation, imbues his paintings with an ethereal quality, capturing fleeting moments of emotion and conveying complex ideas through subtle textural variations. Ultimately, John Uzzell Edwards’s legacy resides in his ability to synthesize seemingly disparate artistic disciplines—painting and music—into a cohesive aesthetic that transcends conventional categorization. He remains a compelling figure within the art world, embodying both intellectual rigor and visceral creativity – an artist who dared to confront profound questions about humanity while simultaneously engaging with the dynamism of urban culture.john uzzell edwards
1934 - 2014
주요 정보
- Artistic Movement Or Style: Pure painting
- Artists Or Movements Influenced By This Artist: ['Experimental music']
- Artists Who Influenced This Artist: ['Andy Warhol']
- Date Of Birth: October 10, 1934
- Date Of Death: March 5, 2014
- Full Name: John Uzzell Edwards
- Nationality: Welsh
- Notable Artworks:
- Once more unto the breach.
- When I was born.
- Welsh Wedding
- Place Of Birth: Wales

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.