- 홈
- 캔버스 프린트
- Gregorio De Ferrari
- Assumption
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작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Assumption
지클레 / 아트 프린트
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작가 약력
Gregorio De Ferrari: A Lyrical Voice of Genoa’s Baroque
Gregorio De Ferrari (1647 – 1726) stands as a pivotal figure in the Genoese Baroque, embodying its distinctive blend of grandeur and delicate lyricism. Born in Porto Maurizio, Italy, he embarked on an artistic journey that began with legal studies but swiftly transitioned into a vocation for painting—a path guided by mentorship under Domenico Fiasella, arguably Genoa’s most celebrated artist of his time. This formative period instilled within him the stylistic echoes of Giovanni Andrea De Ferrari and Giovanni Battista Casone, establishing a foundation for his own evolving artistic vision. Fiasella's monumental style profoundly impacted De Ferrari’s early oeuvre, notably evident in his collaborative effort on St Clare Repulsing the Saracens (1667), commissioned for Montoggio parish church. This project showcased De Ferrari’s burgeoning talent and demonstrated his willingness to engage with ambitious artistic undertakings. Simultaneously, he honed his skills during a stint at Parma Cathedral, where he undertook quadratura frescoes—decorative paintings that embellish ceilings—a technique championed by Correggio himself. Here, De Ferrari deliberately distanced himself from Fiasella's imposing scale, prioritizing instead a more personal and expressive style characterized by graceful elongations and spiraling movements of figures – influences undeniably stemming from the sculptural innovations of Filippo Parodi and Bernardo Schiaffino. Returning to Genoa, De Ferrari joined forces with Domenico Piola’s Casa Piola studio, a hub for artistic experimentation and innovation. Together they tackled monumental projects like the decoration of Basilica della Santissima Annunziata del Vastato, blending Correggio's radiant luminescence with stylistic elements from Cortona and Castiglione. This collaborative spirit fostered a dynamic exchange of ideas, shaping De Ferrari’s subsequent works—including St Gaestano (1674) and St Andrew (1675)—which reflected the studio’s commitment to pushing artistic boundaries. De Ferrari's fascination with Correggio extended beyond mere stylistic imitation; he meticulously copied frescoes from Parma Cathedral’s dome, specifically “Rest on the Flight to Egypt” and “Virgin with St Jerome and Magdalene,” securing their rightful place within Mengs’s collection—a testament to De Ferrari’s artistic acumen and his engagement with the intellectual currents of his era. His oeuvre reveals a remarkable sensitivity to visual harmony and movement, reflecting the broader stylistic trends of the period. Ultimately, Gregorio De Ferrari cemented his legacy as one of Genoa's foremost Baroque painters, leaving behind a body of work that continues to captivate audiences today.
Gregorio De Ferrari
1647 - 1726 , Italy
주요 정보
- Artistic Movement Or Style: Baroque
- Artists Or Movements Influenced By This Artist: ['Casa Piola studio']
- Artists Who Influenced This Artist:
- Giovanni Andrea De Ferrari
- Giovanni Battista Casone
- Correggio
- Date Of Birth: 1647
- Date Of Death: 1726
- Full Name: Gregorio De Ferrari
- Nationality: Italian
- Notable Artworks:
- Juno and Argus
- Summer
- Hercules and Antaeus
- Place Of Birth: Porto Maurizio, Italy
