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Chioce Chandelier

Discover Giuseppe Lorenzo Briati, a Venetian glass master (1686-1772). Renowned for exquisite crystal glassware & chandeliers, his Murano legacy shaped Bohemian artistry.

지클레 / 아트 프린트

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전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (19 9월)

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전 세계 무료 특급 배송
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프리미엄 린넨 캔버스
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전체 배송 보험 보장
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관세 환불 보장
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실제 색상 일치 보장
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100일 반품 정책 (결함 발생 시에만 적용)
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100% 환불 보장
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다량 구매 할인 혜택

총 합계 금액

$ 80

reproduction

Chioce Chandelier

지클레 / 아트 프린트

복제본 크기

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최종 결제 금액

$ 80

Provenance: Palazzo Magnani Feroni, FlorenceReference literature:R. Gallo, Giuseppe Briati e l’arte del vetro a Murano nel XVIII secolo, Venice, 1953G. Mariacher, Il vetro soffiato da Roma antica a Venezia, Milan, 1960, pp. 53-54, tav. 69;G. Mariacher,Il Museo vetrario di Murano, Milan, 1970, p. 50;G. Mariacher, Lampade e lampadari in Italia dal Quattrocento all’Ottocento, Milan, 1981, pp. 110, 113, 115 and cover imageR. Barovier Mentasti, Il vetro veneziano, dal Medioevo al Novecento, Milan, 1988, p. 153, fig. 147

작가 약력

A Venetian Master of Crystal: The Life and Legacy of Giuseppe Lorenzo Briati

Giuseppe Lorenzo Briati, born in Murano, Italy, in 1686, emerged from a lineage deeply rooted in the island’s celebrated glassmaking tradition. His family's inscription within the Golden Book – a register denoting esteemed “Cittadini di Murano” – signified not merely a profession but an inherited nobility of craft. This heritage instilled in Briati a profound understanding of Venetian glassblowing techniques, yet his ambition extended beyond the established norms. The early 18th century found Venice grappling with increasing competition from Bohemian crystal production, a challenge that would ultimately propel Briati to become one of the most innovative and successful glass artists of his time. He wasn’t content simply to follow in ancestral footsteps; he sought to redefine Venetian glassmaking by embracing new technologies and forging a unique artistic path.

Embracing Bohemian Secrets and Establishing a New Style

In 1733, Briati embarked on a pivotal journey to Bohemia, the heartland of crystal production. This wasn’t merely a voyage of observation; it was an immersive apprenticeship where he meticulously absorbed the secrets of potash-lime glassmaking – a process yielding a stronger, more brilliant material than the traditional soda-ash glass favored in Venice. Upon his return in 1737, Briati secured a ten-year privilege from the Council of Ten to produce crystal glassware, marking the official beginning of his independent venture. However, establishing himself wasn’t without adversity. His early furnace in Murano faced attacks fueled by envy from established glassmakers wary of his burgeoning success and the perceived threat to their traditional methods. This hostility forced a relocation to Venice itself, where he opened a new workshop in the parish of Angiolo Rafaello. It was here that Briati truly began to flourish, skillfully blending Bohemian techniques with Venetian artistry. He didn’t simply replicate crystal; he infused it with the vibrant colors and elaborate designs characteristic of Murano glassblowing, creating a style distinctly his own.

Innovation, Privilege, and Artistic Triumph

Briati's entrepreneurial spirit was as remarkable as his artistic talent. Recognizing the importance of controlling production costs, he astutely negotiated exclusive access to potash supplies in 1739, allowing him to offer crystal glassware at competitive prices – undercutting both Bohemian imports and local rivals. This shrewd business acumen earned him further privileges from the Serenissima, including exemptions from contributions to social security funds for disabled glassmakers. His workshop became a hub of innovation, pushing the boundaries of technical mastery. He pioneered large-scale glass creations, moving beyond functional objects to produce elaborate chandeliers adorned with multiple crystal arms, festoons, leaves, and multicolored flowers. These weren’t merely lighting fixtures; they were dazzling displays of artistry, transforming interiors into shimmering spectacles. One magnificent example of his work survives in the Ca' Rezzonico Museum in Venice, a testament to his enduring legacy.

A Lasting Impact on Venetian Glassmaking

Giuseppe Lorenzo Briati died in Venice in 1772, leaving behind a profound and lasting impact on the art of glassmaking. He didn’t just adapt Bohemian techniques; he synthesized them with Venetian traditions, creating a new aesthetic that captivated audiences across Europe. His success spurred further innovation within Murano workshops, encouraging other artisans to experiment with color, form, and technique. The 18th century witnessed a flourishing of crystal production in Venice, largely attributable to Briati’s pioneering efforts. He demonstrated the power of embracing change, skillfully navigating economic challenges, and blending artistic vision with entrepreneurial spirit. His influence extended beyond his immediate contemporaries, shaping the course of Venetian glassmaking for generations to come. The eighteenth century, as documented by the Museo del Vetro, saw Briati’s work become synonymous with luxury and refinement, a symbol of Venice's enduring creativity and its ability to adapt and thrive in a competitive world. His story serves as an inspiring example of how one artist can transform not only his own craft but also the cultural landscape of his time.
giuseppe lorenzo briati

giuseppe lorenzo briati

1686 - 1772 , Italy

주요 정보

  • Artistic Movement Or Style: Venetian Crystal Glassmaking
  • Artists Or Movements Influenced By This Artist: ['Bohemian Glass']
  • Date Of Birth: 1686
  • Date Of Death: 1772
  • Full Name: Giuseppe Lorenzo Briati
  • Nationality: Italian
  • Notable Artworks: ['Chioce Chandelier']
  • Place Of Birth: Murano, Italy