Mandala bowl

- 12.0 x 12.0 cm
이 페이지에 표시된 작품은 저작권법의 보호를 받으며, 이에 따라 동일한 복제품을 제작하거나 판매하는 것은 법으로 금지되어 있습니다. 이러한 권리 보호는 다음과 같은 국제 협약에 따라 시행됩니다. 베른 협약 또한 다음에서 명시하는 법률을 포함한 국내법에 의해 보호됩니다. 미국 저작권법 제17조.
이 방식은 저작권 보호를 받는 예술 작품을 복제하거나 그대로 재현하는 것이 아니기에 저작권 규정을 완벽히 준수합니다. 대신, 이는 창의적인 재해석의 과정을 거칩니다. 즉, 원작에서 영감을 받되 원작과 동일하지 않은 새로운 회화 작품을 의미합니다.
지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 선택할 수 있는 박물관 수준의 지클레이 및 캔버스 프린트. ( 수작업 채색 복제본 주문하기
디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
액자나 벽면 크기에 맞춰 필요한 가로와 세로 길이를 입력해 주세요. 프린트는 원본 이미지보다 크게 제작할 수 없으며 오직 자르는 것만 가능하므로, 비율이 다른 사이즈를 선택할 경우 이미지의 일부가 잘려 나갈 수 있습니다. 인쇄 작업에 들어가기 전, 최종 확인을 위해 디지털 목업을 보내드립니다. 이 페이지에 표시된 이미지는 실제 잘리는 영역을 나타내지 않으며, 오직 목업을 통해서만 정확한 확인이 가능합니다.
Mandala bowl
지클레 / 아트 프린트
복제본 규격
-
총 결제 금액
₩ 107740
질의응답
제작 시기를 고려할 때, "Mandala bowl"은 Giovanni Corvaja의 예술적 여정 중 어느 단계에 해당하나요?
2017년에 제작된 "Mandala bowl"은 Giovanni Corvaja의 예술적 발전 과정 중 Contemporary에 해당합니다.
"Mandala bowl"의 규격은 어떻게 되나요?
Giovanni Corvaja의 "Mandala bowl"은(는) Landscape 구도로 이루어져 있습니다. 프린트 크기를 결정하시기 전에 비율을 확인해 보시는 것이 좋습니다.
"Mandala bowl"에는 어떤 색상들이 사용되었나요?
"Mandala bowl"의 색상은 Pastels 팔레트를 이룹니다. 이 분류는 작품을 지배하는 주요 색상군을 설명합니다.
작가 소개
Giovanni Corvaja: Sculpting Gold Through Time
Giovanni Corvaja (born September 30, 1971) is an Italian jewelry artist renowned for his groundbreaking approach to fine wire sculpture and a fascination with mythology—particularly the legend of Jason and the Argonauts. His work transcends mere craftsmanship; it’s a dialogue between science and tradition, pushing the boundaries of what's possible in metalworking while simultaneously drawing inspiration from ancient narratives. Corvaja’s artistic journey began at a young age under the tutelage of Francesco Pavan and Paolo Maurizio at Pietro Selvatico High School of Art in Padua, where he honed his skills as a metalsmith—a formative experience that instilled in him a meticulous attention to detail and an unwavering dedication to mastering materials.- Early Influences: Corvaja’s passion for art was nurtured by his parents, both professors of physical chemistry at the University of Padua. This intellectual lineage profoundly shaped his worldview and fueled his desire to explore connections between seemingly disparate disciplines.
- Royal College of Art Education: He pursued advanced studies at the Royal College of Art in London, earning a Master of Arts degree in 1992—a pivotal step that exposed him to international artistic trends and broadened his creative horizons.
- Return to Padua & Craftsmanship: Upon graduating, Corvaja returned to Padua where he continued his artistic career as a goldsmith, immersing himself in the traditions of Venetian metalworking while simultaneously experimenting with innovative techniques.
The Golden Fleece Collection and Mythological Inspiration
Corvaja’s most celebrated achievement is undoubtedly The Golden Fleece Collection—a series of five extraordinary sculptures crafted from handspun golden fur. This ambitious project represents a radical departure from conventional jewelry making, demanding an unprecedented level of precision and challenging Corvaja to reimagine the possibilities of metalworking. Inspired by Homer's epic poem *The Iliad*, Corvaja sought to capture the spirit of adventure and heroism—themes that permeate throughout his artistic vision. The collection’s creation involved meticulous experimentation with vacuum chambers and ultra-fine wire techniques, mirroring the scientific rigor he inherited from his parents. Each piece embodies a symbolic representation of Jason's quest for the Golden Fleece, reflecting Corvaja’s belief in blending art and science to achieve extraordinary results.- Vacuum Chamber Technique: Corvaja utilizes a miniature lattice-work of ultra-fine gold wire within a vacuum chamber—a method he developed himself—to create sculptures that defy conventional understanding of material properties.
- Symbolism & Mythology: The Golden Fleece Collection isn’t merely aesthetically pleasing; it's laden with mythological symbolism, referencing the heroic tale of Jason and his Argonauts—a narrative Corvaja sees as embodying courage, perseverance, and the pursuit of unattainable goals.
Museum Collections and Recognition
Corvaja’s sculptures have garnered international acclaim and are held in prominent museum collections worldwide, including The Metropolitan Museum of Art (New York), MAD (Dallas), Kunsthaus Zürich (Switzerland), Musée d’Art Moderne de la Ville de Paris, V&A London and the National Museum of Scotland. These accolades underscore Corvaja's contribution to contemporary art jewelry and solidify his position as a visionary artist who dares to explore uncharted territories in metalworking. His work has been recognized by prestigious awards such as The Herbert Hofmann Prize (Munich), Prize for Highly Commended Work (International Jewelry Competition ‘97), Bayerischer Staatspreis (Munich) and Prize of the Unione Regionale delle Camere di Commercio dell’Umbria.Continuing Innovation & Artistic Legacy
Giovanni Corvaja remains committed to pushing the boundaries of artistic expression, constantly refining his techniques and exploring new materials—a testament to his unwavering passion for craftmanship and his belief in embracing scientific innovation. His work serves as an inspiration to younger artists seeking to forge their own paths—demonstrating that true creativity lies in blending tradition with experimentation and daring to reimagine the potential of art itself. Corvaja’s legacy extends beyond individual sculptures; it represents a reimagining of jewelry making as a form of storytelling—a celebration of myth, science, and the transformative power of artistic vision.Giovanni Corvaja
1971 - , Italy
작가 정보 요약
- Full Name: Giovanni Corvaja
- Nationality: Italian
- Date Of Birth: 1971
- Place Of Birth: Italy
- Notable Artworks:
- The Golden Fleece Collection
- Golden Handkerchief
- Artistic Movement Or Style: Wire Sculpture Artist
- Artists Who Influenced This Artist:
- Francesco Pavan
- Paolo Maurizio
- Artists Or Movements Influenced By This Artist: ['Contemporary Art']

유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
