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통계 정보Untitled, Face with Two Hands
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핸드메이드 유화 복제화
작가가 직접 캔버스에 손으로 그린 유화 작품으로, 원하는 크기와 액자로 맞춤 제작해 드립니다. (
프린트 판매로 전환 디지털 이미지 판매 채널로 전환)
작품의 원본 비율을 그대로 유지하는 프리셋 사이즈 중에서 선택해 보세요.
특정 프레임이나 공간에 맞춰 원하는 크기를 직접 입력하실 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 자르거나 추가적인 수작업 요소를 더해 그림을 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업을 보내드립니다.
화면상의 미리 보기는 실제 크롭(자르기)이나 확장된 상태를 완벽히 반영하지 않을 수 있습니다. 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 크기 제작도 가능하지만, 원본의 비율을 그대로 유지하기 위해서는 미리 정의된 목록에서 크기를 선택하시는 것을 권장합니다.
주문 완료 후 OriginalUniqueArt.com 팀에서 상세 안내를 위해 고객님께 이메일을 보내드리며, 미리보기 시안을 함께 제공해 드립니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Untitled, Face with Two Hands
재현 매체
복제본 규격
-
총 결제 금액
$ 300
작가 소개
The Architect of Mountain Dreams
Clarence Schmidt (1897 – 1978) stands apart from the mainstream art world as a singular figure—an outsider artist whose relentless dedication to monumental environmental sculpture cemented his place in American folk art history. His enduring project, "The Miracle on the Mountain," began in 1940 and continued until his death in 1978, transforming a modest hillside near Woodstock, New York into an astonishing assemblage of reclaimed materials—a testament to ingenuity born from necessity and fueled by an unwavering vision.
Schmidt’s artistic journey commenced modestly. Born in Astoria, Queens, he attended high school before abandoning formal education to join his father as a mason and plasterer—a formative experience that instilled within him a profound understanding of construction and material manipulation. Accounts describe him crafting sets for silent films; this early endeavor foreshadow and foreshadowed the scale and physicality of his later endeavors, mirroring the transformative power of bringing imaginative concepts into tangible form. In 1920, Schmidt inherited five acres of land overlooking Ohayo Mountain, establishing a base for what would become his lifelong obsession.
A Monumental Vision in Reclaimed Stone
The genesis of “The Miracle on the Mountain” occurred as Schmidt began to expand upon the landscape he called his own. What started as a simple cabin built of railroad ties evolved into an architectural labyrinth that defied conventional logic. Using found objects, recycled materials, and debris, Schmidt constructed a sprawling complex that climbed the face of the mountain. His work was not merely construction; it was an organic growth of stone, wood, and tar that integrated deeply with the earth itself.
As the decades progressed, his creation expanded to include:
- Terraces and Gardens: Carefully carved spaces that balanced the ruggedness of the mountain with intentional greenery.
- Grottos and Caves: Intimate, subterranean-feeling chambers that offered a sense of mystery and enclosure.
- Shrines and Wings: Elaborate structural extensions that pushed the boundaries of the hillside, eventually resulting in a seven-story extension hanging precariously off the mountain's backside.
This process was one of continuous, obsessive expansion. The structure became a living entity, demanding more material and more labor, driven by a spirit of exploration that Schmidt himself encapsulated in the name of his first home, "Journey’s End."
Legacy of the Outsider
Despite the physical grandeur of his work, Schmidt's life was marked by both profound creation and sudden tragedy. In January 1968, a devastating fire swept through the structure, consuming much of what he had built with roofing tar and reclaimed wood. The loss was immense, yet the spirit of the "Miracle" remained etched in the landscape and the memory of the Woodstock community. His work gained national recognition, even being featured in a photo essay in the Saturday Evening Post in 1964, bringing his mountain masterpiece to the eyes of the wider American public.
Today, Clarence Schmidt is remembered not just as a builder, but as a pioneer of environmental sculpture. His ability to see potential in the discarded and to transform a singular hillside into a legendary monument ensures his place in the pantheon of American folk art. He remains a symbol of the power of the individual vision—a man who, through sheer persistence, turned a patch of New York earth into a dream made manifest.
clarence schmidt
1897 - 1978
작가 정보 요약
- Artistic Movement Or Style: Environmental Sculpture
- Date Of Death: 1978
- Full Name: Clarence Schmidt
- Nationality: American
- Notable Artworks:
- Untitled, Two Sided Head with Foot on Top
- Untitled, Washington Shrine
- Untitled, Mask on Stump
- Place Of Birth: Astoria Queens, NY