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슬라이드 쇼Choir Stalls
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지클레 / 아트 프린트
빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트. (
손으로 그린 그림 구매 이미지 구매)
작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.
특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.
유리 옵션은 110cm 미만 크기에서만 선택 가능합니다.
Choir Stalls
지클레 / 아트 프린트
복제본 크기
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최종 결제 금액
$ 80
작가 약력
Artus Quellinus II: Life and Legacy
Early Life and Training
Born in St. Trudena, Belgium, in 1625, Artus Quellinus II came from a prominent artistic family. His father, Artus Quellinus I, was a celebrated sculptor, and he had two brothers – Thomas Quellinus, also a sculptor, and Cornelis Quellinus, a painter. He received his initial training in his father’s workshop in Antwerp, laying the foundation for his future career as a Baroque sculptor.
Move to London and Artistic Development
In 1682, Quellinus II relocated to London, joining the growing community of Flemish artists who had emigrated there. This move was likely encouraged by his wife, Frances Siberechts, daughter of the Antwerp-born painter Jan Siberechts. Before establishing himself independently, he briefly worked in the studios of both Hugh May and, more significantly, Grinling Gibbons – a leading English wood carver and sculptor. His collaboration with Gibbons proved particularly influential.
Key Influences
- Artus Quellinus I (Father): Provided foundational training in sculptural techniques and Baroque aesthetics.
- Grinling Gibbons: Exposed him to the intricacies of English wood carving and a more naturalistic approach within the Baroque style.
- Flemish Baroque Tradition: The broader artistic environment of Antwerp shaped his early development, emphasizing dramatic compositions and religious themes.
Major Works and Artistic Style
Quellinus II’s work is characterized by its dynamic energy, detailed craftsmanship, and often monumental scale. He primarily focused on religious sculpture, creating altarpieces, tomb monuments, and decorative elements for churches and palaces.
- God the Father (1682): A striking marble sculpture showcasing classical influences combined with Baroque drama.
- Visitation (1678): A detailed marble relief depicting a biblical scene, demonstrating his skill in narrative representation.
- Tomb of Bishop Marius Ambrose Capello: An elaborate tomb monument exemplifying his ability to create grand and imposing sculptural ensembles.
- Choir Stalls: Intricate carvings for choir stalls, showcasing his mastery of detail and decorative elements.
Collaborations and Later Life
A significant collaboration occurred with Grinling Gibbons on the altarpiece for the Roman Catholic chapel in Whitehall Palace (1685-86). This project highlighted Quellinus II’s ability to work alongside other leading artists. His early death in 1700 marked a loss for the artistic community, and his widow later married his studio assistant, John Nost.
Historical Significance
Artus Quellinus II played an important role in bringing Flemish Baroque sculpture to England. His work helped shape the aesthetic landscape of late 17th-century English art and influenced subsequent generations of sculptors. He bridged the gap between High and Late Baroque styles, contributing significantly to the development of religious sculpture during this period.
artus ii quellinus
1653 - 1686 , Belgium
주요 정보
- Birth Date: 1625
- Birth Place: St. Trudena, Belgium
- Death Date: 1700
- Influenced:
- Thomas Quellinus
- Cornelis Quellinus
- Influenced By: Artus Quellinus I
- Movement: Baroque
- Name: Artus Quellinus II
- Nationality: Flemish
- Notable Works:
- God the Father
- Visitation
- Tomb of Bishop Marius Ambrose Capello
