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We are totally alone here

Discover Allan Balisi, a Filipino figurative artist known for quaint folk art & geometric representations of rural life. Explore his charming depictions of family & tradition.

수제 유화 복제품

원하는 크기와 액자로 주문 제작되는, 작가들이 직접 캔버스에 손으로 그린 유화 작품입니다. ( 프린트 판매로 전환 디지털 이미지로 전환)

표준 규격
맞춤형
CM
INCH

작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.

가로 너비
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특정 프레임이나 공간에 맞도록 직접 크기를 입력할 수 있습니다. 선택하신 크기가 원본 이미지의 비율과 일치하지 않는 경우, 작품을 자르거나 추가적인 손으로 그린 요소를 사용하여 그림을 확장합니다. 제작 시작 전 승인을 위해 디지털 목업을 보내드립니다.
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맞춤 크기 제작도 가능하지만, 원본 비율을 유지하기 위해 사전 정의된 목록에서 크기를 선택하시는 것을 권장합니다.

변경 가능한 예시: 얼굴을 고객의 사진으로 교체, 반려동물 추가(예: 고양이를 강아지로 변경), 배경에 숨겨진 메시지 삽입, 배경 풍경 또는 요소 변경 등
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전 세계 배송()은 표준 5주 대신 3~4주 내에 완료됩니다. (19 9월). 품질에는 어떠한 타협도 하지 않습니다.

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전 세계 무료 특급 배송
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프리미엄 린넨 캔버스
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전체 배송 보험 보장
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관세 환불 보장
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실제 색상 일치 보장
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100일 반품 정책 (결함 발생 시에만 적용)
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100% 환불 보장
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다량 구매 할인 혜택

총 합계 금액

$ 300

reproduction

We are totally alone here

재현 기법

복제본 크기

-

최종 결제 금액

$ 300


작가 약력

A Life Framed: The Quiet Narratives of Allan Balisi

Allan Balisi, born in Isabela, Philippines in 1982, is a contemporary Filipino figurative artist whose work resonates with a poignant stillness and subtle power. While initially identified as being born in Dasmariñas in 1965, recent information clarifies his birth year and location, revealing an artistic journey that began to fully blossom after graduating from the Fine Arts program at Far Eastern University in 2005. Balisi doesn’t simply paint scenes; he meticulously reconstructs moments, transforming found images – stills from films, captured photographs – into evocative canvases imbued with a muted drama and contemplative energy. His art is an exploration of memory, connection, and the often-unspoken narratives that shape our lives.

Early Influences & Artistic Development

Balisi’s artistic path wasn't immediately defined by grand ambition but rather emerged from a quiet observation of the world around him. He acts as an “image filter,” amplifying the graphic qualities inherent in everyday scenes, particularly those frozen in time through photography and film. This process isn’t about photorealism; it’s about distillation – stripping away excess to reveal the core emotional resonance of a moment. His early works often featured severely muted color palettes, almost monochromatic compositions punctuated by stark blacks, creating an atmosphere of both intimacy and distance. He collects imagery, screen-grabbing from movies or capturing figures in mid-action, building an “image bank” that serves as the foundation for his artistic explorations. This collection isn’t merely a source of subject matter; it's a repository of potential stories waiting to be unearthed and recontextualized. The existing narratives within films provide Balisi with material to deconstruct and reimagine, allowing him to imbue each painting with new layers of meaning.

Themes of Connection & Resistance

A central theme in Balisi’s work is the exploration of human connection – or perhaps more accurately, the *search* for it. His paintings often depict groups of figures engaged in quiet interactions, hinting at shared experiences and unspoken understandings. This pursuit of connection became particularly pronounced during periods of social distancing, as evidenced by his 2021 exhibition “To Our Friends” at Blanc Gallery. The works presented there were described as "echoes" – ongoing conversations reflecting the desire for solidarity and resistance in a fragmented world. Pieces like *“The Urgency of Making Kin,”* featuring Donna Haraway and Jose Lacaba, capture festive pantomimes that symbolize collective action and shared identity. Other paintings, such as *“Seek no adherent, but accomplices,”* explore the intersection of love and anger as catalysts for gathering and resistance. Balisi’s ability to find power in everyday acts is a hallmark of his style; he demonstrates how small gestures can be radical when they move people toward collective action.

Recognition & Historical Significance

Allan Balisi's talent has not gone unnoticed within the Philippine art world. He was shortlisted for the prestigious Ateneo Art Awards in both 2009 and 2013, signaling his rising prominence as a contemporary artist. A significant milestone came with his receipt of the Cultural Center of the Philippines’ Thirteen Artists Award in 2021 – a triennial recognition bestowed upon exemplary visual artists in the country. This award solidified Balisi's position as a leading figure in Philippine art and opened doors to further exhibitions both domestically and internationally, including shows in Singapore and Malaysia. His work is increasingly recognized for its ability to capture the complexities of modern life, offering a nuanced perspective on themes of memory, connection, and resistance.

A Continuing Narrative

Allan Balisi’s paintings are not simply representations of images; they are invitations to contemplate the stories behind them. He frames visual narratives filled with mystery and ambivalence, drawing viewers in through the curiosity of his compositions. His work encourages a deeper engagement with the everyday, prompting us to consider the power of small moments and the enduring human need for connection. As Carina Santos aptly noted, Balisi’s art leans “heavily” on these quiet conversations, creating a space for reflection and ultimately, hope – even in the face of wreckage and destruction. He continues to evolve as an artist, consistently exploring new ways to capture the echoes of thought, time, and deeply personal storytelling within his captivating canvases.
allan balisi

allan balisi

1965 - , Philippines

주요 정보

  • Artistic Movement Or Style: Figurative, Folk Art
  • Date Of Birth: February 22, 1965
  • Full Name: Allan Balisi
  • Nationality: Filipino
  • Notable Artworks: ['We are totally alone here']
  • Place Of Birth: Dasmariñas, Philippines