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작품 구매하기 작품 구매하기이미지 구매하기 이미지 구매하기 공유하기공유하기
상세 정보상세 정보 즐겨찾기에 추가 즐겨찾기에 추가 다운로드다운로드 유사 작품유사 작품 X-레이X-레이 슬라이드 쇼슬라이드 쇼

Cloud for Kochi

Alfredo Jaar is a Chilean artist renowned for thought-provoking installations exploring socio-political issues like war & representation through photography, film & architecture. Featured in Venice Biennale & MoMA.

지클레 / 아트 프린트

빠른 제작과 다양한 마감 옵션을 제공하는 박물관 품질의 지클레이 또는 캔버스 프린트.

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작품의 원본 비율을 유지하는 미리 설정된 크기 중에서 선택하세요.

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특정 프레임이나 공간에 맞춰 직접 치수를 입력하실 수 있습니다. 선택하신 사이즈가 원본 이미지의 비율과 일치하지 않을 경우, 작품을 크롭(자르기)하거나 이미지를 대칭 또는 단색 채우기로 확장하여 제작합니다. 제작 시작 전, 최종 확인을 위해 디지털 목업이 전송됩니다.
화면상의 미리보기는 실제 크롭이나 확장 상태를 반영하지 않으므로, 최종 구도는 오직 목업을 통해서만 정확하게 확인하실 수 있습니다.
맞춤 사이즈 제작도 가능하지만, 원본 비율을 유지하기 위해서는 사전 정의된 목록에서 치수를 선택하시는 것을 권장합니다.

전 세계 배송()은 일반적인 4~5주의 소요 기간 대신 2주 이내에 완료됩니다. (23 7월)

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전 세계 무료 특급 배송
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프리미엄 린넨 캔버스
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전체 배송 보험 보장
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관세 환불 보장
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실제 색상 일치 보장
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60일 이내 반품 정책 (제조 결함 시)
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100% 환불 보장
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다량 구매 할인 혜택

총 합계 금액

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reproduction

Cloud for Kochi

지클레 / 아트 프린트

복제본 크기

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최종 결제 금액

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작품 상세 설명

Alfredo Jaar’s installation has been created within a space filled with water, a precious resource in the world but also in India and particularly in this region. A walkway is being built along its length, allowing people to “walk on water” from one end to the other. Once in the walkway, they will discover a text in neon on the two long walls. These texts are written in reverse, making them unreadable but poetic signs. By looking at their reflection in the water, they become readable. He will select a fragment from one of the most beautiful poems ever written in any language: Kalidasa’s Cloud Messenger, choosing the segments related to water and clouds, and ideally locate these texts on the wall in the shape of a cloud. On one side, the text is in Sanskrit.

작가 약력

Alfredo Jaar: A Visionary Sculptor of Socio-Political Narratives

Alfredo Jaar (born Santiago, Chile, 1956) stands as a singular figure in contemporary art, recognized globally for his immersive installations that grapple with profound questions concerning memory, representation, and the complexities of global politics. More than just an artist; he’s a sculptor of ideas—a provocateur who compels viewers to confront uncomfortable truths about history and its reverberations into the present day.
  • Early Life & Artistic Formation: Jaar's formative years were marked by constant relocation, beginning with his childhood in Martinique before returning to Chile. This nomadic upbringing instilled a sensitivity to diverse cultures and perspectives—influences that would profoundly shape his artistic trajectory.
  • Move to New York City (1982): Recognizing the dynamism of the American art scene, Jaar established himself in New York City in 1982, initiating a period of intense experimentation and stylistic evolution. It was here that he honed his distinctive approach—combining photography, film, architecture, and performance into powerfully resonant artistic statements.
Jaar’s artistic philosophy centers on the concept of “the gap,” as articulated in numerous interviews. He posits that there exists an irreconcilable difference between reality and its potential depictions—a chasm that artists must actively explore through inventive strategies. This conviction fuels his commitment to empathy, solidarity, and intellectual engagement within his work, aiming to foster dialogue and challenge conventional understandings of visual storytelling.
  • Notable Installations & Conceptual Art: His most celebrated projects include “Lament of the Images,” a monumental installation that utilizes photographic projections to dissect the impact of media on societal consciousness. Similarly, “The Rwanda Project” meticulously documented the aftermath of the Rwandan genocide, confronting viewers with the devastating consequences of conflict and prompting reflection on collective responsibility.
  • Architectural Interventions & Public Engagement: Beyond sculpture, Jaar has undertaken ambitious architectural endeavors—such as “Park of the Laments,” a sculptural park designed to commemorate the victims of AIDS—demonstrating his dedication to transforming spaces into vehicles for artistic expression and social commentary. His work extends beyond galleries; he actively engages with public institutions and communities, fostering conversations about urgent issues.
Jaar’s influence transcends stylistic boundaries, establishing him as a pivotal voice in conceptual art. He consistently pushes the limits of visual language to convey narratives that grapple with political injustices and explore the psychological dimensions of human experience. His commitment to confronting uncomfortable realities—coupled with his masterful manipulation of media and architectural forms—solidifies his position as one of the most significant artists of our time.
  • Recognition & Awards: Jaar’s accomplishments have garnered considerable acclaim, including a Guggenheim Fellowship in 1985, a MacArthur Fellow Award in 2000, and the Hasselblad Award for 2020—a testament to his enduring contribution to artistic innovation.
His work has been exhibited internationally at prestigious venues like Venice Biennale, São Paulo Biennial, Istanbul Biennial, and MoMA, cementing its place within the canon of contemporary art. Alfredo Jaar continues to inspire artists and thinkers alike with his unwavering dedication to confronting societal challenges through imaginative artistic endeavors.
alfredo jaar

alfredo jaar

1956 - , Chile

주요 정보

  • Artistic Movement Or Style: Conceptual Art
  • Artists Or Movements Influenced By This Artist:
    • Minimalism
    • Photorealism
  • Artists Who Influenced This Artist:
    • Robert Grosz
    • Hans Bellmer
  • Date Of Birth: 1956
  • Full Name: Alfredo Jaar
  • Nationality: Chilean
  • Notable Artworks:
    • Lament of the Images
    • Rwanda Project
  • Place Of Birth: Santiago, Chile