Sextet
The oil on canvas work titled Sextet was created in 1768 by the artist Louis Michel van Loo. This painting measures 146 x 194 cm. It is currently held within the collection of The Hermitage Museum in St. Petersburg, Russia.
요약하자면
Sextet (1768)은(는) 루이미셸 반 로의 작품 중 가장 많은 시선을 사로잡는 회화이며, 원작은 상트페테르부르크에 위치한 에르미타주 박물관에 소장되어 있습니다. 그다음 시선은 Elisabeth Farnese, Queen of Spain (1739)와 The Engraver and Goldsmith Jacques Roettiers (1735)로 향합니다. 우리 카탈로그에 수록된 루이미셸 반 로의 작품 52점 중, 가장 유명한 49점을 소개합니다. 각 작품은 제작 연도, 소장 박물관, 그리고 시대를 초월해 사랑받는 이유와 함께 독창적인 원작으로 제시됩니다.
The oil on canvas work titled Sextet was created in 1768 by the artist Louis Michel van Loo. This painting measures 146 x 194 cm. It is currently held within the collection of The Hermitage Museum in St. Petersburg, Russia.
The presence of Elisabeth Farnese, Queen of Spain, commands the space within this 1739 portrait by Louis Michel van Loo. She appears not merely as a figure of state, but as a woman holding the reins of power. As the Queen consort through her marriage to King Philip V, she navigates the complex currents of the Spanish court. Her influence reaches far beyond the ceremonial, as she acts as the…
The oil on canvas painting titled The Engraver and Goldsmith Jacques Roettiers was executed by Louis Michel van Loo. This portrait, which dates to 1735, depicts Jacques Roettiers, a man belonging to a well-known family of artists. The subject was recognized as one of the foremost goldsmiths of his time.
In this portrait, we encounter Louise-Élisabeth of France, Wife of the Infante Philip, Future Duke of Parma. Painted in 1745 by Louis Michel van Loo, the work captures a woman of significant standing, known also as Luisa Isabel de Parma or Louise Elisabeth of France. The sitter is presented with the quiet dignity expected of her station, her presence defined by the formal requirements of mid-18th-century courtly representation.
The portrait of Felipe de Borbón y Farnesio, Infante of Spain, Duke of Parma captures a young nobleman in a moment of poised stillness. Painted by Louis Michel van Loo, this work emerged around 1740. It is an 18th-century oil on canvas that fixes the subject within the rigid hierarchies of the Spanish court.
The gaze of the young Cardinal-Infante Luis Antonio of Bourbon meets us from across the centuries, his presence fixed in this oil on canvas painted by Louis Michel van Loo. Created about 1737, the portrait captures a figure of immense status and youthful gravity. He sits before us not merely as a child, but as a high-ranking member of the church and the Spanish royal family. As the youngest son…
Louis Michel van Loo's “The Family of Philip V,” completed in 1743, stands as a quintessential emblem of Rococo portraiture—a genre characterized by opulent decoration, pastel hues, and an emphasis on idealized beauty. Hanging prominently within the Museo Nacional del Prado’s collection in Madrid, this monumental canvas offers more than just a depiction of Spanish royalty; it embodies the artistic sensibilities of its era and speaks to enduring themes of…
In Pygmalion at work (detail). by Louis Michel van Loo, the air feels heavy with the tension of a miracle in progress. Created about 1730, this intimate scene pulls the viewer into a shallow, crowded space where the boundary between stone and flesh begins to blur. The sculptor leans into his creation, his focus absolute as he works upon the figure. Every movement suggests a profound devotion, a quiet intensity…
Madame Marie du Tour Vuillard sits before us, a figure of quiet grace caught in a moment of stillness. The light, descending from the upper left, brushes against the soft contours of her face, casting gentle shadows that give her features a palpable, three-dimensional depth. She is draped in a gown of deep crimson satin, a color so saturated it seems to hold the warmth of a dying ember. A…
The Bust Portrait of Louis XV is an oil on canvas painted by Louis Michel van Loo. This portrait captures the likeness of King Louis XV, the monarch of France. The image presents the subject in a formal, three-quarter view, framed within an oval composition. It is a work from about 1750.
이 오리지널 작품들에서 가장 자주 등장하는 네 가지 주제와 그 정수를 보여주는 대표작들.
이 페이지에 있는 작품을 가장 많이 소장하고 있는 8개의 미술관
| 소장 미술관 | 도시 | 루이미셸 반 로의 작품 | 이 목록의 작품들 |
|---|---|---|---|
| 마드리드 | 7 | Elisabeth Farnese, Queen of Spain, Louise-Élisabeth of France, Wife of the Infante Philip, Future Duke of Parma, Felipe de Borbón y Farnesio, Infante of Spain, Duke of Parma | |
| Versailles | 6 | Portrait of Louis XV of France (1710-1774), Elisabeth Farnese, Queen of Spain (1692-1766), The Infanta María Teresa Rafaela of Spain, future Dauphine of France (1726-1746) | |
| 스톡홀름 | 2 | The Engraver and Goldsmith Jacques Roettiers, Ludvig XV, 1710-1774, konung av Frankrike | |
| 상트페테르부르크 | 1 | Sextet | |
| 바르샤바 | 1 | Pygmalion at work (detail). | |
| Gray | 1 | Bust Portrait of Louis XV | |
| 아바나 | 1 | Portrait of a woman | |
| 더블린 | 1 | Portrait of Richard Wall (1694-1778), Spanish Ambassador to Britain |
그 시대를 정의하는 오리지널 작품을 만나보려면 연대를 선택하세요.
The presence of Elisabeth Farnese, Queen of Spain, commands the space within this 1739 portrait by Louis Michel van Loo. She appears not merely as a figure of state, but as a woman holding the reins of power. As the Queen consort through her marriage to King Philip V, she navigates the complex currents of the Spanish court. Her influence reaches far beyond the ceremonial, as she acts as the…
In this portrait, we encounter Louise-Élisabeth of France, Wife of the Infante Philip, Future Duke of Parma. Painted in 1745 by Louis Michel van Loo, the work captures a woman of significant standing, known also as Luisa Isabel de Parma or Louise Elisabeth of France. The sitter is presented with the quiet dignity expected of her station, her presence defined by the formal requirements of mid-18th-century courtly representation.
The Bust Portrait of Louis XV is an oil on canvas painted by Louis Michel van Loo. This portrait captures the likeness of King Louis XV, the monarch of France. The image presents the subject in a formal, three-quarter view, framed within an oval composition. It is a work from about 1750.
In this 1770 portrait, a young nobleman is captured from the chest up, his gaze directed steadily toward the viewer. The composition utilizes an oval format, focusing attention on the subject's porcelain-like skin and the intricate details of his attire. Light enters from the upper left, casting soft shadows that define the contours of his face and the depth of his features. The background remains dark and atmospheric, ensuring the…
Sextet (1768), 에르미타주 박물관, 상트페테르부르크. 다음은 Elisabeth Farnese, Queen of Spain (1739)와 The Engraver and Goldsmith Jacques Roettiers (1735)입니다.
61세: Sextet은(는) 1768년 작품이며, 루이미셸 반 로은(는) 1707년에 태어났습니다.
Sextet, Elisabeth Farnese, Queen of Spain, The Engraver and Goldsmith Jacques Roettiers, Louise-Élisabeth of France, Wife of the Infante Philip, Future Duke of Parma, Felipe de Borbón y Farnesio, Infante of Spain, Duke of Parma, Cardinal-Infante Luis Antonio of Bourbon, The Family of Philip V, Pygmalion at work (detail)., Portrait of madame Marie du Tour Vuillard (1695- 1759) née Robin 및 Bust Portrait of Louis XV. 위 순위는 각 작품의 제작 연도와 소장 박물관을 나타냅니다.
저희 카탈로그에는 1730년부터 1771년 사이의 루이미셸 반 로 작가의 작품 52점이 수록되어 있습니다.
대부분 프라도 미술관 (마드리드), Opera House (Versailles) 및 국립 미술관 (스톡홀름)에 소장되어 있습니다. 위의 박물관 목록에서 전체 목록을 확인하실 수 있습니다.
1760s 동안: 이 페이지의 총 49점의 작품 중 14점이 해당 시기에 제작되었으며, 그중 Sextet점입니다.
이 페이지에서 가장 오래된 작품은 Pygmalion at work (detail). (1730)이며, 가장 최근 작품은 Portrait of Jacques de Heusy (1771)입니다.
이 페이지의 49점의 작품에 걸쳐 있는 Man (20), Woman (17) 및 Lace (15)
이 페이지의 총 49점의 작품 중 30점의 Oil On Canvas
이 페이지의 원작들을 기준으로 볼 때, Rococo
Elisabeth Farnese, Queen of Spain, Louise-Élisabeth of France, Wife of the Infante Philip, Future Duke of Parma 및 Felipe de Borbón y Farnesio, Infante of Spain, Duke of Parma: 프라도 미술관, 마드리드은(는) 이 페이지에 있는 작품 중 7점을 소장하고 있습니다.